Features, Music, Reviews, Track-by-TrackApril 20, 2020<April 20, 2020 Track-by-Track: Great News Returns with Buoyant & Balanced Sophomore Album ‘Now and Them’ by Mitch Mosk
Debut, Music, Reviews, Track-by-TrackApril 17, 2020<April 17, 2020 Track-by-Track: Inside GIRL SKIN’s Timeless & Beautiful Debut Album ‘Shade is on the other side’ by Mitch Mosk
Debut, Features, Reviews, Track-by-TrackApril 16, 2020<May 15, 2020 Feature: Intimacy & Emotion Drive Ellis’ Visceral Debut Album ‘Born Again’ by Mitch Mosk
8.9 Interviews, Music, Our Take, Reviews, Track-by-TrackApril 7, 2020<December 15, 2020 Track-by-Track: Inside Michael Baker’s Achingly Beautiful Sophomore Album ‘Salt’ by Mitch Mosk
Debut, Music, Premieres, Track-by-TrackMarch 24, 2020<March 24, 2020 EP Premiere: ZEMBU’s Debut EP ‘recall’ Offers a Spectral Journey of Self-Discovery by Baylee Less
Music, Premieres, ReviewsMarch 23, 2020<March 23, 2020 Album Premiere: Ester’s Visceral Sophomore Record ‘Turn Around’ Is a Turbulent Coming-of-Age Experience by Mitch Mosk
Debut, Music, Reviews, Track-by-TrackMarch 13, 2020<March 12, 2020 Review: Jenny Dee Dazzles with Debut Album ‘Dancing from a Distance’ by Kelly McCafferty Dorogy
Music, Reviews, Track-by-TrackMarch 10, 2020<March 11, 2020 Track-by-Track: The Gloomies’ Beachy, Visceral, & Intimate Album ‘Are We Getting Better?’ by Mitch Mosk
Features, Music, Reviews, Track-by-TrackNovember 11, 2019<November 11, 2019 Unapologetically Herself: Lauran Hibberd Rises & Rages with ‘Everything Is Dogs’ by Atwood Magazine Staff
Music, ReviewsOctober 31, 2019<October 31, 2019 The Cordial Sins Dive into Their High-Charged ‘In Memory’ EP by Mitch Mosk
Features, Music, ReviewsOctober 16, 2019<October 16, 2019 Review: Minor Pieces Weave Intimate Avant-Folk Beauty into Stirring Debut Album ‘The Heavy Steps of Dreaming’ by Mitch Mosk
Features, Music, Premieres, ReviewsJuly 17, 2019<July 17, 2019 Album Premiere: In ‘Rarest of Birds’, Grizfolk Fight Personal Struggles with Visions of the Sun by Frankie Rose
Music, Our Take, Reviews, Track-by-TrackMay 23, 2019<May 23, 2019 The Tallest Man on Earth’s ‘I Love You. It’s a Fever Dream.’: A Track-by-Track Review by Adrian Vargas
Debut, Music, Reviews, Track-by-TrackFebruary 16, 2019<February 16, 2019 Plested’s First & Foremost: A Track-By-Track Review by Luke Pettican
Debut, Features, Music, ReviewsJanuary 18, 2019<January 29, 2019 Maggie Rogers’ ‘Heard It in a Past Life’: A Track-by-Track Review by Frankie Rose