Features, Lists, MusicJanuary 3, 2024<January 4, 2024 Atwood Magazine’s 2023 Albums of the Year by Atwood Magazine Staff
Features, Lists, MusicDecember 22, 2023<January 9, 2024 Atwood Magazine’s 2023 Songs of the Year by Atwood Magazine Staff
Columns, Editor's Picks, Features, MusicApril 13, 2023<April 13, 2023 Editor’s Picks 95: boygenius, BAILEN, The Beths, spill tab, Nuovo Testamento, & Chessa Rich! by Mitch Mosk
Columns, Features, Music, Weekly RoundupMarch 31, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: March 31, 2023 by Atwood Magazine Staff
Debut, Features, Music, Reviews, RoundtableMarch 31, 2023<June 29, 2024 Roundtable Discussion: A Review of boygenius’ ‘the record’ by Atwood Magazine Staff
Columns, Music, Reviews, Today's SongJanuary 30, 2023<January 30, 2023 Review: boygenius Are Back with “$20,” “Emily I’m Sorry,” & “True Blue” Off New Album, ‘the record’ by Nasim Elyasi
Columns, Features, Music, Weekly RoundupJanuary 20, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: January 20, 2023 by Atwood Magazine Staff
Music, ReviewsJuly 9, 2020<December 1, 2020 On Being Gone Forever: Phoebe Bridgers’ ‘Punisher’ as a Meditation on Death by James Crowley
Debut, Features, Music, ReviewsAugust 24, 2018<August 24, 2018 Phoebe Bridgers, Julien Baker, & Lucy Dacus Prove There’s Power in Numbers with boygenius Supergroup by Abby Jones
For the Love of Music
For the Love of Music
