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YOASOBI © 2023
Features, Interviews, MusicAugust 4, 2023<August 4, 2023

“Turning novels into music:” A Storied Conversation With YOASOBI

by Danny Vagnoni
Atwood Magazine's Weekly Roundup | August 4, 2023
Columns, Features, Music, Weekly RoundupAugust 4, 2023<August 4, 2023

Atwood Magazine’s Weekly Roundup: August 8, 2023

by Atwood Magazine Staff
Dead & Co at Cornell's Barton Hall © Jay Blakesberg 2023
Concerts, Editorials, MusicAugust 4, 2023<August 4, 2023

“Nothing left to do but smile, smile, smile”: My Summer Following Dead & Company’s Farewell Tour

by Max Kalnitz
"lilac" - TALIA © Tristan Webster
Columns, Music, Today's SongAugust 4, 2023<August 4, 2023

Today’s Song: TALIA’s Dynamic & Expansive “lilac” Finds Solace in Solitude

by Mitch Mosk
OK Hotel © 2023
Features, Interviews, Music, Track-by-TrackAugust 3, 2023<August 3, 2023

Feature: OK Hotel’s Heavy-Hitting ‘Come and Find Me’ EP Is a Seismic Gut-Punch

by Mitch Mosk
SHADOWKASTERS - The Rocket Summer
Features, Interviews, Music, Track-by-TrackAugust 3, 2023<August 3, 2023

“Coexistence of Dark and Bright”: The Rocket Summer Dives into ‘SHADOWKASTERS,’ His Fiery & Free-Spirited 8th LP

by Mitch Mosk
Saturn 17 © 2023
Columns, Music, Today's SongAugust 3, 2023<August 3, 2023

Today’s Song: Getting Drawn into the Orbit of saturn 17 with “magazine”

by Marissa DeLeon
Mouraine © Mat Dunlap
Debut, Features, Interviews, Music, Track-by-TrackAugust 3, 2023<August 3, 2023

In Search of Gold: Mouraine Shines With Passion & Purpose on Radiant Debut Album

by Mitch Mosk
By Now - Jessica Woodlee
Columns, Music, Today's SongAugust 2, 2023<August 2, 2023

Today’s Song: Jessica Woodlee Explores How to React When Things Don’t Go As Planned on “By Now”

by Josh Weiner
Blondes © Charlie Harris
Features, Interviews, Music, Track-by-TrackAugust 2, 2023<August 2, 2023

Track-by-Track: Blondes’ ‘In Separation’ EP Is an Oasis of Raw Emotion & Radiant Energy

by Mitch Mosk
There are certain chord preferences that sound the “best.”
Editorials, MusicAugust 2, 2023<August 2, 2023

The Prevalence (or Disappearance) of Four-Chord Songs

by Julia Dzurillay
The Bright Light Social Hour © Jaycee Grover
Music, PremieresAugust 2, 2023<August 2, 2023

Premiere: The Bright Light Social Hour Deliver Smoldering Psychedelia on “Lifers Only” Off 5th Album, ‘Emergency Leisure’

by Mitch Mosk
KARD © Freya Rinaldi
Features, Interviews, MusicAugust 2, 2023<August 2, 2023

Interview: Co-ed K-Pop Group KARD Speaks on Challenging the Norm & Taking Risks at the Dallas Stop of Their World Tour

by Freya Rinaldi
Little Fuss © Caleb Whelan
Features, Music, Premieres, Track-by-TrackAugust 2, 2023<August 2, 2023

EP Premiere: Boston’s Little Fuss Sizzle & Soar on the Irresistible ‘Lovely Distraction’

by Mitch Mosk
Sofia Machray © Olivia Melhop
Features, Interviews, Music, Track-by-TrackAugust 1, 2023<August 4, 2023

“Letters to my future self”: Sofia Machray Speaks the ‘Language of Flowers’ on Her Delicate & Dynamic Debut EP

by Mitch Mosk
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Brand New

  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”

:: discover something new ::

Recent Posts

  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
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