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"National Fantasy" still - Bridges and Powerlines
Features, Music, Music Videos, PremieresOctober 6, 2016<October 6, 2016

Exclusive Premiere: Bridges and Powerlines’ “National Fantasy” Searches for Meaning

by Mitch Mosk
Alex Hager © Ruby James
Debut, Features, Music, Music Videos, PremieresOctober 6, 2016<January 24, 2017

Exclusive Premiere: Alex Hager Bursts onto Pop Scene with “Drive Me Crazy”

by Alex Killian
ARIZONA © Jimmy Fontaine
Columns, Music, Today's SongOctober 6, 2016<October 5, 2016

Today’s Song: ARIZONA’s “Cross My Mind” Haunts with Prime Production

by Kelly Wynne
"Plastic Heaven" - Andrew Joslyn
Debut, Features, Music, PremieresOctober 5, 2016<February 10, 2017

Exclusive Premiere: Andrew Joslyn’s Dazzling “Plastic Heaven” Dissects Fame with Fiery Passion

by Mitch Mosk
"Wish That You Were Here" - Florence and the Machine
Columns, Music, Today's SongOctober 5, 2016<October 5, 2016

Today’s Song: Florence and The Machine’s “Wish That You Were Here”

by Christine Costello
Jain © RCA Records
Columns, Music, Music You Should KnowOctober 4, 2016<October 4, 2016

Music You Should Know: Jain’s Irresistible “Come” Balances Dark Poetry with a Light Bounce

by Mitch Mosk
The Island Club
Debut, Features, Interviews, MusicOctober 4, 2016<October 5, 2016

Sounds That Make You Feel Something: An Interview with The Island Club

by Nicole Almeida
Catch Prichard © Leif Huron
Features, Music, PremieresOctober 4, 2016<October 4, 2016

Exclusive Premiere: Familiarity and Disconnect Haunt Catch Prichard’s “Hometown”

by Mitch Mosk
Anna Atkinson © Jen Squires
Features, Music, Music Videos, PremieresOctober 3, 2016<October 3, 2016

Exclusive Premiere: Bittersweet Nostalgia on Anna Atkinson’s “When We Were Young”

by Connor Bush
still from Charlotte OC's "Darkest Hour"
Features, Interviews, Music, Music VideosSeptember 30, 2016<March 1, 2018

Love, Loss, and Hope in Her Darkest Hour: A Conversation with Charlotte OC

by Mitch Mosk
Loren North © Mackenzie Lenora
Debut, Features, Interviews, MusicSeptember 30, 2016<September 30, 2016

Embracing Honest Pop: A Conversation with Loren North

by Kelly Wynne
Blame Candy self-portrait
Debut, Features, Music, Music Videos, PremieresSeptember 29, 2016<October 13, 2016

Exclusive Premiere: Blame Candy Debuts with Empowering Energy on Anthemic “Life Like You”

by Renae Weaver
Young the Giant 2016
Features, Interviews, MusicSeptember 29, 2016<June 15, 2018

Amerika, Identity, and the Home of the Strange: A Conversation with Young the Giant

by Mitch Mosk
Wildhood's VERT
Columns, Debut, Music, Music You Should Know, ReviewsSeptember 29, 2016<September 29, 2016

Music You Should Know: Wildhood’s “Vert” is One Wild Ride

by Lindsay Call
Care - How to Dress Well
Music, Our Take, ReviewsSeptember 28, 2016<September 28, 2016

Our Take: How to Dress Well Surprises with Fourth Album, Care

by Alex Killian
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Brand New

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

:: discover something new ::

Recent Posts

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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