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Atwood Magazine's 125th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 20, 2025<July 8, 2025

Editor’s Picks 125: NoMBe, Sheléa, Nectar Woode, Nxdia, Jahnah Camille, & Hannah Jadagu!

by Mitch Mosk
William Beckmann © Connor Robertson
Features, Interviews, MusicJune 20, 2025<June 20, 2025

Interview: William Beckmann on ‘Whiskey Lies & Alibis’ and the Art of Honest Songwriting

by Aileen Goos
BODHI © Nettwerk Music Group
Columns, Music, Today's SongJune 19, 2025<June 19, 2025

“This little dove is tired”: BODHI Reckons with Burnout, Self-Sabotage & Survival in a Soul-Baring Confessional

by Mitch Mosk
Love, Alexa © Emilie Wilde / Ganguette Co
Features, Interviews, Music, PremieresJune 18, 2025<June 18, 2025

“Brutal, Beautiful, & Reborn”: Love, Alexa Premieres Her Soul-Stirring ‘Spring Cleaning’ EP, a Journey of Reclamation, Renewal, & Release

by Mitch Mosk
Wide Orbit © Ben Isaacs
Debut, Music, PremieresJune 18, 2025<June 19, 2025

Premiere: Chicago’s Wide Orbit Shine Bright on “Buddy,” a Jangly, Feel-Good Ode to People, Pets, & Sticking Together

by Mitch Mosk
Wingtip © Sandy Honig
Essays, MusicJune 18, 2025<June 25, 2025

“Why Write a Song?”: An Essay by Wingtip’s Nick Perloff-Giles

by Guest Writer
Governors Ball 2025 © Paigge Warton
Festival, Music, ReviewsJune 18, 2025<June 18, 2025

Governors Ball 2025: From Role Model & Conan Gray’s Kiss to Hozier’s Speech on Democracy, Olivia Rodrigo’s Iconic Set, & More!

by Marc Maleri
DE'WAYNE © Shai Paul
Columns, Music, Today's SongJune 18, 2025<June 18, 2025

“Her name is June”: DE’WAYNE Struts into a Bold New Era with an Anthem of Love, Liberation, & Seductive Swagger

by Mitch Mosk
The Head and the Heart 'Aperture' © Jasper Graham
Features, Interviews, MusicJune 17, 2025<July 11, 2025

“A New Beginning”: The Head and the Heart Let the Light in on ‘Aperture,’ an Intrepid Album of Hope, Freedom, & Human Connection

by Mitch Mosk
Will Orchard © Jess Kerber
Music, PremieresJune 17, 2025<June 17, 2025

Premiere: Will Orchard Reckons with Raw Emotion in “Something’s Gotta Go,” a Heavy Folk Rock Exhale

by Mitch Mosk
Maggie Szabo © Marcella B
Columns, Music, Today's SongJune 17, 2025<June 17, 2025

Today’s Song: Maggie Szabo Commands Attention with Pop Power & Swagger in “Boom Shaka”

by Chloe Robinson
Twenty One Pilots © Fabien Kruszelnicki
Columns, Music, Today's SongJune 16, 2025<June 16, 2025

Today’s Song: Twenty One Pilots Breach a Bold New Era with Explosive Single “The Contract”

by Danielle Holian
Atwood Magazine's 124th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 13, 2025<June 23, 2025

Editor’s Picks 124: Billie Marten, benches, Gatlin, The Happy Fits, BODHI, & quickly, quickly!

by Mitch Mosk
FLETCHER © Carissa Gallo
Columns, Music, Today's SongJune 13, 2025<June 13, 2025

Today’s Song: FLETCHER Bravely Embraces Vulnerability and Identity on “Boy”

by Danielle Holian
Calum Hood 'ORDER chaos ORDER' © Sarah Eiseman
Debut, Features, Interviews, MusicJune 13, 2025<June 13, 2025

Chaos, Clarity & Coming Home: Calum Hood of 5SOS on Stepping into His Own with Solo Debut ‘ORDER chaos ORDER’

by Rachel Leong
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Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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