Columns, Features, Music, Weekly RoundupOctober 1, 2024<October 4, 2024 Atwood Magazine’s Weekly Roundup: October 1, 2024 by Atwood Magazine Staff
Columns, Interviews, Music, Today's SongApril 23, 2024<April 23, 2024 “Nos despedimos felices”: Basking in the Sweet Heat of BEL’s Dreamy Spanglish Breakup Anthem by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJanuary 11, 2024<January 11, 2024 “Honest, Raw, & Reflective”: Bel’s ‘Read the Room’ EP Is an Impassioned, Empowered Eruption by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 8, 2023<March 10, 2023 Editor’s Picks 91: Marlene Oak, Aistè, Alaska Reid, Joy Oladokun, Bleach Lab, & BEL! by Mitch Mosk
Columns, Features, Music, Weekly RoundupJune 24, 2022<June 29, 2022 Atwood Magazine’s Weekly Roundup: June 24, 2022 by Atwood Magazine Staff
Columns, Editor's Picks, Features, MusicApril 15, 2022<April 26, 2024 Editor’s Picks 59: BEL & girlhouse, Mt. Joy, Ken Yates, McCall, Typhoon, & Nora Mae by Mitch Mosk
Artist to Watch, Columns, Music, Today's SongDecember 14, 2021<December 14, 2021 Artist to Watch: BEL’s “mason jar” Dwells in a Moment of Reckoning & Vulnerability by Mitch Mosk
Artist to Watch, Debut, Features, Music, Reviews, Track-by-TrackJuly 8, 2021<December 14, 2021 “Growth, Healing, & Strength”: BEL Soars High & True in Debut EP ‘Muscle Memory’ by Mitch Mosk
Music, PremieresJanuary 14, 2021<January 14, 2021 Premiere: BEL’s Indie Folk Anthem “Treading Water” Is a Visceral Surrender & Existential Release by Mitch Mosk
Debut, Music, ReviewsMay 27, 2020<May 27, 2020 Review: BEL Emerges with Hope & Strength on Glistening Debut Single “Silver Line” by Mitch Mosk
For the Love of Music
For the Love of Music
