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Atwood Magazine's Weekly Roundup | October 6, 2023
Columns, Features, Music, Weekly RoundupOctober 6, 2023<October 9, 2023

Atwood Magazine’s Weekly Roundup: October 6, 2023

by Atwood Magazine Staff
Georgia Gets By 'Fish Bird Baby Boy' © Silken Weinberg
Debut, Features, Interviews, Music, Track-by-TrackOctober 6, 2023<October 6, 2023

“Unrestrained Femme Catharsis”: BROODS’ Georgia Nott Is Reborn & Unleashed As Georgia Gets By

by Mitch Mosk
M. Dunton © 2023
Interviews, MusicOctober 6, 2023<October 6, 2023

Interview: Mike Dunton Transports Listeners to a Whole Other Time & Place With “Hotel Lobby”

by Chloe Robinson
Colbie Caillat 'Along the Way' © Patrick Tracy
Features, Interviews, MusicOctober 6, 2023<October 10, 2023

A Musical Rebirth: Colbie Caillat Talks New Album ‘Along the Way,’ Nashville, and Being a Woman in the Music Industry Today

by Emily Frances Algar
Amethysts © 2023
Music, Music Videos, PremieresOctober 5, 2023<October 5, 2023

Premiere: Amethysts Dwell in the Deep End on “Bloodline,” a Moody, Brooding, & Beautiful Dreampop Reverie

by Mitch Mosk
Captain Obvious - Raia Was
Features, Interviews, Music, Track-by-TrackOctober 5, 2023<October 5, 2023

“Big Sky Energy”: NYC’s Raia Was Is ‘Captain Obvious’ on Her Seductive & Soul-Stirring Sophomore Album

by Mitch Mosk
Flarelight © 2023
Music, PremieresOctober 5, 2023<October 5, 2023

Premiere: Queen’s Brian May Joins Flarelight on “Glimmer,” a Hopeful & Hard-Hitting Alt-Rock Fever Dream

by Mitch Mosk
Birthh © Allegra Toran
Features, Interviews, MusicOctober 5, 2023<October 5, 2023

“This is what my heart sounds like”: Birthh Bares Her Soul on Third Album ‘Moonlanded’

by Mitch Mosk
Sarah Johnson © 2023
Columns, Music, Today's SongOctober 4, 2023<October 4, 2023

“Cool” Girls and the Male Gaze: Sarah Johnsone’s “Sofia” Is a Seductive Critique

by Mitch Mosk
Artifacts - Hello June © Rafael Barker
Features, Interviews, Music, Premieres, Track-by-TrackOctober 4, 2023<October 4, 2023

Album Premiere: Hello June’s ‘Artifacts’ Is a Spirited, Churning, & Charged Sophomore Triumph

by Mitch Mosk
Shaky Knees - Kid Bloom
Music, ReviewsOctober 4, 2023<October 4, 2023

Review: Kid Bloom’s ‘Shaky Knees’ Is the Soundtrack to a Never-Ending Summer

by Eric Schuster
Laugh Track, The National's tenth album, released on September 18, 2023! 9.4
Music, Our Take, ReviewsOctober 4, 2023<October 4, 2023

Our Take: The National Go Back to the Well with the Soul-Stirring ‘Laugh Track,’ Their Second LP of 2023

by Beau Hayhoe
Doja Cat © Jacob Webster 7.7
Music, Our Take, ReviewsOctober 4, 2023<October 3, 2023

Our Take: A New-Look Doja Cat Smothers All Her Demons on ‘Scarlet’

by Josh Weiner
Atwood Magazine's Tunes & Tumblers Podcast!
Music, Podcast, Tunes & TumblersOctober 3, 2023<October 3, 2023

Podcast: Tunes & Tumblers’ September Roundtable ft. AI Boyfriends, NFL Fails, & Olivia Rodrigo’s ‘GUTS’ (feat. Madeline Maye)

by Atwood Magazine Staff
Bahamas © Dave Gillespie
Features, Interviews, MusicOctober 3, 2023<October 11, 2023

‘BOOTCUT,’ Uncut: Bahamas’ Afie Jurvanen Talks Country Music, Hip-Hop, Ralph Lauren, & Human Connection

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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