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Akenya © Leah Wendzinski
Columns, Interviews, Music, Today's SongDecember 19, 2023<December 20, 2023

Interview: Akenya on Self-Mythology, Astrology, and New Single “Hades Moon”

by Mariel Fechik
The Best EPs of 2023!
Features, Lists, MusicDecember 19, 2023<January 7, 2024

The 36 Best EPs of 2023

by Atwood Magazine Staff
Lil Dicky's “Mr. McAdams” music video
Music, Reviews, This Just InDecember 18, 2023<December 18, 2023

Lil Dicky Shoots His Shot in “Mr. McAdams,” the Charmingly Smooth Lead Single Off ‘PENITH (The DAVE Soundtrack)’

by Mitch Mosk
Kid Prexy © 2023
Columns, Music, Today's SongDecember 18, 2023<December 19, 2023

Today’s Song: Kid Prexy Strikes a Chord of Teenage Bliss on Rapturous Pop-Punk Banger “I Think That You’re Pretty”

by Grace Holtzclaw
Switchfoot "Christmas" © 2022
Features, Interviews, Mistletones, MusicDecember 18, 2023<January 9, 2025

“Christmas is an emotional treasure chest”: Switchfoot’s Jon Foreman on Finding the Holiday Spirit With ‘this is our Christmas album’

by Mitch Mosk
Joss Stone © Nolan Knight
Features, Interviews, Mistletones, MusicDecember 18, 2023<December 18, 2023

“I can literally smell Christmas is coming”: Joss Stone Wishes All a ‘Merry Christmas, Love’ on Her Classic, Soulful Christmas Album

by Mitch Mosk
Atwood Magazine's Mistletones 2023, Pt. 1
Features, Interviews, Lists, Mistletones, MusicDecember 18, 2023<December 21, 2023

Atwood Magazine Presents Mistletones: 2023’s Best New Holiday Songs, Pt. 1!

by Atwood Magazine Staff
Quinn Sullivan © 2023
Columns, Music, Today's SongDecember 17, 2023<December 15, 2023

Today’s Song: Quinn Sullivan Kicks Off New Era With “Salvation (Make Me Wanna Pray)”

by Noah Wade
Tunes & Tumblers x Oh Land 2023
Music, Podcast, Tunes & TumblersDecember 16, 2023<December 16, 2023

Podcast: Tunes & Tumblers Features Oh Land and the You Soup

by Atwood Magazine Staff
Johnny Orlando © Kyla Mah
Columns, Music, Today's SongDecember 16, 2023<December 15, 2023

Johnny Orlando Ends ‘The Ride’ With “Close to You” & “Thinking of Me,” a Poignant & Vulnerable Production

by Lauren Hicks
Atwood Magazine's Weekly Roundup | December 15, 2023
Columns, Features, Music, Weekly RoundupDecember 15, 2023<December 16, 2023

Atwood Magazine’s Weekly Roundup: December 15, 2023

by Atwood Magazine Staff
Firewoodisland © Dave Newbould
Features, Interviews, Music, Track-by-TrackDecember 15, 2023<December 15, 2023

Track-by-Track: Firewoodisland Enchant & Inspire on Achingly Intimate EP, ‘As Long As I Go’

by Mitch Mosk
Hayfitz © Sebastian Vericella
Features, Interviews, Music, Track-by-TrackDecember 15, 2023<December 15, 2023

“Intimate, Vulnerable, & Gay”: Hayfitz Dwells in the Unrequited Depths of ‘Everything Else,’ His Dreamy Sophomore LP

by Mitch Mosk
Mumble Tide © 2023
Artist to Watch, Columns, Music, Today's SongDecember 15, 2023<December 15, 2023

Artist to Watch: Mumble Tide Shine With Raw, Unfiltered Passion on “Kindest” & “The Start Over”

by Mitch Mosk
milk. © 2023
Features, Interviews, MusicDecember 14, 2023<December 14, 2023

“Clear, Honest, & Deliberate”: Dublin’s milk. Dwell in Identity Crises on Enthralling ‘3, the EP.’

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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