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Pretoria © Brady Olson
Interviews, Music, Track-by-TrackJuly 30, 2025<July 30, 2025

Track-by-Track: Pretoria Are Living Out Loud on ‘If We’re Pretending,’ an EP of Change, Authenticity, & the Art of Letting Go

by Miranda Urbanczyk
mary in the junkyard "drains" © Vittoria Pagliaro
Artist to Watch, Interviews, MusicJuly 30, 2025<July 30, 2025

Slipping Down the “Drains” with mary in the junkyard: British Band-to-Watch on Chaos, Connection, & Catharsis

by Mitch Mosk
Chet Faker © CaptureCharles
Columns, Music, Today's SongJuly 30, 2025<July 29, 2025

Today’s Song: Chet Faker Transports Listeners to the “Far Side of the Moon” on His Latest Single

by Ashley Littlefield
'Bono: Stories of Surrender' promotional poster
Film, Music, ReviewsJuly 29, 2025<July 29, 2025

Film Review: ‘Bono: Stories of Surrender’ & Becoming in the World

by David Buyze
Joan Baez and Bob Dylan performing during the Civil Rights March on Washington, D.C., 1963. With permission from the National Archives.
Editorials, MusicJuly 29, 2025<July 29, 2025

Bob Dylan’s “I Shall Be Released”: It Was Never About Prison

by Guest Writer
Liam Bauman © Rachel Weber
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 29, 2025<July 29, 2025

Artist to Watch: Liam Bauman’s “Old Friends” Is a Raw, Unfiltered Reckoning with Grief, Guilt, & Emotional Fallout

by Mitch Mosk
Daphne Gale © 2025
Music, ReviewsJuly 29, 2025<July 29, 2025

Lionhearted: ‘NIL SATIS’ and Daphne Gale’s Evolution

by Hannah Burns
Ryan Cassata © Molly Louise Hudelson
Features, Interviews, MusicJuly 29, 2025<July 29, 2025

Feature: Ryan Cassata’s Healing Is a Beautiful Balm to Us on ‘Greetings from Echo Park’

by Oliver Crook
Gigi Perez © Caity Krone
Columns, Music, Today's SongJuly 29, 2025<July 29, 2025

Today’s Song: Gigi Perez’s “Twister” Is a Swirling Mystical Ballad Confronting New Worlds and Auto-Tune

by Andrew Lamson
Soft Loft © Flavio Leone
Features, Interviews, Music, Track-by-TrackJuly 28, 2025<November 6, 2025

Track-by-Track: Soft Loft Illuminate Longing, Intimacy, & Emotional Release on Their Lush ‘Modern Roses’ EP

by Mitch Mosk
Folk Bitch Trio © Copper Taylor-Bogaars
Debut, Features, Interviews, MusicJuly 28, 2025<July 29, 2025

Interview: Folk Bitch Trio’s Debut Delivers Gutsy Lyrics and Gorgeous Harmonies

by Aileen Goos
Fejká © Helena Majeswka
Interviews, MusicJuly 28, 2025<July 28, 2025

Interview with Fejká: Chasing EDM Inspiration, From the Black Forest to the Canary Islands

by Josh Weiner
FLETCHER © Carissa Gallo
Music, Reviews, Track-by-TrackJuly 28, 2025<July 28, 2025

Naked Truth in Acoustic Haze: A Love Letter to Self in FLETCHER’s ‘Would You Still Love Me If You Really Knew Me?’

by Danielle Holian
Reneé Rapp © Zora Sicher
Columns, Music, Today's SongJuly 28, 2025<July 28, 2025

Reneé Rapp’s “Why Is She Still Here?” Is a Seductive Reckoning with Being Second Best

by Ari White
Jade Bird © 2025
Columns, Music, Today's SongJuly 27, 2025<July 30, 2025

Today’s Song: Jade Bird Reveals What “Dreams” Are Made of by Uplifting Heartbreak into Optimism

by Ashley Littlefield
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Brand New

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025

:: discover something new ::

Recent Posts

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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