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Art, EventsJune 17, 2014<June 18, 2014

The Bushwick Collective: 3rd Annual Block Party

by Liza
Features, From The Zine, Interviews, MusicMay 26, 2014<June 18, 2014

Overcoming adversity: a conversation with Antoine from Girls in Hawaii

by Nitesh
Features, From The Zine, Interviews, MusicMay 26, 2014<June 18, 2014

Telling stories with music: a conversation with Zee Avi

by Nitesh
MusicMay 24, 2014<June 18, 2014

A Goddess Rising From the Sea: Listen to BANKS New Single “Drowning”

by Nitesh
A Solitary Moment by Alexandra Votsis
Essays, PhotographyMay 17, 2014<June 18, 2014

A Solitary Moment by Alexandra Votsis

by Liza
MusicMay 16, 2014<June 18, 2014

Review: “Deckchairs On The Moon” // Bipolar Sunshine

by Liza
Art, Features, InterviewsMay 16, 2014<June 18, 2014

Bridging robotics and emotion: a conversation with Erin Gee

by Nitesh
Essays, Fashion, PhotographyMay 15, 2014<May 18, 2014

“We are the Young” by Camille Richez

by Liza
Music, Music Videos, VideoMay 14, 2014<June 18, 2014

Watch Agnes Obel’s New Music Video: “Dorian”

by Nitesh
MusicMay 13, 2014<June 18, 2014

Listen to Brother North’s New Single

by Nitesh
Music, Music VideosMay 13, 2014<June 18, 2014

Music Video Shot With a Thermal Camera

by Nitesh
Julia on the F Train by Elizabeth Foster
EssaysMay 27, 2013<June 18, 2014

Julia on the F Train by Elizabeth Foster

by Liza
Posts pagination
1 … 735 736 737

Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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