Music, Our Take, ReviewsSeptember 20, 2017<September 21, 2017 Our Take: You Don’t Know Jorja Smith Until You Know ‘Project 11’ by Sydney Sweeney
Music, PremieresSeptember 14, 2017<September 14, 2017 Album Premiere: Church Girls Acknowledge the Trials of Everyday Life in ‘Hidalgo’ by Josh Weiner
Music, Our Take, ReviewsAugust 30, 2017<August 30, 2017 It’s Chaos, but It Works: Our Take on Grizzly Bear’s ‘Painted Ruins’ by Maggie McHale
Features, Music, ReviewsAugust 14, 2017<August 14, 2017 Roger Waters Rages Against the Machine on ‘Is This the Life We Really Want?’ by Matilda Berke
Features, Music, Reviews, RoundtableAugust 14, 2017<June 29, 2024 Roundtable Discussion: A Review of Kesha’s ‘Rainbow’ by Atwood Magazine Staff
Music, Our Take, ReviewsAugust 8, 2017<August 8, 2017 Our Take: TLC Return for a Strong Curtain Call by Josh Weiner
Debut, Music, ReviewsJuly 24, 2017<July 24, 2017 Sofi de la Torre’s ‘Another. Not me. I’m Done.’: A Track-by-Track Review by Urooj Ali Rizvi
Music, Previews, ReviewsJuly 21, 2017<July 28, 2017 Album Review: PHANGS Gets Emotionally Raw in ‘Get In My Arms’ by Maggie McHale
Music, Our Take, ReviewsJuly 20, 2017<July 20, 2017 Our Take: The Whimsical, Heartfelt Beauty of Kalbells’ Ten Flowers by Mariel Fechik
Features, Music, Reviews, RoundtableJuly 18, 2017<June 29, 2024 Roundtable Discussion: A Review of HAIM’s ‘Something To Tell You’ by Atwood Magazine Staff
Features, Music, ReviewsJuly 13, 2017<July 13, 2017 Phoenix’s Ti Amo: A Track-By-Track Review by Sara Santora
Music, Our Take, ReviewsJuly 12, 2017<July 12, 2017 Our Take: Lucy Rose Endears and Inspires with ‘Something’s Changing’ by Baylee Less
Music, ReviewsJuly 11, 2017<July 11, 2017 Pre-Release Renovation: Shakey Graves Impresses with Full Collection of Past EPs by Kelly Wynne
Features, Music, Our Take, ReviewsJuly 7, 2017<July 7, 2017 Our Take: Tara Terra Embrace Loss, Love, and Letting Go on ‘Where’s Your Light?’ by Mitch Mosk
Features, Music, Our Take, ReviewsJuly 7, 2017<July 9, 2018 Our Take: Sir Sly Turn Pain into Beauty on ‘Don’t You Worry, Honey’ by Mitch Mosk