Features, Interviews, MusicApril 12, 2023<April 30, 2023 Interview: After Years of Uplifting Others, Feel-Good Superstar Self Esteem Knows She’s Gonna Be Okay Herself by Sam Franzini
Features, Music, Reviews, RoundtableApril 11, 2023<June 29, 2024 Roundtable Discussion: A Review of Lana Del Rey’s ‘Did you know that there’s a tunnel under Ocean Blvd’ by Atwood Magazine Staff
Features, Interviews, MusicApril 4, 2023<April 30, 2023 Protecting Her Peace: Wallice on Coming of Age in the Music Industry and What Defines ‘Success’ by Sophie Severs
Debut, Features, Music, Reviews, RoundtableMarch 31, 2023<June 29, 2024 Roundtable Discussion: A Review of boygenius’ ‘the record’ by Atwood Magazine Staff
Columns, Editor's Picks, Features, MusicMarch 29, 2023<March 29, 2023 Editor’s Picks 94: Hana Eid, Raia Was, Kate Davis, Robyn Froese, Jealous of the Birds, & Why Bonnie! by Mitch Mosk
Features, Interviews, MusicMarch 29, 2023<March 2, 2025 Interview: Noah Kahan on Third LP ‘Stick Season’, Embracing His Roots, & Finding Happiness in Being Himself by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackMarch 24, 2023<April 30, 2023 “Harmonically Charged Tragicomedy”: Matt Pond Finds His Voice (Again) on The Natural Lines’ Soaring & Spirited Debut by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 23, 2023<March 29, 2023 Editor’s Picks 93: Cafuné, Kay Young, Eliott, tinyumbrellas, Siena Streiber, & Aáyanna! by Mitch Mosk
Music, PremieresMarch 22, 2023<April 30, 2023 Premiere: Transviolet Bask in the Light of Life on Euphoric “How Lucky” Off Third LP, ‘BODY’ by Mitch Mosk
Music, ReviewsMarch 22, 2023<April 30, 2023 Surrender to the Music and the Call of U2 by Brianna Corrine
Features, Interviews, MusicMarch 21, 2023<April 30, 2023 Interview: Black Honey’s Izzy Bee Phillips Talks Mental Health, Vulnerability, & New Album ‘A Fistful of Peaches’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackMarch 20, 2023<April 30, 2023 “If you can take the fall, how high do you wanna be?”: Joesef’s Stunning, Soul-Soaked Debut Album ‘Permanent Damage’ by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 17, 2023<March 17, 2023 Editor’s Picks 92: Gordi, Under the Rug, Tash Sultana, Karson., Stolen Jars, & girlhouse! by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 8, 2023<March 10, 2023 Editor’s Picks 91: Marlene Oak, Aistè, Alaska Reid, Joy Oladokun, Bleach Lab, & BEL! by Mitch Mosk
Features, Music, Playlists, Women's History MonthMarch 8, 2023<March 8, 2023 Celebrating Women in Music for International Women’s Day 2023! by Atwood Magazine Staff
Debut, Features, Interviews, Music, Track-by-TrackMarch 3, 2023<April 30, 2023 Interview: Ruel Breaks the ‘4TH WALL’ with His Cinematic Debut Album by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 26, 2023<January 26, 2023 Interview: Frank Iero & Tucker Rule Are “Reborn” in Emo Punk Group L.S. Dunes by Mitch Mosk
Features, Interviews, MusicNovember 1, 2022<February 22, 2023 American Bollywood: Young the Giant’s Epic & Intimate Fifth Album Unpacks Identity, Belonging, Home, & the Immigrant Story by Mitch Mosk
Features, Interviews, MusicOctober 19, 2022<October 19, 2022 Interview: The Killers’ Ronnie Vannucci Jr. Talks Springsteen, Pressure Machine, Legacy, Tour, & More by Mitch Mosk
Features, Interviews, MusicSeptember 28, 2022<September 29, 2022 “Honoring the Past, But Not Bound By It”: An Interview with Death Cab for Cutie by Mitch Mosk
Features, Interviews, MusicJune 24, 2022<May 13, 2026 “All Killer, No Filler”: MUNA Discuss Joy & Desire on Their Self-Titled Third Album by Nasim Elyasi
Columns, Music, Today's SongMay 30, 2026<May 30, 2026 “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie by Danielle Holian
Artist to Watch, Interviews, Music, PremieresMay 29, 2026<May 29, 2026 “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full by Mitch Mosk
Debut, Features, Interviews, MusicMay 29, 2026<May 29, 2026 “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything by Mitch Mosk
Music, ReviewsMay 29, 2026<May 29, 2026 “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP by Dusty Hayes
Music, ReviewsMay 29, 2026<May 29, 2026 “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot by Bárbara Martínez Campuzano
Columns, Features, Music, Weekly RoundupMay 29, 2026<May 29, 2026 Atwood Magazine’s Weekly Roundup: May 29, 2026 by Atwood Magazine Staff
Debut, Features, Interviews, MusicMay 28, 2026<May 28, 2026 Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ by Nicolle Knapová
Interviews, MusicMay 28, 2026<May 28, 2026 “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights by Josh Weiner
Interviews, Music, Music Videos, PremieresMay 28, 2026<May 28, 2026 “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie by Mitch Mosk
Interviews, Music, Today's SongMay 28, 2026<May 28, 2026 “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” by Mitch Mosk
Concerts, Music, ReviewsMay 28, 2026<May 28, 2026 Magdalena Bay Turn Kilby Block Party into a Mercurial World with Their Rain-Soaked Set by Julia Dzurillay
Interviews, Music, Music Videos, PremieresMay 27, 2026<May 28, 2026 “How Dare You?”: Isabelle Skye Turns a Traumatic Encounter into a Beautiful, Empowering Indie Pop Reckoning on “Subaru” by Mitch Mosk
Columns, Music, Today's SongMay 27, 2026<May 27, 2026 “It’s You and the Stranger Who Wrote It”: Vansire Find Sunlit Solace on “For the Moment,” a Feel-Good Indie Pop Reprieve for Uncertain Times by Mitch Mosk
Music, ReviewsMay 27, 2026<May 27, 2026 “I Want All Beautiful Things”: Emma Louise Finds Inner Strength on ‘Sunshine for Happiness’ by Yashavi Upasani
Debut, Features, Interviews, MusicMay 27, 2026<May 27, 2026 Electrifying, Explosive, and Colorful: London’s Marigo Bay Arrives with Cathartic Debut LP ‘Racecars & Rockstars’ by Rachel Leong
For the Love of Music
For the Love of Music
