Features, Interviews, MusicApril 12, 2023<April 30, 2023 Interview: After Years of Uplifting Others, Feel-Good Superstar Self Esteem Knows She’s Gonna Be Okay Herself by Sam Franzini
Features, Music, Reviews, RoundtableApril 11, 2023<June 29, 2024 Roundtable Discussion: A Review of Lana Del Rey’s ‘Did you know that there’s a tunnel under Ocean Blvd’ by Atwood Magazine Staff
Features, Interviews, MusicApril 4, 2023<April 30, 2023 Protecting Her Peace: Wallice on Coming of Age in the Music Industry and What Defines ‘Success’ by Sophie Severs
Debut, Features, Music, Reviews, RoundtableMarch 31, 2023<June 29, 2024 Roundtable Discussion: A Review of boygenius’ ‘the record’ by Atwood Magazine Staff
Columns, Editor's Picks, Features, MusicMarch 29, 2023<March 29, 2023 Editor’s Picks 94: Hana Eid, Raia Was, Kate Davis, Robyn Froese, Jealous of the Birds, & Why Bonnie! by Mitch Mosk
Features, Interviews, MusicMarch 29, 2023<March 2, 2025 Interview: Noah Kahan on Third LP ‘Stick Season’, Embracing His Roots, & Finding Happiness in Being Himself by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackMarch 24, 2023<April 30, 2023 “Harmonically Charged Tragicomedy”: Matt Pond Finds His Voice (Again) on The Natural Lines’ Soaring & Spirited Debut by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 23, 2023<March 29, 2023 Editor’s Picks 93: Cafuné, Kay Young, Eliott, tinyumbrellas, Siena Streiber, & Aáyanna! by Mitch Mosk
Music, PremieresMarch 22, 2023<April 30, 2023 Premiere: Transviolet Bask in the Light of Life on Euphoric “How Lucky” Off Third LP, ‘BODY’ by Mitch Mosk
Music, ReviewsMarch 22, 2023<April 30, 2023 Surrender to the Music and the Call of U2 by Brianna Corrine
Features, Interviews, MusicMarch 21, 2023<April 30, 2023 Interview: Black Honey’s Izzy Bee Phillips Talks Mental Health, Vulnerability, & New Album ‘A Fistful of Peaches’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackMarch 20, 2023<April 30, 2023 “If you can take the fall, how high do you wanna be?”: Joesef’s Stunning, Soul-Soaked Debut Album ‘Permanent Damage’ by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 17, 2023<March 17, 2023 Editor’s Picks 92: Gordi, Under the Rug, Tash Sultana, Karson., Stolen Jars, & girlhouse! by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 8, 2023<March 10, 2023 Editor’s Picks 91: Marlene Oak, Aistè, Alaska Reid, Joy Oladokun, Bleach Lab, & BEL! by Mitch Mosk
Features, Music, Playlists, Women's History MonthMarch 8, 2023<March 8, 2023 Celebrating Women in Music for International Women’s Day 2023! by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackMarch 3, 2023<April 30, 2023 Interview: Ruel Breaks the ‘4TH WALL’ with His Cinematic Debut Album by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 26, 2023<January 26, 2023 Interview: Frank Iero & Tucker Rule Are “Reborn” in Emo Punk Group L.S. Dunes by Mitch Mosk
Features, Interviews, MusicNovember 1, 2022<February 22, 2023 American Bollywood: Young the Giant’s Epic & Intimate Fifth Album Unpacks Identity, Belonging, Home, & the Immigrant Story by Mitch Mosk
Features, Interviews, MusicOctober 19, 2022<October 19, 2022 Interview: The Killers’ Ronnie Vannucci Jr. Talks Springsteen, Pressure Machine, Legacy, Tour, & More by Mitch Mosk
Features, Interviews, MusicSeptember 28, 2022<September 29, 2022 “Honoring the Past, But Not Bound By It”: An Interview with Death Cab for Cutie by Mitch Mosk
Features, Interviews, MusicJune 24, 2022<April 24, 2025 “All Killer, No Filler”: MUNA Discuss Joy & Desire on Their Self-Titled Third Album by Nasim Elyasi
Artist to Watch, Interviews, Music, Today's SongDecember 20, 2025<December 20, 2025 “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” by Mitch Mosk
Features, Interviews, MusicDecember 19, 2025<December 19, 2025 “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ by Mitch Mosk
Artist to Watch, Debut, Interviews, Music, Today's SongDecember 19, 2025<December 19, 2025 “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars by Mitch Mosk
Features, Interviews, Lists, Mistletones, MusicDecember 19, 2025<December 19, 2025 Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! by Atwood Magazine Staff
Features, Interviews, MusicDecember 18, 2025<December 18, 2025 “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year by Mitch Mosk
Interviews, MusicDecember 18, 2025<December 18, 2025 Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success by Josh Weiner
Artist to Watch, Interviews, Music, Today's SongDecember 18, 2025<December 18, 2025 “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” by Mitch Mosk
Features, Lists, MusicDecember 18, 2025<December 18, 2025 Atwood Magazine’s 2025 Albums of the Year by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackDecember 17, 2025<December 17, 2025 “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ by Mitch Mosk
Features, Interviews, MusicDecember 17, 2025<December 17, 2025 “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ by Mitch Mosk
Features, Interviews, MusicDecember 17, 2025<December 17, 2025 “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ by Rachel Leong
Debut, Features, Interviews, Music, Track-by-TrackDecember 17, 2025<December 17, 2025 “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ by Mitch Mosk
Columns, Music, Today's SongDecember 17, 2025<December 17, 2025 Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” by Chloe Robinson
Debut, Features, Interviews, MusicDecember 16, 2025<December 18, 2025 “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ by Isabella Le
Debut, Interviews, Music, Today's SongDecember 16, 2025<December 15, 2025 “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” by Mitch Mosk
For the Love of Music
For the Love of Music
