Debut, Interviews, Music, Today's SongJanuary 7, 2026<January 7, 2026 “Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving” by Mitch Mosk
Features, Lists, MusicJanuary 7, 2026<January 7, 2026 The Best Music of 2025, According to Our Favorite Artists! by Atwood Magazine Staff
Features, Interviews, MusicJanuary 6, 2026<January 6, 2026 Learning to Witness Yourself: Annika Bennett on the Intimacy, Permission, and Surrender of ‘Triple Shooting Star’ by Kelly McCafferty Dorogy
Essays, MusicJanuary 6, 2026<January 5, 2026 Essay: Roll Over Beethoven, Tell Tchaikovsky the News! by Guest Writer
Interviews, Music, Today's SongJanuary 6, 2026<January 6, 2026 “Wash the Damage Off”: DM Arthur Embraces Resilience, Release, and Renewal on Feel-Good “Fire & Soap” by Mitch Mosk
Features, Interviews, MusicJanuary 5, 2026<January 5, 2026 “I Finally Feel Like I Had Something to Say”: Natalie Jane on the World She Didn’t Want, and the One She’s Creating by Nicolle Knapová
Interviews, Music, Today's SongJanuary 5, 2026<January 5, 2026 “If You Go, I Go, Forever”: Stockholm’s Girl Scout Find Kinship, Conviction, & Belonging on “Same Kids” by Mitch Mosk
Features, Lists, MusicDecember 31, 2025<January 2, 2026 Atwood Magazine’s 2025 Songs of the Year by Atwood Magazine Staff
Columns, Music, Today's SongDecember 31, 2025<December 31, 2025 Today’s Song: Come Plunge into the Coral Reef (in Your Mind, Anyways) via Alex Breitling’s Immersive “Eternity” by Josh Weiner
Columns, Editor's Picks, Features, MusicDecember 30, 2025<December 30, 2025 Editor’s Picks 142: spill tab, praise., Francis of Delirium, Boyish, Quarters, & Wishlist! by Mitch Mosk
Interviews, Music, Today's SongDecember 30, 2025<December 28, 2025 “Screaming Together Is How We Feel Less Alone”: NYC’s Telescreens Turn Numbness into Communal Release on “Nothing” by Mitch Mosk
Debut, Interviews, Music, Today's SongDecember 29, 2025<December 28, 2025 “You Have to Sit With Uncomfortable Feelings”: Queen Quail Transforms Ache into Resilience on “Southside,” a Smoldering, Slow-Burning Reckoning by Mitch Mosk
MusicDecember 29, 2025<December 28, 2025 “These Are Simply Songs I Love”: Bartees Strange Follows His Own Instincts on ‘Shy Bairns Get Nowt,’ an EP About Love, Legacy, & Becoming by Mitch Mosk
Features, Interviews, MusicDecember 29, 2025<December 28, 2025 “Maybe These Are the Wonder Years”: JERUB Embraces Presence, Uncertainty, & Becoming on His Spirited, Soul-Searching Mixtape by Mitch Mosk
For the Love of Music
For the Love of Music
