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Emily - Kim Anderson © Arielle Apfel
Music, Music Videos, PremieresMay 14, 2018<May 14, 2018

Premiere: Connection & Identity in Kim Anderson’s Driving Folk Ballad “Emily”

by Mitch Mosk
Soccer Mommy live © Nicole Almeida
Concerts, Music, ReviewsMay 14, 2018<May 14, 2018

Cheesesteaks, Catharsis, and Clean: Soccer Mommy Live at Johnny Brenda’s, Philadelphia

by Nicole Almeida
Feels - Rush Week
Debut, Features, Interviews, MusicMay 14, 2018<May 14, 2018

Feeling All the Feels: A Conversation with Rush Week

by Mitch Mosk
Seven Eight - Deanna Devore
Music, PremieresMay 14, 2018<May 14, 2018

Premiere: Deanna Devore’s Hypnotic, Heavy-Hearted “Seven Eight”

by Mitch Mosk
TENDERFOOT © Ash King
Music, Music Videos, PremieresMay 11, 2018<May 29, 2018

Premiere: Raise a Glass with Tenderfoot’s “She Calls,” an Ode to Good Times

by Mitch Mosk
Trevor Powers © Chris Schoonover
Columns, Debut, Music, Today's SongMay 11, 2018<May 11, 2018

Today’s Song: Trevor Powers’ Introspective “Playwright” Marks a Welcomed Return

by Adrian Vargas
Scott Hutchison © 2018, The Skinny
Essays, Features, MusicMay 11, 2018<May 11, 2018

In Memoriam: Frightened Rabbit and the Disintegration of Real of Rock Music

by Kelly Wynne
RAPHAELLA © 2018
Music, PremieresMay 10, 2018<May 10, 2018

Premiere: The Euphoric Rush of Raphaella’s “Love-Sick”

by Mitch Mosk
Nausica © 2018
Music, PremieresMay 10, 2018<May 10, 2018

Premiere: Nausica Indulge in Hazy Shadows on Dreamy “Black & White”

by Mitch Mosk
Grace Ackerman © 2018
Music, PremieresMay 10, 2018<May 10, 2018

Premiere: Grace Ackerman Struggles to Keep “Faith” with Dark Passion

by Mitch Mosk
Olloway © 2018
Debut, Music, PremieresMay 10, 2018<May 10, 2018

Premiere: Desperately Holding in Olloway’s Debut Single “August”

by Kelly McCafferty Dorogy
Aquilo © Graham Walzer
Features, Interviews, MusicMay 10, 2018<May 10, 2018

Interview with Aquilo: An Intimate and Moving Evolution

by Mitch Mosk
The Derelicts © Elwin Charly
Columns, Debut, Music, Premieres, Today's SongMay 9, 2018<May 9, 2018

Review: The Derelicts Take Depression for a Night on the Town in “Happy Sad”

by James Crowley
Dead Eyes - Dusted
Music, Music Videos, PremieresMay 9, 2018<May 9, 2018

Premiere: Conviction & Commital in Dusted’s Cinematic “Dead Eyes” Video

by Mitch Mosk
The Rare Occasions © Deanna Archetto
Music, PremieresMay 9, 2018<May 9, 2018

Premiere: The Rare Occasions Keep Calm and Ignite in “Physics”

by Mitch Mosk
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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