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Bon Iver 'SABLE, fABLE' © Graham Tolbert 8.6
Music, Our Take, ReviewsApril 24, 2025<April 24, 2025

Our Take: Bon Iver’s ‘SABLE, fABLE’ Is a Love Letter from Sorrow to Salvation

by Danielle Holian
Gemma Laurence © Charlotte Schweiger
Columns, Features, Interviews, Music, Today's SongApril 23, 2025<April 23, 2025

Interview: Gemma Laurence Grants Amnesty to Her Past and Looks Forward in “Bloodlines”

by Sophie Severs
Lucy Kruger & The Lost Boys © Holger Nitschke
Music, PremieresApril 23, 2025<April 22, 2025

Premiere: Lucy Kruger & The Lost Boys Return with “Reaching,” a Slow Burn of Noise and Silence

by Marissa DeLeon
Atwood Magazine's 118th Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 18, 2025<April 28, 2025

Editor’s Picks 118: Bon Iver, Japanese Breakfast, Samia, Michael Marcagi, spill tab, & Djo!

by Mitch Mosk
Trousdale 'Growing Pains' © Alex Lang
Features, Interviews, Music, Track-by-TrackApril 18, 2025<April 18, 2025

Feature: Trousdale’s Inner Light Shines on ‘Growing Pains,’ a Radiant Folk-Pop Record of Resilience, Renewal, & Harmony

by Mitch Mosk
The Driver Era's Rocky and Ross Lynch © Will Wark
Features, Interviews, MusicApril 18, 2025<April 18, 2025

“Pursuing Purpose”: The Driver Era’s Rocky and Ross Lynch on Crafting ‘Obsession’ in the Digital Age

by Nasim Elyasi
Olive Klug © Alex Steed
Music, Music Videos, PremieresApril 18, 2025<April 18, 2025

Premiere: Olive Klug Channels Their Inner Paul Simon in the Freewheeling “Train of Thought,” a Spirited Folk Fever Dream

by Mitch Mosk
Avery Friedman © Mamie Heldman
Debut, Features, Interviews, Music, PremieresApril 17, 2025<April 17, 2025

Album Premiere: Avery Friedman Debuts with ‘New Thing,’ a Raw Reckoning of Becoming, Belonging, & Bold Self-Expression

by Mitch Mosk
Joan Baez "Diamonds and Rust"
Columns, Music, Nostalgia TracksApril 17, 2025<April 17, 2025

“Diamonds and Rust”: The Haunting of Joan Baez

by Audrey Connelly
The Army, The Navy © Lucy Black
Features, Interviews, MusicApril 17, 2025<April 17, 2025

The Army, The Navy Air Their “Dirty Laundry”: Rising Duo Talk Touring, New Music, Mantras, and the Power of Community

by Noa Jamir
Nami © 2025
Columns, Interviews, Music, Today's SongApril 17, 2025<December 15, 2025

“I’m a Student First, Artist Second”: Nami Debuts with Catchy Songwriting, Playful Intensity, & Raw, Unfiltered Self-Expression

by Mitch Mosk
Annie DiRusso © Danica Robinson
Debut, Features, Interviews, MusicApril 16, 2025<April 16, 2025

“It’s me getting myself where I need to go”: Annie DiRusso Explores the Art of Growing Up with Debut Album, ‘Super Pedestrian’

by Madeleine Eggen
The Two Seasons © Olivia Alonso Gough
Music, PremieresApril 16, 2025<April 16, 2025

Premiere: The Two Seasons Riff on Depression, Disassociation, & Digital Decay in “Simulator”

by Mitch Mosk
Mint Simon and Tafari Anthony © Steph Dinsdale
Columns, Music, Today's SongApril 16, 2025<April 16, 2025

Today’s Song: You’ll “Feel Better” with Mint Simon & Tafari Anthony’s Radiant Anthem of Love, Longing, & Liberation

by Mitch Mosk
Matilda Mann © Katie Silvester
Debut, Features, Interviews, MusicApril 15, 2025<April 15, 2025

“This Is Me as an Artist”: Matilda Mann Steps into Herself on Debut Album ‘Roxwell,’ a Record of Self-Discovery, Sonic Freedom, & Coming-of-Age Catharsis

by Kelly McCafferty Dorogy
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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