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The Staves © Josh Shinner
Columns, Music, Today's SongAugust 21, 2024<August 21, 2024

Today’s Song: The Staves Are “Waiting for the Joy” to Come in Their Invigorating, Harmony-Soaked Anthem of Angst & Existential Dread

by Mitch Mosk
MAITA 'want' © Tristan Paiige
Features, Interviews, Music, Track-by-TrackAugust 20, 2024<August 20, 2024

Track-by-Track: The Tender Turbulence of MAITA’s Passionate, Subtle, & Potent Third Album, ‘want’

by Mitch Mosk
Ice Spice 'Y2K!' © Coughs 7
Debut, Music, Our Take, ReviewsAugust 20, 2024<August 21, 2024

Our Take: Ice Spice Delivers an Energetic Sort-of-Full-Length Debut, ‘Y2K!’

by Josh Weiner
Marlin's Dreaming © Jake Munro
Features, Interviews, Music, Track-by-TrackAugust 20, 2024<August 20, 2024

“Happy, Sleepy, & Sad”: Inside Marlin’s Dreaming’s Tranquil, Triumphant & Charged Fourth LP, ‘HIRL’

by Mitch Mosk
Clairo © 2024
Music, ReviewsAugust 20, 2024<August 20, 2024

Review: Clairo Revitalizes Lana Del Rey’s “Brooklyn Baby”

by Marc Maleri
Laura Marling © Tamsin Topolski
Columns, Music, Today's SongAugust 20, 2024<August 20, 2024

“We’re patterns in repeat… and we’ll always be”: Laura Marling Reflects on “Patterns,” a Shimmering & Heartfelt Ode to Motherhood

by Jake Fewx
The Greeting Committee © Tyler Krippaehne
Concerts, Music, ReviewsAugust 20, 2024<August 20, 2024

Live Review: Celebrating Everything Old & New at The Greeting Committee Concert

by Hannah Burns
I can feel your power: 'Deadpool & Wolverine' sees Ryan Reynolds joined by Hugh Jackman, clad for the first time in a comic book cowl and ballistic unitard © Aidan Moyer
Music, ReviewsAugust 20, 2024<August 20, 2024

No End and No Beginning: Inside the ‘Deadpool & Wolverine’ Soundtrack

by Aidan Moyer
Atwood Magazine's Weekly Roundup | August 19, 2024
Columns, Features, Music, Weekly RoundupAugust 19, 2024<August 21, 2024

Atwood Magazine’s Weekly Roundup: August 19, 2024

by Atwood Magazine Staff
Novo Amor's Ali Lacey in his art room © 2024
Features, Interviews, MusicAugust 19, 2024<August 19, 2024

“I’m setting free”: Novo Amor’s Ali Lacey Finds Strength in Fragility on ‘Collapse List,’ an Album of Upheaval & Rediscovery

by Mitch Mosk
OMBIIGIZI © Natasha Roberts
Music, Music Videos, PremieresAugust 19, 2024<August 19, 2024

“Smothered by the dream”: OMBIIGIZI Premiere “Laminate the Sky,” a Song of Freedom, Place, & Truth Off Sophomore LP ‘Shame’

by Mitch Mosk
Loup Barrow © Roddy Cunningham
Interviews, MusicAugust 19, 2024<August 19, 2024

Interview with Loup Barrow: An Inventive Percussionist Is Back From the French Coast With New LP ‘Immineo’ in Tow

by Josh Weiner
Hana Giraldo "Reputation" music video still
Columns, Music, Today's SongAugust 19, 2024<August 19, 2024

With “Reputation,” Hana Giraldo Steps into the Spotlight and Flips the Public’s Perception Upside-Down

by Grace Holtzclaw
Amy Shark 'Sunday Sadness' © 2024
Features, Interviews, MusicAugust 19, 2024<August 19, 2024

Interview: Sundays Are for Amy Shark

by Emma Rayder
Isabel Dumaa "C'est La Vie" © Breanna Lynn
Columns, Interviews, Music, Today's SongAugust 16, 2024<August 19, 2024

Interview: Isabel Dumaa’s “C’est La Vie” Is an Anthem of Angst, Liberation, & Acceptance

by Mitch Mosk
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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