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Goodbye Yellow Brick Road - Elton John
Music, Time MachineMarch 30, 2017<March 2, 2025

Time Machine: On Elton John’s Yellow Brick Road and Plough

by Erika Kooda
Kev Jones of Bear's Den
PodcastMarch 29, 2017<March 29, 2017

The Tour Manager’s Guide: The World’s Most Interesting Musician, Kev Jones of Bear’s Den

by Danny Carissimi
Earl St. Clair © Def Jam 2017
Features, Interviews, MusicMarch 29, 2017<April 5, 2017

The Healing Process: A Conversation with Earl St. Clair

by Ethan Germann
Calan © Richard P Walton
Music, PremieresMarch 29, 2017<March 29, 2017

Premiere: Calan’s “Apparition” Tells Tales of Silent Singing Through Great Neo-Folk Music

by Josh Weiner
Ultrviolence © Jared Jespersen
Music, PremieresMarch 29, 2017<March 29, 2017

Premiere: Ultrviolence Crafts a Dark World in “Guillotine”

by Kelly Wynne
Trust - Will Heard
Columns, Music, Today's SongMarch 29, 2017<March 29, 2017

Today’s Song: Will Heard Makes Solo Debut with Sunny “I Better Love You”

by Carmen Chan
I Can't Tell - Digvalley
Features, Music, Music Videos, PremieresMarch 28, 2017<March 28, 2017

Video Premiere: Digvalley’s “I Can’t Tell” is Intimate, Vulnerable, and Overwhelmingly Beautiful

by Mitch Mosk
Wax Idols © Danielle Spires
Features, Interviews, MusicMarch 28, 2017<March 28, 2017

From American Tragic to Happy Endings: A Conversation with Wax Idols

by James Crowley
KYKO © gaelle beri
Music, Our Take, ReviewsMarch 28, 2017<April 5, 2017

Our Take: Lush Wanderlust Abounds on KYKO’s ‘Wildlife’ EP

by Alex Killian
Wes Anderson - Alex Lahey
Columns, Music, Music Videos, Today's SongMarch 28, 2017<March 27, 2017

Today’s Song: Alex Lahey Finds Humor in Love in “Wes Anderson” Video

by Shayna Chabrow
Ben Leftwich © Pip for Dirty Hit Records
Interviews, MusicMarch 27, 2017<March 27, 2017

New Directions: A Conversation with Benjamin Francis Leftwich

by Natalie Harmsen
Volunteer © Ryan Alexander
Music, Music Videos, PremieresMarch 27, 2017<March 27, 2017

Video Premiere: Volunteer’s “In the Unknown” Commits to the Road Less Taken

by Kelly McCafferty Dorogy
Sir Sly © Eliot Lee Hazel
Features, Music, Music Videos, Reviews, This Just InMarch 26, 2017<June 20, 2024

This Just In: Sir Sly’s Raw “High” Hits Hard and Feels Good

by Mitch Mosk
Amber Run © 2017
Music, Our Take, ReviewsMarch 24, 2017<April 5, 2017

Our Take: Amber Run Beautifully Embrace Uncertainty with ‘For a Moment, I Was Lost’

by Shannon Ruzgys
The Harmed Brothers x Mcdougall
Music, PremieresMarch 24, 2017<March 24, 2017

Premiere: McDougall & The Harmed Brothers’ Collaboration is Humble, Heartfelt, and Fun

by Mitch Mosk
Posts pagination
1 … 648 649 650 651 652 … 711

Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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