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Columns, Music, Today's SongAugust 29, 2022<August 29, 2022

Today’s Song: The Emotional Encapsulation of Familial Adoration in Lisabel’s New Single “Flor de Louis”

by Joe Beer
The Happy Fits © Rahil Ashruff
Features, Interviews, Music, Track-by-TrackAugust 26, 2022<September 29, 2022

Feature: Embracing the End Times with The Happy Fits’ Dynamic, Feverish & Charged Third LP ‘Under the Shade of Green’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 26, 2022
Columns, Features, Music, Weekly RoundupAugust 26, 2022<August 26, 2022

Atwood Magazine’s Weekly Roundup: August 26, 2022

by Atwood Magazine Staff
The Howlers © Hattie Neate
Columns, Music, Today's SongAugust 26, 2022<August 26, 2022

Today’s Song: The Howlers Unapologetically Have “Nothing to Lose” in Their Soaring New Single

by Isabella Le
FUR © 2022
Features, Interviews, MusicAugust 26, 2022<August 26, 2022

(Re)setting Foundations and Coming Full Circle with FUR’s ‘Oldies & Goldies’

by Sophie Severs
Spring Summer © Mia Kirby
Debut, Features, Interviews, Music, Track-by-TrackAugust 25, 2022<August 25, 2022

“A Nostalgic Roller Coaster”: Spring Summer Shines on Glistening Debut “Midlife Crisis” Record, ‘T​.​E​.​A​.​R​.​S’

by Mitch Mosk
Ok Cowgirl © Max Brown
Music, PremieresAugust 25, 2022<August 25, 2022

Premiere: Ok Cowgirl Channel Romantic Frustration into Feverish & Spirited New Song “Just Friends”

by Mitch Mosk
CAAMP © Sophia Matinazad
Features, Interviews, MusicAugust 25, 2022<August 25, 2022

Interview: Enjoying the ‘Lavender Days’ with Ohio’s Caamp

by Kelly McCafferty Dorogy
Chris Lanzon © Lara Louise
Columns, Music, Today's SongAugust 25, 2022<August 25, 2022

Chris Lanzon’s “June” (ft. Eluera) Captures What It Means to Have a Love that Is So Close, Yet So Far

by Lauren Hicks
Orpheus - The Beaches © Becca Hamel
Columns, Music, Today's SongAugust 24, 2022<August 24, 2022

Today’s Song: Toronto’s The Beaches Captivate with a Dreamy, Enchanting & Emotional Ode to “Orpheus”

by Mitch Mosk
Blake Brown © Glenn Ross
Music, PremieresAugust 24, 2022<August 24, 2022

Premiere: Searching for Hope with Blake Brown & The American Dust Choir’s “Hold On”

by Mitch Mosk
Madeleine Mayi © 2022
Features, Interviews, Music, Track-by-TrackAugust 23, 2022<August 25, 2022

“Bittersweet, Wishful, & Blunt”: Madeleine Mayi Stirs the Soul with Intimate EP, ‘what happens when it hurts’

by Mitch Mosk
Mo Lowda & The Humble © Caleb Wilson
Features, Interviews, Music, Track-by-TrackAugust 23, 2022<June 25, 2025

“A musical deep breath”: Mo Lowda & the Humble’s Smoldering ‘Lily Pads / Snowbird’ EP

by Mitch Mosk
Christina Perri © Lauren Dunn
Features, Interviews, MusicAugust 23, 2022<August 23, 2022

“My Heartbreak Just Looks Different Now”: Christina Perri on How Her New Album Turned Her ‘A Lighter Shade of Blue’

by Emily Frances Algar
Elijah Wolf © Elle McLogan
Music, PremieresAugust 22, 2022<August 22, 2022

“Pain and Perspective”: Brooklyn’s Elijah Wolf Premieres Emotionally Charged New Single, “Holding This In”

by Mitch Mosk
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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