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Atwood Magazine's Weekly Roundup | June 24, 2022
Columns, Features, Music, Weekly RoundupJune 24, 2022<June 29, 2022

Atwood Magazine’s Weekly Roundup: June 24, 2022

by Atwood Magazine Staff
Muna © Isaac Schneider
Features, Interviews, MusicJune 24, 2022<April 24, 2025

“All Killer, No Filler”: MUNA Discuss Joy & Desire on Their Self-Titled Third Album

by Nasim Elyasi
WANT - Johnny Hunter 10
Debut, Features, Interviews, Music, Track-by-TrackJune 24, 2022<July 2, 2022

“Welcome to your existence”: Johnny Hunter Triumph with Debut ‘WANT’, a Cinematic Post-Punk Masterpiece

by Mitch Mosk
OSKA © Hanna Fasching
Features, Interviews, Music, Track-by-TrackJune 24, 2022<June 28, 2022

“My world, My love, Paris”: Vienna’s OSKA Shines on Her Beautifully Warm & Wondrous Debut Album

by Mitch Mosk
Spacey Jane © Sam Hendel
Features, Interviews, Music, Track-by-TrackJune 24, 2022<August 14, 2022

‘Here Comes Everybody’: Inside Spacey Jane’s Spirited, Resilient, & Triumphant Sophomore Album

by Mitch Mosk
Quinn Christopherson © Emma Shaffer
Columns, Essays, Music, Pride MonthJune 24, 2022<June 23, 2022

“Family Gifts”: A Pride Month Essay by Quinn Christopherson

by Guest Writer
Like I Used To - Sharon Van Etten x Angel Olsen © Dana Trippe
Columns, Music, Today's SongJune 24, 2022<June 24, 2022

Today’s Song: Sharon Van Etten and Angel Olsen’s “Like I Used To” Is a Beacon of Hope

by Sophie Prettyman-Beauchamp
Soccer Mommy © Sophie Hur
Music, ReviewsJune 24, 2022<June 24, 2022

Review: Soccer Mommy Quivers Unapologetically in Third Album ‘Sometimes, Forever’

by Rachel Leong
The Peach Music Festival 2022
Festival, Music, ReviewsJune 23, 2022<June 23, 2022

Preview: The Peach Music Festival Returns to Scranton for Its 10th Anniversary

by Christopher Snyder
wilter © 2022
Features, Interviews, Music, Track-by-TrackJune 23, 2022<July 2, 2022

“Melancholic, Eerie, & Soothing”: Inside wilter’s Debut ‘all this leaving’, a Record of Haunting Depression & Mellow Wonder

by Mitch Mosk
Meyru © Kevin Condon
Features, Interviews, Music, Track-by-TrackJune 23, 2022<August 13, 2022

“Scattered, Smothered, & Covered”: ‘Slow Up’ with Meyru’s Relentless and Charming Sophomore Album

by Mitch Mosk
Flowers of palo © 2022
Columns, Music, Today's SongJune 23, 2022<June 23, 2022

Today’s Song: Flowers of palo Are Blossoming into the Next Indie Powerhouse with “Soho Abode”

by Madeleine Eggen
Rebel Revolution - Sizzy Rocket
Columns, Essays, Music, Pride MonthJune 23, 2022<June 22, 2022

“Let’s Get Wild”: A Pride Month Essay by Sizzy Rocket

by Guest Writer
Tornsey © 2022
Columns, Essays, Music, Pride MonthJune 22, 2022<June 22, 2022

Pride Month Essay: Alternative Pop Artist Tornsey Embraces Change & Honesty for Pride ’22

by Guest Writer
Atwood Magazine's Editor's Picks 68
Columns, Editor's Picks, Features, MusicJune 22, 2022<September 29, 2022

Editor’s Picks 68: Young the Giant, Daulton Hopkins, Cecilia Castleman, Juliana Madrid, FELIVAND, & altopalo!

by Mitch Mosk
Posts pagination
1 … 241 242 243 244 245 … 727

Brand New

  • “The Return of Intuition”: An Essay by Tenille Townes
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”

:: discover something new ::

Recent Posts

  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
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