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Abby Holliday © Luke Holliday 2023
Features, Interviews, MusicMay 18, 2023<May 19, 2023

Interview: On ‘I’M OK NO I’M NOT,’ Abby Holliday Soundtracks Her Quarter-Life Crisis with Tasteful Turbulence & Bold Tenacity

by Mitch Mosk
The Backseat Lovers © Travis Bailey
Concerts, Music, ReviewsMay 18, 2023<May 18, 2023

Concert Review: The Backseat Lovers are Growing – and Fast!

by Miles Campbell
Lauds © Mary Hannah Riley
Debut, Features, Interviews, Music, PremieresMay 18, 2023<May 18, 2023

Feature: Wilmington’s Lauds Debut with ‘Imitation Life,’ a Reflective, Shadowy, & Uplifting Dream Pop Reckoning

by Mitch Mosk
XIE © Brandon Densley
Asian American and Pacific Islander Heritage Month, Columns, Editorials, MusicMay 18, 2023<May 18, 2023

“A New Breed, a New Generation”: An Essay by XIE for AAPI Heritage Month

by Guest Writer
Dizzy © Boy Wonder
Features, Interviews, MusicMay 18, 2023<May 18, 2023

Putting Their Foot Down: Dizzy’s Katie Munshaw Talks Dogs, Adulthood, Maturity, & the Band’s Bold Third Album

by Claire Meyer
Albert Hammond Jr. © Scottie Cameron
Columns, Music, Today's SongMay 18, 2023<May 18, 2023

Today’s Song: Albert Hammond Jr. Weaves Through the Past on Energetic Single “Old Man”

by Beau Hayhoe
OK Cool © Kennedy Cottrell
Features, Interviews, Music, Track-by-TrackMay 17, 2023<May 17, 2023

“A Rabbit Hole of Digital Grief”: OK Cool’s Visceral, Vulnerable, & Raw ‘fawn’ EP

by Mitch Mosk
KESMAR © Jenaya Okpalanze
Columns, Music, Today's SongMay 17, 2023<May 17, 2023

That ’70s Song: The Golden, Glistening Glow of KESMAR’s “Is It You I Miss”

by Mitch Mosk
Rachel Croft © Andy Little
Music, PremieresMay 17, 2023<May 17, 2023

Premiere: Rachel Croft’s Smoldering “I Won’t Turn You Away” Is a Cinematic Reckoning with Grief & Loss

by Mitch Mosk
Delfest 2023
Festival, Music, PreviewsMay 17, 2023<May 17, 2023

Preview: DelFest 2023 Features Some of the Brightest Stars in Bluegrass Today

by Christopher Snyder
Olivia Jean © Erica Salazar
Concerts, Music, ReviewsMay 17, 2023<May 17, 2023

Live Review: Olivia Jean’s ‘Raving Ghost’ Comes to NYC in a Heavy & Sophisticated Performance

by Jamie Kahn
Ithys © Francesca Sostar
Features, Interviews, MusicMay 17, 2023<May 17, 2023

Interview: Korean Rapper Ithys’ Artistic Identity Journey

by Lilly Eason
Moment - Gal Musette © Alex Justice
Columns, Music, Today's SongMay 16, 2023<May 16, 2023

Today’s Song: Processing Grief in the “Moment” with Gal Musette’s Achingly Beautiful Fever Dream

by Mitch Mosk
Auld © 2023
Music, PremieresMay 16, 2023<May 16, 2023

“This guilt-free fun don’t come around often”: Auld Premieres “I’m Exercising,” a Free-Spirited Song of Reverie & Reckoning

by Mitch Mosk
Pictoria Vark © Evan Parness
Features, Interviews, MusicMay 16, 2023<May 16, 2023

Interview: Making Peace with the Past & Looking to the Future with Pictoria Vark

by Sophie Severs
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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