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Atwood Magazine's 122nd Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 23, 2025<May 23, 2025

Editor’s Picks 122: Medium Build, The Head and the Heart, Hudson Thames, Lola Young, DE’WAYNE, & Jack Garratt!

by Mitch Mosk
Mariel Buckley © Maggie Geis
Interviews, MusicMay 22, 2025<May 22, 2025

Interview: Mariel Buckley on “Vending Machines,” Restlessness, and Writing Through the Uncertainty

by Joe Beer
Labit © Erica Hernandez
Columns, Music, Today's SongMay 22, 2025<May 22, 2025

Today’s Song: Labit’s “MANGOES AND RICE” Is a Heartfelt Love Letter to His Filipino-American Identity

by Rachel Leong
Lucie Glang © Eike Higgen
Music, Music Videos, PremieresMay 22, 2025<May 22, 2025

Premiere: Lucie Glang Finds Peace Beneath the Surface in Her Intimate & Enchanting “Underwater Skies”

by Mitch Mosk
Emmanuelle June © Christopher Kazolides
Editorials, Mental Health Awareness Month, MusicMay 21, 2025<May 21, 2025

“Not Everyone Deserves Your Story”: A Manifesto for Emotional Sovereignty by Emmanuelle June

by Guest Writer
Volena © Julia Durr
Debut, Features, Interviews, Music, Track-by-TrackMay 21, 2025<May 21, 2025

“This Became a Lifeline”: Volena’s Witchy, Yearning, & Expansive Debut EP Is a Raw Coming-of-Age Reckoning

by Mitch Mosk
Emily Elbert © Shervin Lainez
Music, Music Videos, PremieresMay 21, 2025<May 21, 2025

“Love sing through me”: The Spiritual, Soul-Stirring Surrender of Emily Elbert’s Smoldering “God Is Change”

by Mitch Mosk
Lostboycrow © Ty Frost & Harrison Donchez
Interviews, Music, Track-by-TrackMay 21, 2025<May 21, 2025

Track-by-Track: From Cool Goths to Childhood Friends, Lostboycrow’s ‘The Sound of God Laughing’ Is an Album of Stories

by Aileen Goos
Charli xcx © Stolen Besos
Music, Reviews, This Just InMay 21, 2025<May 21, 2025

Charli xcx’s “party 4 u”: The Song That Waited to Be Loved Finally Gets Its Spotlight

by Danielle Holian
Jeffers Insley "Honey" © 2025
Columns, Music, Today's SongMay 20, 2025<May 20, 2025

Today’s Song: Jeffers Insley Shines Through the Intimate Raw Soundscapes of “Honey”

by Rachel Leong
Jeff Goldblum Swings Again © Kuba Ryniewicz
Features, Interviews, MusicMay 19, 2025<May 19, 2025

Interview: Jeff Goldblum Swings Again with ‘Still Blooming’

by Sage Bava
Rihanna Smurfs "Friend of Mine" © 2025
Columns, Music, Today's SongMay 19, 2025<May 19, 2025

Today’s Song: Smurfette’s Got a Groove with Rihanna’s “Friend of Mine”

by Danielle Holian
Atwood Magazine's 121st Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 16, 2025<May 16, 2025

Editor’s Picks 121: Vienna Vienna, Petey USA, Tennis, Felly, Self Esteem, & JERUB!

by Mitch Mosk
Rose Betts 'There Is No Ship' © Catie Laffoon
Interviews, MusicMay 16, 2025<May 16, 2025

Rose Betts Builds Emotion-Filled Worlds on Her Lush & Layered Sophomore Album ‘There Is No Ship’

by Aileen Goos
Tara Beier © Jessica Castro
Asian American and Pacific Islander Heritage Month, Columns, Editorials, MusicMay 16, 2025<May 16, 2025

“I Bring My Own Thread to the Folk Tapestry”: An Essay by Tara Beier for AAPI Heritage Month

by Guest Writer
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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