• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Lilly Eason

Lilly Eason

Lilly Eason is a Nashville based writer and a graduate of Sewanee with a degree in English and Creative Writing. She has a knack for cultivating playlists and frequenting venues around town to scope out new music obsessions. Her top-tier loves include playing bass, record hunting, and the music and style of the 1960s British Invasion. She has a passion for writing and for sharing the unique stories of those she interviews. Can be reached at lilly.pitches@gmail.com or on Instagram @lu_loveday99.

Ithys © Francesca Sostar
Features, Interviews, MusicMay 17, 2023<May 17, 2023

Interview: Korean Rapper Ithys’ Artistic Identity Journey

Lilly Eason © Maria Mattingly
Columns, Meet Our WritersApril 22, 2023<April 30, 2023

Meet Our Writers: Nashville’s Lilly Eason!

Sun Room © Kelly Hammond
Features, Interviews, MusicFebruary 24, 2023<February 24, 2023

It Takes a Village: Sun Room Are ‘Outta Their Minds’ on New EP

Sun Room © Kelly Hammond
Columns, Music, Today's SongJanuary 11, 2023<January 11, 2023

Today’s Song: Sun Room’s Fast & Loud “Cadillac” Is a Euphonious Time Machine

La Femme © JD Fanello
Features, Interviews, MusicJanuary 5, 2023<January 10, 2023

Feature: The Escapist Fantasy of La Femme’s ‘Teatro Lúcido’

Pony Girl © Curtis Perry
Music, PremieresOctober 13, 2022<October 13, 2022

Premiere: Pony Girl’s “King of The Country Club” Pairs Criticisms on Privilege with a Wacky Sound

Tamino © Jeton Bakalli
Features, Interviews, MusicSeptember 23, 2022<March 11, 2023

Feature: Tamino’s Sophomore Album ‘Sahar’ Mediates the Intersection Between Light & Dark, Love & Pain

Arctic Monkeys © Zackery Michael
Columns, Music, Today's SongSeptember 7, 2022<September 7, 2022

Today’s Song: Arctic Monkeys’ “There’d Better Be a Mirrorball” Is a Gentle Step in a New Direction

Easy Honey © 2022
Columns, Music, Today's SongJuly 15, 2022<August 1, 2022

Today’s Song: Easy Honey’s “Steady in Vertigo” Is a Unique Vibe That Showed Up Just in Time

Tamino "Fascination" © Herman Selleslags
Music, Music Videos, PremieresJune 22, 2022<June 21, 2022

Premiere: The Quiet Nuance of Tamino’s “Fascination” Music Video

Wet Leg © Hollie Fernando
Editorials, Features, Music, ReviewsJune 14, 2022<February 6, 2025

Subverting Expectations: Wet Leg, TikTok, and the Refreshing Originality of a Band Just Having a Bit of Fun

Tamino © Jan Philipzen
Columns, Music, Today's SongMay 20, 2022<May 20, 2022

Today’s Song: Tamino’s “The First Disciple” Tells the Story of a Fallen Idol with Powerful Simplicity

Sunflower Bean © DrielyS
Features, Interviews, MusicMay 10, 2022<September 29, 2022

“The right kind of crazy”: Sunflower Bean’s Third Album ‘Headful of Sugar’ Is a Wellspring of Impassioned, Eclectic Individuality

Blossoms © Madeleine Penfold
Features, Interviews, MusicApril 29, 2022<April 29, 2022

Feature: Blossoms’ ‘Ribbon Around the Bomb’, a Characterization of the Personal

COIN © XYZ
Features, Interviews, MusicMarch 25, 2022<April 3, 2022

“Emotional Surgery”: COIN Breakdown the Human Experience in Their New Album, ‘Uncanny Valley’

Posts pagination
1 2

Recent Posts

  • “The best is yet to come”: Sydney Quiseng on Stepping into Her Own Rhythm with ‘PHASES’ July 3, 2025
  • “Why’s it so hard to have a good thing?”: Brian Dunne Digs into the American Dream of a ‘Good Life’ in His Restless, Hungry Anthem, “Clams Casino” July 3, 2025
  • Atwood Magazine’s Weekly Roundup: July 3, 2025 July 3, 2025
  • “Yours Always”: Aaron Taylor Turns a Powerful Promise into Soul-Stirring Music in His Stripped-Back EP July 2, 2025
  • “Gentle, Big, & Sad”: Shura Opens Up About the Quiet Chaos of Being Human and ‘I Got Too Sad for My Friends,’ Her Most Vulnerable Album Yet July 2, 2025
  • Premiere: Kindelan Reckons with Lost Love & Lingering Regret in Her Soul-Stirring “Wish I Wrote a Love Song” July 2, 2025
  • Music & Cities: The Cure’s ‘Songs of a Lost World’ in New York City July 2, 2025
  • Sheléa Revisits Lost Love with Grace & Golden-Era Soul in Her Cinematic, Motown-Inspired Classic “Time Machine” July 2, 2025
  • “Accepting the Present”: Vacation Manor on Finding Beauty in Stillness and the Emotional Landmarks of Their ‘Back to Town’ EP July 1, 2025
  • “I wanna feel my heart again”: flipturn’s ‘Burnout Days’ Become Sweaty, Soul-Stirring Fever Dreams on Their Sophomore Album July 1, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services