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Ethansroom © Noah Tidmore
Music, PremieresSeptember 12, 2023<September 12, 2023

Premiere: ethansroom Learns to Let Go in “Laughing Out Loud,” a Dusty & Cinematic Indie Rock Reverie

by Mitch Mosk
Wilderado © Laura Webster
Columns, Music, Today's SongSeptember 12, 2023<September 12, 2023

Today’s Song: Wilderado Paint a Warm Western Landscape Somewhere “In Between” Right Here and Now

by Mitch Mosk
Looms © 2023
Music, PremieresSeptember 11, 2023<September 11, 2023

Premiere: Looms’ New Single “The Water” Depicts the Heavy Weight of a Sinking Friendship

by Mitch Mosk
Bruce Springsteen: Between What’s Flesh and What’s Fantasy © Aidan Moyer
Concerts, Music, ReviewsSeptember 11, 2023<January 6, 2024

Between What’s Flesh & What’s Fantasy: Bruce Springsteen and His Hometown at MetLife Stadium, NJ

by Aidan Moyer
Christine and the Queens and SG Lewis © 2023
Columns, Music, Today's SongSeptember 11, 2023<September 11, 2023

Today’s Song: Christine and the Queens Takes “To be honest” to the Dance Floor with SG Lewis Remix

by Julia Dzurillay
corner club © Vincent Po
Columns, Music, Today's SongSeptember 9, 2023<September 11, 2023

Today’s Song: corner club Ponder Mortality and the Love We Leave Behind in “when i die”

by Sophie Severs
Atwood Magazine's Weekly Roundup | September 8, 2023
Columns, Features, Music, Weekly RoundupSeptember 8, 2023<September 11, 2023

Atwood Magazine’s Weekly Roundup: September 8, 2023

by Atwood Magazine Staff
Boyish © Stolen Besos (Maya)
Features, Interviews, Music, Track-by-TrackSeptember 8, 2023<September 8, 2023

Feature: Boyish Turn Teenage Trauma into Soul-Stirring Sound on ‘Little Demon Boy’

by Mitch Mosk
PRONOUN © Merissa Blitz
Columns, Music, Today's SongSeptember 8, 2023<September 8, 2023

THWACK! PRONOUN Takes the Hits in “SLAP ME IN THE FACE,” Reckoning with a Big, Ugly World

by Mitch Mosk
Sylvan Esso at Hinterland Music Festival © Andrea Escobar
Festival, Music, ReviewsSeptember 8, 2023<September 8, 2023

2023 Hinterland Music Festival: A Hidden Gem in the Midwest Festival Scene

by Nick Polak
Pearl - Bobby Bazini
Features, Interviews, Music, Track-by-TrackSeptember 7, 2023<September 7, 2023

Track-by-Track: Bobby Bazini Breaks Down ‘Pearl,’ His Cinematic, Cathartic, & Soul-Stirring Fifth LP

by Mitch Mosk
Barbaro © Wolfskull Creative
Columns, Music, Today's SongSeptember 7, 2023<September 7, 2023

Today’s Song: The Beauty & the Aching of Barbaro’s Evergreen “Gardens”

by Mitch Mosk
Another Door - maeve & quinn
Debut, Music, PremieresSeptember 7, 2023<September 7, 2023

Premiere: maeve & quinn Explore Dynamic Friendship & Selfhood in Debut Album ‘Another Door’

by Nic Nichols
Anna Rose "Last Girl of the Rodeo" © Alexa King
Features, Interviews, Music, Track-by-TrackSeptember 6, 2023<September 8, 2023

“Truth in Costume”: Anna Rose Is Unleashed & Empowered on ‘Last Girl of the Rodeo,’ Her Tragic, Soul-Stirring Reckoning

by Mitch Mosk
Tom Speight © Scarlet Page
Features, Interviews, Music, Track-by-TrackSeptember 6, 2023<September 14, 2023

‘Love & Light’: Tom Speight Goes Track-by-Track Through His Breathtakingly Beautiful Third Album

by Mitch Mosk
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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