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Quelle Rox © Carina Allen (@rlyblonde)
Features, Interviews, MusicApril 5, 2022<July 9, 2022

Interview: Quelle Rox’s ‘coffee & a cig’ EP Reminds Us We Need More Powerful Latina Women in Music

by Dimitra Gurduiala
Jessie Reid © Emilie Cotterill
Artist to Watch, Features, Music, Reviews, Track-by-TrackApril 4, 2022<April 4, 2022

“Heartfelt, Vulnerable, & Optimistic”: Jessie Reid Stirs & Stuns on Intimate Mini-Album ‘Other Hand’

by Mitch Mosk
Ben Abraham © Danielle Levitt
Features, Interviews, Music, Reviews, Track-by-TrackApril 4, 2022<April 4, 2022

“The Colliding Worlds of Sexuality & Spirituality”: Ben Abraham Dives Inside His Stunning Sophomore LP, ‘Friendly Fire’

by Mitch Mosk
Parcels © Erik Cesla
Features, Interviews, MusicApril 4, 2022<September 29, 2022

Antithesis par Excellence: Parcels Speak About Their Seismic Record ‘Day/Night’

by Nina Schaarschmidt
Harry Styles © Hanna Moon
Music, ReviewsApril 4, 2022<April 4, 2022

Harry Styles, Change, and “As It Was”

by Nasim Elyasi
The Haunted Youth © 2022
Columns, Music, Today's SongApril 4, 2022<April 4, 2022

Today’s Song: The Haunted Youth Get Intimate & Intricate on New Single “Shadows”

by Beau Hayhoe
TATYANA © Bella Howard
Columns, Music, Women's History MonthApril 2, 2022<February 24, 2025

“I just wanna be a hot nerd, is that too much to ask?”: TATYANA on Her Relationship with Technology & Femininity

by Guest Writer
Miki Ratsula © Ashley Osborn
Debut, Features, Music, Track-by-TrackApril 1, 2022<April 1, 2022

“Vulnerable, Intimate, & Nostalgic”: Miki Ratsula Dives into the Beautiful Depths of Debut Album ‘i owe it to myself’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | April 1, 2022
Columns, Features, Music, Weekly RoundupApril 1, 2022<April 1, 2022

Atwood Magazine’s Weekly Roundup: April 1, 2022

by Atwood Magazine Staff
Kinrose © Maliyah Grant
Debut, Music, ReviewsApril 1, 2022<April 1, 2022

Review: DC’s Kinrose Slides into Spring and Lets Hip-Hop Career Bloom with ‘Easygrowing’ EP

by Josh Weiner
Lose You - Lydia Clowes
Columns, Debut, Music, Today's SongApril 1, 2022<April 1, 2022

Today’s Song: Lydia Clowes’ Dazzling Debut Single “Lose You” Dwells in the Vulnerability of True Intimacy

by Mitch Mosk
Kindsight © Line Hvid
Debut, Reviews, Track-by-TrackMarch 31, 2022<March 31, 2022

Feature: Kindsight Shine on Nostalgic, Honest, & Charming Debut Album ‘Swedish Punk’

by Mitch Mosk
Barrie © Alexa Viscius
Features, Music, Reviews, Track-by-TrackMarch 31, 2022<April 4, 2022

“Lush, Raw, & Cheeky”: Processing Life’s Little Moments with Barrie’s Stunning Sophomore Album, ‘Barbara’

by Mitch Mosk
Walter Martin © Melissa Martin
Columns, Music, Today's SongMarch 31, 2022<March 31, 2022

Walter Martin’s Heartfelt “The Bear” Is an Autobiographical Song of Myth, Mystery, and Hope

by Mitch Mosk
NOTD © 2022
Features, Interviews, MusicMarch 31, 2022<December 5, 2022

Interview: NOTD Perfect the Art of Cry Dancing on “about you” (ft. Nightly)

by Anthony Kozlowski
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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