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Runnner 'A Welcome Kind of Weakness' © Maya Ragazzo
Features, Interviews, MusicSeptember 10, 2025<September 5, 2025

Reflection, Restlessness, and a Set of Car Keys: A Conversation with Runnner’s Noah Weinman on ‘A Welcome Kind of Weakness’

by Madeleine Eggen
Florence + the Machine © Autumn de Wilde
Columns, Music, Today's SongSeptember 10, 2025<September 3, 2025

“Extraordinary and Normal”: Florence + The Machine Uproots Magic, Making “Everybody Scream”

by Ashley Littlefield
Sophia Galaté © Annaliese Baker
Interviews, MusicSeptember 9, 2025<September 5, 2025

Interview: Sophia Galaté Won’t Be Defined By a Genre

by Annaliese Baker
The Reklaws "Never Drinking Again" © 2025
Columns, Music, Today's SongSeptember 9, 2025<September 4, 2025

Today’s Song: “Never Drinking Again” Doubles Down on The Reklaws’ Signature Energy

by Aileen Goos
Katy Perry © Jack Bridgland
Columns, Music, Today's SongSeptember 8, 2025<September 1, 2025

“Who’s gonna save us from losin’ our minds?”: Katy Perry’s “Artificial” Is a Futuristic Fever Dream of Love, Illusion, & Human Connection

by Bárbara Martínez Campuzano
Dean Lewis © Sean Loaney
Features, Interviews, MusicSeptember 8, 2025<September 5, 2025

Interview: Dean Lewis Pushes Past the Breakdowns on ‘The Epilogue (Deluxe)’

by Aileen Goos
Avalon © Andrea Riba
Interviews, MusicSeptember 5, 2025<September 5, 2025

Interview: Avalon Paints a Sonic Cityscape with ‘permanent californian’

by Ashley Littlefield
Jyou "fallin" © 2025
Columns, Interviews, Music, Today's SongSeptember 5, 2025<September 3, 2025

“Vulnerability Is Edgy”: Jyou’s “fallin” is Modern Nostalgia in Motion

by Aileen Goos
Sydney Rose © Sofia Valladares
Features, Interviews, MusicSeptember 4, 2025<September 4, 2025

“I Want to Be as Real and as Vulnerable as Possible”: Finding Peace in Simplicity with Sydney Rose

by Nicolle Knapová
Barton Hollow - The Civil Wars
Interviews, Music, ReviewsSeptember 3, 2025<September 4, 2025

“The Winding Roads That Led Me Here”: Celebrating The Civil Wars’ Iconic ‘Barton Hollow’

by Emily Frances Algar
Jake & Shelby © Emmy Meleika
Columns, Music, PremieresSeptember 3, 2025<September 3, 2025

“I Don’t Wanna Be Fragile”: Jake & Shelby Bare Their Souls in “Fragile,” an Achingly Intimate Indie Pop Confessional

by Mitch Mosk
Luca Wilding "Leonine" © Aisha Schliessler
Columns, Music, Music Videos, PremieresSeptember 3, 2025<September 17, 2025

“Oh Man, He Must Be Free”: Luca Wilding Explores the Duality of Memory in “Leonine,” a Dreamy Indie Folk Song of Grief, Light, & Liberation

by Mitch Mosk
McCartney’s Wings legacy is re-centered in new retrospective material © Aidan Moyer
Music, NewsSeptember 3, 2025<September 3, 2025

No Less, Know More: Paul McCartney on “Daytime Nighttime Suffering”

by Aidan Moyer
Goldie Boutiliere © Greg Swales
Artist to Watch, Interviews, MusicSeptember 3, 2025<September 3, 2025

“Gangster in a Gown”: Goldie Boutilier Steps into Her Prime as ‘Goldie Montana,’ an Outlaw Era of Grit, Glamour, & Bad Decisions

by Mitch Mosk
Nicki Bluhm © Lauren Massie
Music, PremieresSeptember 2, 2025<September 2, 2025

“I’m Just Along for the Ride”: Nicki Bluhm Premieres “Tumbleweed,” a Radiant, Soulful Ode to Surrender & the Present Moment

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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