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chelsea jordan © Mykah Knox
Artist to Watch, Interviews, Music, Today's SongJanuary 10, 2026<January 10, 2026

“When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | January 9, 2026
Columns, Features, Music, Weekly RoundupJanuary 9, 2026<January 9, 2026

Atwood Magazine’s Weekly Roundup: January 9, 2026

by Atwood Magazine Staff
Witch Post "Changeling" © Parker Love Bowling
Artist to Watch, Interviews, Music, Today's SongJanuary 9, 2026<January 9, 2026

“We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling”

by Mitch Mosk
Brigitte Calls Me Baby © Scarlet Page
Debut, Features, Interviews, MusicJanuary 8, 2026<January 8, 2026

Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread

by Mitch Mosk
TOLEDO "Nothing Yet" © 2025
Features, Interviews, Music, Today's SongJanuary 8, 2026<January 8, 2026

“Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet”

by Mitch Mosk
Kings of Leon © Lachlan Duthie
Music, ReviewsJanuary 7, 2026<January 7, 2026

“Dream About Beaches”: Kings of Leon Bask in the Glow of a Fresh Sonic Space on ‘EP #2’

by Ashley Littlefield
Fiji Blue’s Trevor Dering © Joe Hunt
Interviews, MusicJanuary 7, 2026<January 9, 2026

Interview: Fiji Blue’s Trevor Dering Gets Candid on ‘Hug’ and the Moments That Shaped His Music

by Aileen Goos
Wishlist © Lauren Kimber
Debut, Interviews, Music, Today's SongJanuary 7, 2026<January 7, 2026

“Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving”

by Mitch Mosk
The Best Music of 2025, According to Our Favorite Artists!
Features, Lists, MusicJanuary 7, 2026<January 8, 2026

The Best Music of 2025, According to Our Favorite Artists!

by Atwood Magazine Staff
Driving along the coast © Jadon Calvert
Essays, MusicJanuary 6, 2026<January 6, 2026

Essay: Damn You, Music

by Joe McAvoy
Annika Bennett © Caity Krone
Features, Interviews, MusicJanuary 6, 2026<January 6, 2026

Learning to Witness Yourself: Annika Bennett on the Intimacy, Permission, and Surrender of ‘Triple Shooting Star’

by Kelly McCafferty Dorogy
Collage created by Randall Cornish. Chuck Berry image: Creative Commons, Public Domain. Beethoven image: Gordon Johnson from Pixabay.
Essays, MusicJanuary 6, 2026<January 5, 2026

Essay: Roll Over Beethoven, Tell Tchaikovsky the News!

by Guest Writer
DM Arthur © 2025
Interviews, Music, Today's SongJanuary 6, 2026<January 6, 2026

“Wash the Damage Off”: DM Arthur Embraces Resilience, Release, and Renewal on Feel-Good “Fire & Soap”

by Mitch Mosk
Natalie Jane © Lili Skyler
Features, Interviews, MusicJanuary 5, 2026<January 11, 2026

“I Finally Feel Like I Had Something to Say”: Natalie Jane on the World She Didn’t Want, and the One She’s Creating

by Nicolle Knapová
Girl Scout © Lamia Karic
Interviews, Music, Today's SongJanuary 5, 2026<January 12, 2026

“If You Go, I Go, Forever”: Stockholm’s Girl Scout Find Kinship, Conviction, & Belonging on “Same Kids”

by Mitch Mosk
Posts pagination
1 … 23 24 25 26 27 … 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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