November 23, 2021<November 24, 2021 “Nostalgic, Cathartic, & Honest”: Toronto’s Loviet Comes to Life in Dazzling Debut Album, ‘777’ by Mitch Mosk
November 23, 2021<December 15, 2021 Interview: Cody Fry’s Accidental TikTok Fame & The Symphony Sessions’ “I Hear a Symphony” by Lilly Eason
November 23, 2021<November 23, 2021 Today’s Song: Mattiel Crush Hard on Dreamy (New Single) “Jeff Goldblum” by Mitch Mosk
9.1 November 22, 2021<March 11, 2023 Feature: South Florida’s Hush Forte Dives Inside His Intimate Coming-of-Age Project ‘Look Closely’ by Mitch Mosk
November 22, 2021<June 6, 2022 Today’s Song: Sunflower Thieves’ Cozy “Sirens” & the Warm Glow of Friendship by Mitch Mosk
November 20, 2021<February 7, 2022 Today’s Song: NYC’s Nicotine Dolls Bang It Out on Cinematic Anthem “Upset the Neighbors” by Mitch Mosk
November 19, 2021<November 19, 2021 Today’s Song: Seattle’s Sea Lemon Debuts with Anxious & Dreamy “Sunday” by Mitch Mosk
November 19, 2021<November 19, 2021 “Vulnerable but Resilient”: Exeter’s Soot Sprite Dive into Their Honest & Urgent ‘Poltergeists’ EP by Mitch Mosk
November 19, 2021<December 10, 2021 Deciphering the Message: Makaya McCraven on Blue Note and the Art of Remixing by Mariel Fechik
November 19, 2021<November 19, 2021 Artist to Watch: Lizzy McAlpine Celebrates Death with “doomsday” by Nasim Elyasi
November 19, 2021<June 23, 2022 Atwood Magazine’s Weekly Roundup: November 19, 2021 by Atwood Magazine Staff
November 18, 2021<February 7, 2022 “Free, Warm, Home”: Aquilo Find ‘A Safe Place to Be’ in Radiant & Wondrous 3rd Album by Mitch Mosk
November 18, 2021<November 18, 2021 Review: Courtney Barnett’s ‘Things Take Time, Take Time’ Is a Stunning Display of Lyricism to a Questionable Soundtrack by Lilly Eason
November 18, 2021<November 18, 2021 Premiere: Glossies’ Erich Tomkinson Summons a Fantasy Romance in “Kinda Wish You’d Call” by Guest Writer