Features, Music, Reviews, RoundtableSeptember 20, 2024<September 24, 2024 Roundtable Discussion: A Review of beabadoobee’s ‘This Is How Tomorrow Moves’ by Atwood Magazine Staff
Debut, Features, Interviews, MusicJuly 30, 2024<July 30, 2024 Interview: Been Stellar Debut With Raw Energy, Urgency, and an All-Consuming ‘Scream From New York, NY’ by Mitch Mosk
Music, Reviews, This Just InJune 19, 2024<June 19, 2024 “I wanna make you my world”: Pale Waves Capture the Excitement of New Love on “Perfume” by Aaron Childree
Columns, Music, Today's SongApril 30, 2024<April 30, 2024 Today’s Song: Benjamin Francis Leftwich’s “New York” Explores Love’s Highs and Lows by Aaron Childree
Columns, Music, Today's SongMarch 14, 2024<March 14, 2024 Today’s Song: NYC’s Been Stellar Are Unleashed on “Passing Judgment,” an Unfiltered & Aching Indie Rock Eruption by Mitch Mosk
Columns, Music, Today's SongNovember 14, 2023<November 14, 2023 Today’s Song: SIPHO.’s “LOCK IT IN (NO REGRETS)” Is an Unapologetic Fever Dream Off Debut LP ‘PRAYERS & PARANOIA’ by Mitch Mosk
Columns, Music, Today's SongJuly 29, 2023<July 29, 2023 Today’s Song: Beabadoobee Becomes a Ballerina With “the way things go” by Julia Dzurillay
Features, Interviews, MusicApril 4, 2023<April 30, 2023 Protecting Her Peace: Wallice on Coming of Age in the Music Industry and What Defines ‘Success’ by Sophie Severs
Columns, Music, Today's SongMarch 22, 2023<January 30, 2024 Today’s Song: The Japanese House Rewrites History with New Single “Boyhood” by Nasim Elyasi
Debut, Features, Interviews, MusicJanuary 19, 2023<January 23, 2023 Interview: Lowertown Share Their Raw, Unfiltered Truths in Debut Album ‘I Love to Lie’ by Minna Abdel-Gawad
Music, PremieresMay 13, 2021<May 13, 2021 Premiere: Olivia O. Returns with New Single “All I Want,” an Achingly Vulnerable & Bittersweet Surrender by Mitch Mosk
Music, Reviews, This Just InMarch 30, 2021<March 30, 2021 This Just In: Celebrating the “Last Day on Earth” with beabadoobee by Dalia
Features, Interviews, MusicDecember 2, 2020<December 22, 2020 Interview: Pale Waves’ “Change” Anticipates an Album We’ve All Been Waiting For by Dimitra Gurduiala
Features, Music, Reviews, RoundtableJune 1, 2020<June 29, 2024 Roundtable Discussion: A Review of The 1975’s ‘Notes on a Conditional Form’ by Atwood Magazine Staff
Music, Reviews, This Just InApril 24, 2020<April 24, 2020 Review: The 1975’s “If You’re Too Shy (Let Me Know)” Is the Energy Shot We Need Right Now by Mitch Mosk
For the Love of Music
For the Love of Music
