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Rarely Do I Dream - Youth Lagoon
Music, Our Take, ReviewsFebruary 21, 2025<February 21, 2025

Our Take: Youth Lagoon Embraces Childlike Wonder in ‘Rarely Do I Dream’

by Noa Jamir
You Are the Morning - jasmine.4.t
Debut, Features, InterviewsFebruary 21, 2025<February 21, 2025

“The light still breaks through each morning”: jasmine.4.t on the Hope, Healing, & Community Behind ‘You Are the Morning’

by Rachel Leong
Sug Daniels © Robert Pfieffer
Black History Month, Essays, MusicFebruary 20, 2025<February 27, 2025

“Charlie’s Grandbaby” Sug Daniels Shares the Albums That Shaped Her Career

by Guest Writer
Joshua Conyers
Black History Month, Essays, MusicFebruary 20, 2025<February 20, 2025

“A Miracle in Legacy – The Transformative Power of Black Artistry”: An Essay by Joshua Conyers for Black History Month

by Guest Writer
Hurry Up Tomorrow - The Weeknd album art
Features, Music, Reviews, RoundtableFebruary 20, 2025<February 20, 2025

Roundtable Discussion: A Review of The Weeknd’s ‘Hurry Up Tomorrow’

by Atwood Magazine Staff
Carol Ades © 2025
Columns, Music, Today's SongFebruary 20, 2025<February 20, 2025

Today’s Song: “Hope Is a Scary Thing” Offers a Run Through the Back of Carol Ades’ Mind

by Bárbara Martínez Campuzano
Addison Rae © Bella Newman
Music, Reviews, This Just InFebruary 20, 2025<February 20, 2025

This Just In: On “High Fashion,” Addison Rae Chooses Hermes Over Hedonism

by Brian Denney
Discus © Clare Byrne
Music, PremieresFebruary 19, 2025<February 19, 2025

Premiere: Discus Ache for the ‘Good Ol’ Days’ That Never Came in “O My Stars,” a Haunting Reflection on Fleeting Youth & Fading Futures

by Mitch Mosk
The Hidden Cost of Streaming: How Spotify Suppresses New Artists
Essays, MusicFebruary 19, 2025<February 19, 2025

The Hidden Cost of Streaming: How Spotify Suppresses New Artists

by Guest Writer
Ghost Hounds © 2024
Black History Month, Essays, MusicFebruary 19, 2025<February 19, 2025

“Learning from Legends”: An Essay by SAVNT for Black History Month

by Guest Writer
Mumford & Sons' Marcus Mumford, Ben Lovett, and Ted Dwane © 2025
Columns, Music, Today's SongFebruary 19, 2025<February 19, 2025

“Light me up, I’m wasted in the dark”: Mumford & Sons Embrace Their Restless Hearts in “Rushmere,” a Folk Rock Fever Dream

by Mitch Mosk
James Bay at OVO Arena Wembley © Jake Haseldine, February 2025
Concerts, Music, ReviewsFebruary 18, 2025<February 18, 2025

Live Review: James Bay Electrifies a Sold Out Crowd at London’s OVO Arena Wembley

by Rachel Leong
Selena Gomez and benny blanco © Peatra Collins
Columns, Music, Today's SongFebruary 18, 2025<February 17, 2025

Today’s Song: Selena Gomez & Benny Blanco Get Candid in “Scared of Loving You,” a Love Song With No Fear

by Danielle Holian
Flyte © Madison Rensing
Columns, Music, Today's SongFebruary 16, 2025<February 16, 2025

Today’s Song: Flyte’s “I’m Not There” Is an Intimate Reckoning With Trauma & Self-Acceptance

by Noa Jamir
Paul McCartney illustration © Aidan Moyer
Concerts, Music, ReviewsFebruary 16, 2025<February 16, 2025

The Love You Make: Inside Paul McCartney’s Valentine’s Show at Bowery Ballroom

by Aidan Moyer
Posts pagination
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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