Artist to Watch, Interviews, Music, Music Videos, PremieresAugust 5, 2026<August 11, 2026 “Caught Somewhere Between Numbness and Clarity”: Larlin Capture the Dreamlike Drift of Chronic Dissociation on “Sondheim,” an Intoxicating Alt-Rock Exorcism by Mitch Mosk
Artist to Watch, Music, Reviews, This Just InJuly 31, 2026<July 31, 2026 “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” by Mitch Mosk
Artist to Watch, Features, Music, Today's SongJuly 21, 2026<July 22, 2026 “I Hate Myself, So I Turn It Into Art”: Medium Build Rips Through Every Defense Mechanism on “Armor,” a Feverish Reckoning with the Terror of Being Known by Mitch Mosk
Artist to Watch, Interviews, Music, Today's SongJune 24, 2026<June 24, 2026 “If You’re Not Happy, Leave!!!”: aleksiah Turns Self-Worth into Pop Perfection on “Bullsh*t, Baby!” & Her Irresistible Third EP ‘Good On Paper’ by Mitch Mosk
Artist to Watch, Music, Music Videos, PremieresJune 10, 2026<June 10, 2026 “I Feel Everything”: Cherry Bomb Claims Her Own Salvation on “Sorry You’re Not Sorry,” a Feverish Disco-Pop Exorcism of Guilt, Glamour, & Release by Mitch Mosk
Artist to Watch, Interviews, Music, Today's SongJune 9, 2026<June 9, 2026 “Let’s Sing So Loud”: Tired of Fighting Trouble the Heavens on “Just for Me,” a Soul-Shaking Emo Punk Reckoning by Mitch Mosk
Artist to Watch, Columns, Music, ReviewsJune 6, 2026<June 6, 2026 “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral by Mitch Mosk
Debut, Features, Interviews, MusicMay 29, 2026<July 18, 2026 “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything by Mitch Mosk
Artist to Watch, Debut, Interviews, MusicApril 1, 2026<April 2, 2026 “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem by Mitch Mosk
Artist to Watch, Debut, Interviews, MusicFebruary 4, 2026<February 4, 2026 “Pure Sporadic Emotion”: Ali Genevich’s untitled freak Debuts With Raw Intimacy and Unfiltered Self-Reckoning by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJanuary 28, 2026<January 28, 2026 “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ by Mitch Mosk
Artist to Watch, Debut, Interviews, Music, Today's SongJanuary 28, 2026<January 28, 2026 “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too by Mitch Mosk
Artist to Watch, Interviews, Music, Today's SongJanuary 10, 2026<January 10, 2026 “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” by Mitch Mosk
Artist to Watch, Interviews, Music, Today's SongJanuary 9, 2026<January 9, 2026 “We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling” by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 8, 2026<January 8, 2026 Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread by Mitch Mosk
For the Love of Music
For the Love of Music
