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Nicotine Dolls © Hannah Greve
Features, Interviews, Music, Track-by-TrackJanuary 12, 2024<January 12, 2024

Feature: Nicotine Dolls’ ‘How Do You Love Me’ EP is the Soundtrack to a Soul Unleashed & Exposed

by Mitch Mosk
Wonder, Won't You? - Harrison Storm
Debut, Features, Interviews, Music, Track-by-TrackJanuary 12, 2024<January 12, 2024

Track-by-Track: Harrison Storm’s Debut LP ‘Wonder, Won’t You?’ Is an Intimate Indie Folk Diary of Human Experience

by Mitch Mosk
BEL © SJ Spreng
Features, Interviews, Music, Track-by-TrackJanuary 11, 2024<January 11, 2024

“Honest, Raw, & Reflective”: Bel’s ‘Read the Room’ EP Is an Impassioned, Empowered Eruption

by Mitch Mosk
Brenn! © Chase Denton & Working Holiday
Columns, Music, Today's SongJanuary 11, 2024<January 11, 2024

Artist to Watch: Brenn! Weaves a Buoyant, Bittersweet Folk-Pop Reverie in “Valapriso”

by Mitch Mosk
Birksie "Tug of War" © David Od
Debut, Music, PremieresJanuary 10, 2024<January 10, 2024

Premiere: Birksie Debuts With Blustering Folk Rock Passion in “Tug of War”

by Mitch Mosk
Boys Like Girls © Matty Vogel
Features, Interviews, MusicJanuary 10, 2024<January 10, 2024

Interview: Boys Like Girls Are Back With ‘Sunday at Foxwoods,’ and Martin Johnson Is Leading the Charge

by Josh Weiner
Joshua Crumbly © Lauren Morgan
Music, Music Videos, PremieresJanuary 10, 2024<January 10, 2024

Premiere: Joshua Crumbly Dwells in Dreamy Reverie on “steps” ft. Samora Pinderhughes

by Mitch Mosk
The Vaccines 'Pick-Up Full of Pink Carnations' © Wrenne Evans
Features, Interviews, MusicJanuary 10, 2024<January 10, 2024

Interview: The Vaccines’ Justin Young on the Space Between Reality & Expectation in ‘Pick-Up Full of Pink Carnations’

by Guest Writer
Why Does Love Mean Loss? EP - Slaney Bay
Features, Interviews, MusicJanuary 9, 2024<January 9, 2024

Interview: London’s Slaney Bay Embrace the Highs & Lows of Human Experience in ‘Why Does Love Mean Loss?’ EP

by Mitch Mosk
Eyedress and The Marías © Elvia Vicuna
Columns, Music, Today's SongJanuary 9, 2024<January 9, 2024

Today’s Song: Eyedress Discovers His Place in “A Room Up in the Sky” ft. The Marías

by Sofia Sar
Ratboys © Alexa Viscius
Interviews, MusicJanuary 8, 2024<January 8, 2024

Interview: Meet Ratboys, a Chicago Band Standing at ‘The Window’ of Opportunity

by Josh Weiner
Wisp © courtesy of the artist
Artist to Watch, Columns, Debut, Music, Today's SongJanuary 8, 2024<January 8, 2024

Artist to Watch: Wisp Delivers Shiver-Inducing Shoegaze With a Tender, Loving Twist in “Once then we’ll be free”

by Mitch Mosk
Dhani Harrison collage © Aidan Moyer
Features, Interviews, MusicJanuary 7, 2024<January 8, 2024

The River Flows At Its Own Speed: An Interview With Dhani Harrison

by Aidan Moyer
Hovvdy "Bubba" © Adam Alonzo
Columns, Music, Today's SongJanuary 7, 2024<January 13, 2024

Today’s Song: Restraint and Release in Hovvdy’s “Bubba”

by Hannah Burns
Danny Dwyer © Noah Talas
Columns, Music, Today's SongJanuary 6, 2024<January 5, 2024

Today’s Song: Danny Dwyer’s “Asthma” (Billy Lemos Remix) Is a Celebration of Life & Friendship

by Eric Schuster
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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