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MusicMay 24, 2014<June 18, 2014

A Goddess Rising From the Sea: Listen to BANKS New Single “Drowning”

by Nitesh
A Solitary Moment by Alexandra Votsis
Essays, PhotographyMay 17, 2014<June 18, 2014

A Solitary Moment by Alexandra Votsis

by Liza
MusicMay 16, 2014<June 18, 2014

Review: “Deckchairs On The Moon” // Bipolar Sunshine

by Liza
Art, Features, InterviewsMay 16, 2014<June 18, 2014

Bridging robotics and emotion: a conversation with Erin Gee

by Nitesh
Essays, Fashion, PhotographyMay 15, 2014<May 18, 2014

“We are the Young” by Camille Richez

by Liza
Music, Music Videos, VideoMay 14, 2014<June 18, 2014

Watch Agnes Obel’s New Music Video: “Dorian”

by Nitesh
MusicMay 13, 2014<June 18, 2014

Listen to Brother North’s New Single

by Nitesh
Music, Music VideosMay 13, 2014<June 18, 2014

Music Video Shot With a Thermal Camera

by Nitesh
Julia on the F Train by Elizabeth Foster
EssaysMay 27, 2013<June 18, 2014

Julia on the F Train by Elizabeth Foster

by Liza
Posts pagination
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Brand New

  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode
  • “I Forgot That the World Was Real”: Cara Delevingne Reintroduces Herself as a Musician with the Volatile, Vulnerable Debut Singles “I Forgot” & “Out of My Head”
  • Atwood Magazine’s Weekly Roundup: June 12, 2026
  • “The Making of ‘The Violence’”: An Essay by Darren Hayman
  • Interview: Madds Buckley Sings for the Girls, Gays, and Geeks
  • “I thought I found the antidote this time”: Olivia Rodrigo Unravels Heartbreak from a New Perspective on “the cure”
  • Editor’s Picks 157: James Smith, Fenne Lily, Rowena Wise, Alex Izenberg, Essence Martins, & The Army, The Navy

:: discover something new ::

Recent Posts

  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
  • “I Forgot That the World Was Real”: Cara Delevingne Reintroduces Herself as a Musician with the Volatile, Vulnerable Debut Singles “I Forgot” & “Out of My Head” June 13, 2026
  • Atwood Magazine’s Weekly Roundup: June 12, 2026 June 12, 2026
  • “The Making of ‘The Violence’”: An Essay by Darren Hayman June 12, 2026
  • Interview: Madds Buckley Sings for the Girls, Gays, and Geeks June 12, 2026
  • “I thought I found the antidote this time”: Olivia Rodrigo Unravels Heartbreak from a New Perspective on “the cure” June 12, 2026
  • Editor’s Picks 157: James Smith, Fenne Lily, Rowena Wise, Alex Izenberg, Essence Martins, & The Army, The Navy June 11, 2026
  • “Desire Me”: A Pride Month Essay by Boy Blu June 11, 2026
  • “How Much Can You Divide Time?”: Gerrard Splits the Present Open on ‘ii. How Many Seconds in a Moment?,’ a Genre-Melting Debut of Memory, Rupture, & Release June 11, 2026
  • “Panic Attack, I’m an American Psycho”: verygently Sing Through Love’s Withdrawal on “STRONGER THAN THAT,” a Smoldering Indie Folk Reckoning June 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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