• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Beau Hayhoe

Beau Hayhoe

Beau is a Brooklyn-based freelance writer covering music, menswear, whiskey, craft beer and more. Beau's work has appeared at outlets like SPIN, MTV.com, Esquire.com, Maxim and more. He's interviewed artists ranging from Brandon Flowers of The Killers to Aaron Dessner of The National.

Wild Pink © 2024
Columns, Music, Today's SongJuly 28, 2024<July 26, 2024

Today’s Song: Wild Pink Turn Up the Volume on Immense New Single “The Fences of Stonehenge”

Fold Paper © Julio Assis
Columns, Music, Today's SongJuly 22, 2024<July 22, 2024

Today’s Song: Winnipeg’s Fold Paper Take Aim With Fiery Single “Idle Idle” Off New EP ‘4TO’

Milky Chance "Naked and Alive" © Anthony Molina
Columns, Music, Today's SongJune 30, 2024<June 30, 2024

Today’s Song: Milky Chance Pen a ‘Paean to Joyful Solitude’ With “Naked and Alive”

Shannon and the Clams © Jim Herrington
Columns, Music, Today's SongJune 3, 2024<June 3, 2024

Today’s Song: Shannon & The Clams Embrace the Surreal Nature of Time and Memory on “Dali’s Clock”

Rebounder "Sunset Vision" © Phoenix Johnson
Columns, Music, Today's SongMay 24, 2024<May 24, 2024

Today’s Song: New York City’s Rebounder Return with a Fresh Wave of Buzz and a New EP via “Sunset Vision”

Wyatt C. Louis © Vanessa Heinsedit
Columns, Music, Today's SongApril 28, 2024<April 27, 2024

Today’s Song: Wild Pink Teams With Wyatt C. Louis on Lovely “Oh Vibrant Sky,” a Soft & Sweet Folk Dream

Shannon and the Clams © Jim Herrington
Columns, Music, Today's SongApril 8, 2024<April 8, 2024

Today’s Song: Shannon and the Clams Continue to Defy Convention with “The Moon Is in the Wrong Place”

Wild Pink © Fire Talk
Columns, Music, Today's SongMarch 31, 2024<March 30, 2024

Wild Pink’s New Wavey “Air Drumming Fix You” Leads Their Lush, Richly Crafted Surprise EP, ‘Strawberry Eraser’

Rebounder "Where Are You Later On, Forever?"
Columns, Music, Today's SongMarch 16, 2024<March 15, 2024

Today’s Song: Rebounder Embrace the Groove on “Where Are You Later On, Forever?”

People Who Aren't There Anymore - Future Islands 9.5
Music, Our Take, ReviewsFebruary 15, 2024<February 15, 2024

Our Take: Future Islands Get Vivid & Deep on (Perhaps) a Career-Best Album, ‘People Who Aren’t There Anymore’

Future Islands (left to right): Samuel T. Herring, Gerrit Welmers, William Cashion, Michael Lowry © Frank Hamilton
Columns, Music, Today's SongJanuary 24, 2024<January 24, 2024

Today’s Song: Future Islands Embrace Yearning & Distance With “Say Goodbye”

Asha Jefferies © Cody Wood
Columns, Music, Today's SongJanuary 21, 2024<January 21, 2024

Today’s Song: Asha Jefferies Offers Up Powerful Declaration With “Brand New Bitch”

The Killers at 2023 Leeds Festival © Chris Phelps
Music, Reviews, This Just InDecember 8, 2023<December 12, 2023

Las Vegas Heroes The Killers Introduce ‘Rebel Diamonds’ With Striking New Single “Spirit”

Gulfer © Noémie Plante
Columns, Music, Today's SongNovember 27, 2023<November 27, 2023

Today’s Song: Gulfer Dive Deep With New Standalone Single “Clean”

David AM © 2023
Columns, Music, Today's SongNovember 18, 2023<November 17, 2023

David Maine Returns to Indie Rock as David AM With Throwback Debut Single “What Was Isn’t Now”

Posts pagination
1 2 3 … 5

Recent Posts

  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services