Columns, Music, Today's Song January 31, 2022 January 31, 2022 Today’s Song: “Funny Girl” Marks a New Golden Age for Father John Misty by Nasim Elyasi
Albums of the Decade, Columns, Features, Music November 29, 2019 January 9, 2020 Our Favorite Albums of the Decade: 2017 by Staff
Albums of the Decade, Columns, Features, Music November 15, 2019 December 5, 2019 Our Favorite Albums of the Decade: 2015 by Staff
Does Anybody Remember Laughter? April 1, 2019 April 2, 2019 Quiz: Which White Guy Indie Icon Is Your Spirit Animal? by Lindsay Call
Features, Music, News, Reviews January 7, 2019 January 21, 2019 Atwood Magazine’s 2018 Albums of the Year by Staff
Features, Music, Music Videos, News December 21, 2018 January 16, 2019 Atwood Magazine’s Best Music Videos of 2018 by Staff
Features, Music, Reviews June 6, 2018 June 27, 2018 Roundtable Discussion: A Review of Father John Misty’s ‘God’s Favorite Customer’ by Staff
Columns, Features, Music, Playlists, Weekly Roundup February 23, 2018 February 24, 2018 Atwood Magazine’s Weekly Roundup: February 23, 2018 by Staff
Features, Music, Music Videos, News December 15, 2017 January 8, 2019 Atwood Magazine’s Best Music Videos of 2017 by Staff
Columns, Music, Music Videos, Viewfinder September 21, 2017 October 6, 2017 Viewfinder: Revolution and Witches – Imagining Alternate Worlds through Stop Motion Animation by Carmen Chan
Features, Music, News, Reviews June 30, 2017 August 3, 2017 Atwood Magazine’s Best Albums of 2017… Part 1 by Staff
Columns, Concert Conversations, Music, Reviews May 17, 2017 May 17, 2017 Live: The Night Josh Tillman Came to Kings Theatre by Carmen Chan
Features, Music, Reviews April 17, 2017 January 25, 2018 Understanding the Importance of Father John Misty’s ‘Pure Comedy’ by Mitch Mosk
Features, Music, News December 31, 2015 December 31, 2015 Atwood Magazine’s Unanticipated Albums of 2015 by Staff
Features, Festival, Music, News, Previews September 24, 2015 September 24, 2015 (Y)Our Guide to Boston Calling Music Festival, Fall 2015 by Mitch Mosk