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B-Drop
Music, PremieresOctober 17, 2023<April 7, 2024

Premiere: B-Drop Worldwide Showcases VALÉ & Foxtide

by Mitch Mosk
Katelyn Tarver © JT Clemente
Concerts, Music, ReviewsOctober 17, 2023<October 17, 2023

Live Review: Katelyn Tarver Brings an Intimate Energy to Houston on Her Compliments Only Tour

by Kelly McCafferty Dorogy
Ursa Major Revelation © Ursula Strauss
Debut, Music, Premieres, Track-by-TrackOctober 17, 2023<October 17, 2023

EP Premiere: Ursa Major Revelation Debut With ‘Big Baby,’ a Seductive Futurepop Reverie

by Mitch Mosk
Sydney Sprague © Michael Carter
Features, Interviews, MusicOctober 16, 2023<October 16, 2023

Trauma, Gossip, & Raccoon Memes: Sydney Sprague Dives into the Depths of ‘somebody in hell loves you’

by Mitch Mosk
Doja Cat © Jacob Webster
Music, ReviewsOctober 16, 2023<October 16, 2023

Doja Cat’s ‘Scarlet’ Is a Rap-Centric Pivot for the Superstar

by Eric Schuster
Mike Sabath © Oliver Pearson
Columns, Music, Today's SongOctober 15, 2023<October 15, 2023

Today’s Song: Mike Sabath’s “Life” Is an Honest Offering That Will Resonate With Us All

by Chloe Robinson
Last Dinosaurs © Andre Cois
Columns, Music, Today's SongOctober 14, 2023<October 14, 2023

Today’s Song: Last Dinosaurs Melt Hearts With New Single “Walking on Ice”

by Julia Dzurillay
Rob Grant 'Lost at Sea' © Chuck Grant
Debut, Features, Interviews, MusicOctober 13, 2023<October 13, 2023

Interview: ‘Lost at Sea’ with Rob Grant, Lana Del Rey’s Ambient Music-Making Father

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 13, 2023
Columns, Features, Music, Weekly RoundupOctober 13, 2023<October 16, 2023

Atwood Magazine’s Weekly Roundup: October 13, 2023

by Atwood Magazine Staff
Robert Kretzschmar © Noel Richter
Debut, Features, Music, Premieres, Track-by-TrackOctober 12, 2023<October 12, 2023

Melancholy, Warmth, & Relaxation: Robert Kretzschmar’s Debut Album Is a Beautifully Tender Alt-Folk ‘Homecoming’

by Mitch Mosk
E POI SIAMO FINITI NEL VORTICE - Annalisa
Music, ReviewsOctober 12, 2023<October 12, 2023

Album Review: Annalisa’s ‘E POI SIAMO FINITI NEL VORTICE’ at the Edge of the World

by David Buyze
Katie Gregson-MacLeod © Harvey Pearson
Artist to Watch, Columns, Music, Today's SongOctober 12, 2023<October 12, 2023

Artist to Watch: Getting Vulnerable With Katie Gregson-MacLeod’s Aching Anthem, “Your Ex”

by Mitch Mosk
Jordan Lindley © Chelsea Rochelle
Music, PremieresOctober 12, 2023<April 24, 2024

Premiere: The Raw Ache, Weight, & Intimacy of Jordan Lindley’s Love Song, “Me & The Spiders”

by Mitch Mosk
Sister. © 2023
Columns, Music, Today's SongOctober 11, 2023<October 11, 2023

Today’s Song: The Raw Connection & Soul-Stirring Vulnerability of sister.’s “Abundance”

by Mitch Mosk
Pierre Kwenders © Kim Yang
Interviews, MusicOctober 11, 2023<October 11, 2023

Interview: Pierre Kwenders Is a Congolese-Canadian Artist Shining as Brightly as the Full Moon

by Josh Weiner
Posts pagination
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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