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Features, Interviews, MusicNovember 7, 2016<November 7, 2016

Like a Recipe: A Conversation with Iration

by Maggie McHale
Maggie Rogers © 2016
Columns, Music, Today's SongNovember 7, 2016<November 7, 2016

Today’s Song: Racing Towards Enlightenment with Maggie Rogers’ “Alaska”

by Hannah Maire
Emily Blue © 2016
Debut, Features, Music, PremieresNovember 4, 2016<October 11, 2019

Exclusive Premiere: Emily Blue is More Than ‘Another Angry Woman’ on Empowering Debut Album

by Atwood Magazine Staff
Crumb EP - Crumb
Columns, Debut, Music, Music You Should Know, ReviewsNovember 4, 2016<November 4, 2016

Review: Bathe in the Dreamy Haze of Crumb’s Debut EP

by Mitch Mosk
Deap Vally © Koury Angelo
Music, Our Take, ReviewsNovember 3, 2016<November 3, 2016

Our Take: Deap Vally Roars in Femejism

by Lindsay Call
The March Divide © Greg Gabrisch
Features, Music, PremieresNovember 3, 2016<November 3, 2016

Exclusive Premiere: The March Divide Moves On in “That Song I Wrote For You”

by Mitch Mosk
Molly Moore © 2016
Features, Interviews, MusicNovember 3, 2016<November 3, 2016

Now You See Her: A Conversation with Molly Moore

by Nicole Almeida
Porches © Jessica Lehrman
Features, Music, ReviewsNovember 2, 2016<November 2, 2016

Diving into Porches’ Water EP

by Regan Wojick
Echos - Echos
Columns, Music, Today's SongNovember 2, 2016<November 2, 2017

Today’s Song: Echos’ “Take” Captures the Pain of Unrequited Love

by Mitch Mosk
Mattie Safer © 2016
Features, Music, Music Videos, PremieresNovember 1, 2016<February 13, 2017

Exclusive Premiere: Mattie Safer Shines a Light in “Whenever You’re Ready” Video

by Mitch Mosk
Rosechild © 2016
Columns, Music, Music Videos, Today's SongNovember 1, 2016<October 31, 2016

Today’s Song: Sparks Fly and Fade in Rosechild’s Bittersweet “Disco Fever”

by Lindsay Call
Luna Tides "Open Woods" album art
Features, Music, PremieresOctober 31, 2016<October 31, 2016

Exclusive Premiere: LUNA TIDES’ “What Comes Around” Bears Memory’s Glow

by Mitch Mosk
Wild Child © Courtney Chavanell
Concerts, MusicOctober 31, 2016<October 31, 2016

LIVE: Wild Child are Wild, Upbeat… and Children? in Chicago

by Erika Kooda
Springtime Carnivore © Julia Brokaw
Columns, Music, Today's SongOctober 31, 2016<October 31, 2016

Today’s Song: Echoes of Growth and Self-Worth in Springtime Carnivore’s “Nude Polaroids”

by Tracy Smith
Youceff Kabal © 2016
Features, Music, PremieresOctober 31, 2016<October 31, 2016

Exclusive Premiere: Seeking Self on Youceff Kabal’s “A Way Out”

by Maggie McHale
Posts pagination
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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