Debut, Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 1, 2024 “I’m still alive and I’m still hungry”: Tangerine’s Expansive, Ethereal, & Bittersweet Debut, ‘You’re Still the Only One’ by Mitch Mosk
Features, Interviews, MusicNovember 1, 2024<November 1, 2024 Interview: Malcolm Todd Talks Tackling Love, New Music, & His Twenties by Mariam Bagdady
Columns, Features, Music, Weekly RoundupOctober 31, 2024<November 1, 2024 Atwood Magazine’s Weekly Roundup: November 1, 2024 by Atwood Magazine Staff
Columns, Music, Today's SongOctober 31, 2024<October 31, 2024 Today’s Song: Soda Blonde’s “Bully” Is an Irresistible Anthem of Angst, Brain Rot, & Inner Turmoil From Dublin’s Finest by Mitch Mosk
Interviews, MusicOctober 31, 2024<October 31, 2024 Interview: Meet Noise Cans, a Guy Rockin’ the Turntables and Donnin’ Gombey Masks by Josh Weiner
Music, Music Videos, PremieresOctober 30, 2024<October 30, 2024 “It’s the fear of drowning that helps us swim”: Boston’s Bermuda Search Party “Shiver” Through Fear With Grace & Strength by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackOctober 30, 2024<October 30, 2024 Track-by-Track: The Intoxicating Allure of Jake & Abe’s Funky, Sweaty, & Seductive Debut Album, ‘Finally!’ by Mitch Mosk
Features, Interviews, MusicOctober 30, 2024<October 30, 2024 Interview: Fontaines D.C. Drummer Tom Coll Talks Dracula, Dystopian Films, and Irish Trad Music by Emma Rayder
Music, ReviewsOctober 30, 2024<October 30, 2024 Live Review: KEN Mode Show That After 25 Years, They’re the Band for This Current Era by Oliver Crook
Features, Interviews, Music, Track-by-TrackOctober 29, 2024<November 7, 2024 Track-by-Track: Finding Joy in Devarrow’s Fun, Carefree, & Cathartic Fourth Album, ‘Heart Shaped Rock’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackOctober 29, 2024<October 29, 2024 “Country, but not country”: Inside Skinny Dyck’s Gentle, Dreamy, and ‘Easygoing’ Sophomore Album by Mitch Mosk
Concerts, Music, ReviewsOctober 28, 2024<October 28, 2024 Live Review: Inhaler Celebrate the Old and Usher in the New at NYC’s Pier 17 by Noah Wade
Music, ReviewsOctober 28, 2024<October 28, 2024 Review: On ‘SABLE,’ Bon Iver Carves a Triptych of Truth by Emma Schoors
Columns, Music, Today's SongOctober 28, 2024<October 27, 2024 “Everything is fleeting except you and I”: Gordi & SOAK Craft a Sacred Space in “Lunch At Dune,” a Folktronic Breath of Love and True Connection by Mitch Mosk
Columns, Music, Today's SongOctober 27, 2024<October 27, 2024 “Honey, just shut up and ride”: Mk.gee’s Dreamy, Seductive, & Smoldering “ROCKMAN” by Mitch Mosk
For the Love of Music
For the Love of Music
