Debut, Features, Interviews, MusicApril 16, 2025<April 16, 2025 “It’s me getting myself where I need to go”: Annie DiRusso Explores the Art of Growing Up with Debut Album, ‘Super Pedestrian’ by Madeleine Eggen
Debut, Features, Interviews, MusicApril 15, 2025<April 15, 2025 “This Is Me as an Artist”: Matilda Mann Steps into Herself on Debut Album ‘Roxwell,’ a Record of Self-Discovery, Sonic Freedom, & Coming-of-Age Catharsis by Kelly McCafferty Dorogy
Debut, Features, Interviews, MusicApril 14, 2025<April 15, 2025 Feature: Nashville’s Madison Hughes Gives Her Everything on ‘All That I Am’ by Emily Frances Algar
Features, Interviews, Music, Track-by-TrackApril 11, 2025<April 11, 2025 “Sonic Love Consciousness”: NYC’s Heaven ‘Dream Aloud’ on a Sweaty Reverie of Hazy Shoegaze, Spiritual Connection, & Emotional Surrender by Mitch Mosk
Features, Music, Reviews, RoundtableApril 10, 2025<April 10, 2025 Roundtable Discussion: A Review of Japanese Breakfast’s ‘For Melancholy Brunettes (& sad women)’ by Atwood Magazine Staff
Features, Interviews, MusicApril 10, 2025<April 11, 2025 Interview: Magnolia Park Create a Whole New World for Their Fans on ‘VAMP’ by Kaiana Lee
Features, Interviews, Music, Track-by-TrackApril 9, 2025<April 9, 2025 Feature: Lucette Lets Her Bruises, Boldness, and “Big Messy Feelings” Breathe on ‘Nice Girl From the Suburbs’ by Mitch Mosk
Debut, Features, Interviews, MusicApril 9, 2025<April 9, 2025 “Welcome to the Broadcast”: Michigander’s Jason Singer on Change, Letting Go, and Crafting a Timeless Debut Album by Kelly McCafferty Dorogy
Interviews, MusicApril 9, 2025<April 9, 2025 “This is year 12 of me putting out music and year 1 of it starting to work”: Dosey Collects His Flowers from ‘maybe i’m just terrified’ by Grace Holtzclaw
Features, Interviews, Music, Track-by-TrackApril 8, 2025<April 8, 2025 “Rave, Rock, Rebel”: Somebody’s Child Reckons with Time’s Changes on Boldly Defiant Sophomore LP ‘When Youth Fades Away’ by Mitch Mosk
Features, Interviews, MusicApril 8, 2025<April 8, 2025 “It’s all a bit of a farce at the end of the day”: IDER Turn Imposter Syndrome into an Aesthetic with ‘Late to the World’ by Brian Denney
Features, Interviews, MusicApril 8, 2025<October 7, 2025 “It’s All Just in the Idea of Owning It”: CocoRosie Embrace Boldness Through Their Genre-Bending Eighth Album, ‘Little Death Wishes’ by Kayleigh Schweiker
Debut, Features, Interviews, MusicApril 7, 2025<April 7, 2025 Interview: Ben Barnes on His Move from Screen to Stage, Authenticity as an Artist, & Debut LP ‘Where the Light Gets In’ by Brianna Corrine
Features, Interviews, MusicApril 4, 2025<June 4, 2025 “Anything Can Mean Everything”: Hannah Cohen Plants New Roots with ‘Earthstar Mountain,’ an Intimate Love Letter to the Catskills by Mitch Mosk
8.1 Music, ReviewsApril 4, 2025<April 4, 2025 Our Take: Selena Gomez and Benny Blanco Embrace Vulnerability in ‘I Said I Love You First’ by Danielle Holian
For the Love of Music
For the Love of Music
