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Max McNown © Benjamin Edwards
Features, Interviews, MusicOctober 16, 2025<October 16, 2025

“I think the best music makes people feel less alone”: Max McNown Took the Long Way to Nashville – And the Scenic Route Shows on ‘Night Diving (The Cost of Growing Up)’

by Aileen Goos
Kramies © 2025
Features, Interviews, Music, PremieresOctober 16, 2025<October 16, 2025

“Goodbye Dreampop Troubadour”: Kramies Premieres His Hauntingly Beautiful, Folkloric Album of Reckoning, Rebirth, & Transformation

by Mitch Mosk
myah 'i don't know what i'm feeling' © Raea Palmieri
Debut, Interviews, MusicOctober 15, 2025<October 15, 2025

Interview: myah Doesn’t Always Know What She Is Feeling – And That’s Okay

by Chloe Robinson
Superfan © Ophelia Puccinelli
Artist to Watch, Interviews, Music, Today's SongOctober 15, 2025<October 15, 2025

Artist to Watch: Superfan Channels Quiet Winter Aches into DIY Catharsis on “Miss W Jones,” a Raw & Dreamy Alternative Anthem

by Mitch Mosk
Thelma & James © Bree Fish
Features, Interviews, MusicOctober 15, 2025<October 16, 2025

“We Are Really Happy People, But Life Is Hard”: Thelma & James Embrace the Melancholy & Messiness on Debut EP ‘Starting Over’

by Emily Frances Algar
Ziggy Alberts © Samuel Hall
Features, Interviews, MusicOctober 14, 2025<October 14, 2025

“Poetry Is Inwards; Music Is Outwards”: Ziggy Alberts Opens the Door to Change with ‘New Love’

by Aileen Goos
LOV "Sister Era" © 2025
Interviews, Music, Music Videos, PremieresOctober 13, 2025<October 12, 2025

“I make it my mission to lead my music with love”: In Her “Sister Era,” LOV Finds Power in Letting Go

by Aileen Goos
Atwood Magazine's 133rd Editor's Picks!
Columns, Editor's Picks, Features, MusicOctober 9, 2025<October 22, 2025

Editor’s Picks 133: Louie Blue, Isaia Huron, Bec Lauder, Dear Boy, GUTHRIE, & Arno Sacco!

by Mitch Mosk
Taylor Swift ‘The Life of a Showgirl’ © Mert Alas & Marcus Piggott
Features, Music, Reviews, RoundtableOctober 9, 2025<October 9, 2025

Roundtable Discussion: A Review of Taylor Swift’s ‘The Life of a Showgirl’

by Atwood Magazine Staff
John Lennon in an ensemble that is inexorably tied to his adopted city, based on a photograph by Bob Gruen © Aidan Moyer
Interviews, MusicOctober 9, 2025<October 10, 2025

“¿Qué pasa, New York?” A Conversation with Sam Rice-Edwards on John & Yoko’s ‘One to One’

by Aidan Moyer
Will Paquin 'Hahaha' © Gabriella Mulisano
Debut, Features, Interviews, MusicOctober 9, 2025<October 9, 2025

“I’m Reclaiming the Artistry I Saw in Myself When I Was 13”: Will Paquin on His Freewheeling Debut LP ‘Hahaha’ & Reclaiming the Joy of Youthful Expression

by Marc Maleri
Annalisa & Marco Mengoni "Piazza San Marco" © 2025
Columns, Music, Today's SongOctober 9, 2025<October 9, 2025

Today’s Song: Annalisa & Marco Mengoni’s Stunning “Piazza San Marco” Is a Timeless Portal of Beauty, Memory, & Longing

by David Buyze
Olivia Dean ‘The Art of Loving’ © Lola Mansell 10
Music, Our Take, ReviewsOctober 8, 2025<October 8, 2025

Olivia Dean Embodies ‘The Art of Loving’ with Timeless Grace & Smoldering Soul on Her Breathtaking Sophomore Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 8, 2025
Columns, Features, Music, Weekly RoundupOctober 8, 2025<October 9, 2025

Atwood Magazine’s Weekly Roundup: October 8, 2025

by Atwood Magazine Staff
Sam Burchfield 'Nature Speaks' © Erin Burchfield
Interviews, MusicOctober 8, 2025<October 8, 2025

“Impatience Is One of My Best Qualities”: Sam Burchfield on Change, Fatherhood, Self-Discovery, & the Ways ‘Nature Speaks’ to Him

by Miranda Urbanczyk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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