August 30, 2022<August 30, 2022 Today’s Song: Indigo De Souza Finds Her Own Balance in “Hold U” by Nic Nichols
August 29, 2022<August 29, 2022 “A Giant Diary Entry”: Juliana Madrid’s Personal, Hot, & Exciting Coming-of-Age Debut EP by Mitch Mosk
August 29, 2022<August 29, 2022 Premiere: Self-Love & Reckoning in Darkbird’s Visceral “3-2-Wake Up” by Mitch Mosk
August 29, 2022<August 29, 2022 Today’s Song: The Emotional Encapsulation of Familial Adoration in Lisabel’s New Single “Flor de Louis” by Joe Beer
August 26, 2022<September 29, 2022 Feature: Embracing the End Times with The Happy Fits’ Dynamic, Feverish & Charged Third LP ‘Under the Shade of Green’ by Mitch Mosk
August 26, 2022<August 26, 2022 Atwood Magazine’s Weekly Roundup: August 26, 2022 by Atwood Magazine Staff
August 26, 2022<August 26, 2022 Today’s Song: The Howlers Unapologetically Have “Nothing to Lose” in Their Soaring New Single by Isabella Le
August 26, 2022<August 26, 2022 (Re)setting Foundations and Coming Full Circle with FUR’s ‘Oldies & Goldies’ by Sophie Severs
August 25, 2022<August 25, 2022 “A Nostalgic Roller Coaster”: Spring Summer Shines on Glistening Debut “Midlife Crisis” Record, ‘T.E.A.R.S’ by Mitch Mosk
August 25, 2022<August 25, 2022 Premiere: Ok Cowgirl Channel Romantic Frustration into Feverish & Spirited New Song “Just Friends” by Mitch Mosk
August 25, 2022<August 25, 2022 Interview: Enjoying the ‘Lavender Days’ with Ohio’s Caamp by Kelly McCafferty Dorogy
August 25, 2022<August 25, 2022 Chris Lanzon’s “June” (ft. Eluera) Captures What It Means to Have a Love that Is So Close, Yet So Far by Lauren Hicks
August 24, 2022<August 24, 2022 Today’s Song: Toronto’s The Beaches Captivate with a Dreamy, Enchanting & Emotional Ode to “Orpheus” by Mitch Mosk
August 24, 2022<August 24, 2022 Premiere: Searching for Hope with Blake Brown & The American Dust Choir’s “Hold On” by Mitch Mosk