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Jack Garratt 'Pillars' © Wolf James
Features, Interviews, MusicSeptember 2, 2025<October 6, 2025

“There Are Red Flags All Over the Place”: Jack Garratt’s Big Risks Pay Off on ‘Pillars,’ an Unflinching Album of Love, Scars, & Survival

by Mitch Mosk
The Pretty Reckless © Lewis Cater
Columns, Music, Today's SongSeptember 2, 2025<September 1, 2025

Haunting, Heavy, & Alive: The Pretty Reckless Return with “For I Am Death”

by Danielle Holian
The Clearing - Wolf Alice 7.6
Music, Our Take, PremieresSeptember 1, 2025<September 1, 2025

Our Take: Wolf Alice Step into ‘The Clearing’ With Their Most Confident & Mature Album Yet

by Julia Dzurillay
Lindsey Rose Black © Lauren Bennet
Columns, Music, Today's SongSeptember 1, 2025<September 1, 2025

“You Can’t Take the Cunt, Honey, Out of Country”: Lindsey Rose Black Is Unleashed in a Bold, Queer Feminist Fever Dream

by Mitch Mosk
Medium Build "Last Time" © Tyler Krippaehne
Columns, Music, Today's SongAugust 31, 2025<August 31, 2025

Medium Build Captures Life’s Beauty & the Ache of Endings in “Last Time,” a Smoky, Soulful, & Smoldering Seduction

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 30, 2025
Columns, Features, Music, Weekly RoundupAugust 30, 2025<August 30, 2025

Atwood Magazine’s Weekly Roundup: August 30, 2025

by Atwood Magazine Staff
Alabama Shakes © Bobbi Rich
Columns, Music, Today's SongAugust 30, 2025<August 30, 2025

“Can We Try Again?”: Alabama Shakes Return After a Decade with “Another Life,” a Seductive & Smoldering Fever Dream

by Mitch Mosk
Glom © Sebastian Mejias
Artist to Watch, Interviews, MusicAugust 29, 2025<August 29, 2025

“I want to feel alive”: Glom’s “Glass” Is a Fever Dream of Anxious Beauty & Indie Rock Release

by Mitch Mosk
Angelsaur © Ivan Campos
Interviews, MusicAugust 29, 2025<August 29, 2025

“A Chaotic Feast”: Angelsaur Are Unraveled & Unfiltered on ‘The Girls Are Stressed,’ a Raw Reckoning With Everyday Life

by Mitch Mosk
Maggie Lindemann 'i feel everything' © 2025
Features, Interviews, MusicAugust 29, 2025<August 29, 2025

“This Is a War Cry”: Maggie Lindemann on ‘i feel everything’ and Owning Her Chaos

by Nicolle Knapová
Jeremy Zucker "Garden State" © Hunter Moreno
Music, ReviewsAugust 29, 2025<August 29, 2025

Album Review: Jeremy Zucker’s ‘Garden State’ Is a Poetic Reckoning with Vulnerability, Growing Pains, and Home

by Danielle Holian
Smooth Jazz - Che Noir ft. The Other Guys, 37 Spesh
Columns, Music, Today's SongAugust 29, 2025<August 29, 2025

Today’s Song: Ché Noir and 38 Spesh Are Cashing in on Lessons with “Smooth Jazz”

by Jonah Evans
Atwood Magazine's 132nd Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 28, 2025<September 6, 2025

Editor’s Picks 132: Goldie Boutilier, Mothé, The Aces, Jack Garratt, G Flip, & Of Monsters and Men!

by Mitch Mosk
Jerry Cantrell © Emma Schoors
Concerts, Music, ReviewsAugust 28, 2025<August 29, 2025

Live Review: Jerry Cantrell Immerses Anaheim in the Damning Beauty of ‘I Want Blood’

by Emma Schoors
Port Ross © Lucie Day
Interviews, Music, PremieresAugust 28, 2025<August 28, 2025

“For My Young Death”: Port Ross’ Heartfelt Reckoning with Mortality

by Sophie Severs
Posts pagination
1 … 42 43 44 45 46 … 737

Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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