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Bethan Harper

Bethan Harper

I'm a music-obsessed, guitar-playing Brit who adores writing. I love the moon, Bruce Springsteen and the winter. If you want to find me on a rainy day I'll probably be at the beach.

James Gillespie © 2020
Music, Music Videos, PremieresFebruary 26, 2020<February 25, 2020

Video Premiere: James Gillespie’s “ICFTI” Is Awash in Autumnal Hues & Seductive Visuals

Boardmasters Festival 2020
Festival, Music, PreviewsFebruary 25, 2020<February 25, 2020

Preview: Boardmasters Festival 2020 Lineup Features Musical Giants King of Leon, The 1975 & More

Temporary Love - April Ivy
Music, PremieresFebruary 20, 2020<February 19, 2020

Premiere: April Ivy’s Tender & Seductive Song “Temporary Love”

Hit and Run EP - Larkins
Music, ReviewsFebruary 14, 2020<February 14, 2020

EP Review: Larkins’ ‘Hit and Run’ Is the Perfect Mash-Up of the Old, New, and Unexpected

Circa Waves © 2020
Features, Interviews, MusicJanuary 29, 2020<February 6, 2020

Making Music Videos, Self-Deprecation and the End of the World: An Interview with Circa Waves

Marigold - Pinegrove
Music, ReviewsJanuary 16, 2020<January 17, 2020

Review: Pinegrove Touch on Themes of Isolation & Monotony in 4th Album ‘Marigold’

Larkins
Columns, Music, Today's SongJanuary 15, 2020<January 15, 2020

Today’s Song: Larkins Search for Human Connections During Turbulent Times on New Song “Flood”

John Mayer
Columns, Music, Nostalgia TracksJanuary 10, 2020<January 9, 2020

Nostalgia Tracks: John Mayer’s “Vultures” Is a Truly Timeless Song

Fickle Friends © Bethan Harper
Concerts, Music, ReviewsDecember 11, 2019<December 10, 2019

Live Review: A Night of Perfect Pop with Fickle Friends at The Joiners, Southampton

Will Joseph Cook
Columns, Music, Today's SongDecember 2, 2019<December 2, 2019

Today’s Song: Will Joseph Cook Playfully Addresses Societal Issues in His Single “The Dragon”

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Recent Posts

  • “I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’ August 20, 2026
  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
  • “I Have an Amazon Rainforest of Emotions”: MARIS Is the Pop Star of Your Dreams August 20, 2026
  • “The More I Think About It, I’m Just Doing Fine”: Mildred Unearth the Strange Poetry of Ordinary Life on “Fish Sticks” & Their Homespun Debut Album ‘Fenceline’ August 20, 2026
  • “If You Have Life, You Should Celebrate It”: Bad With Phones Channels Grief into a Propulsive Celebration of Life on “Human” August 19, 2026
  • “I Learned How to Speak My Mind”: Grace Ives on Independence, Inner Critics, and Her Bold, Restless Third Album, ‘Girlfriend’ August 19, 2026
  • “Open Your Mouth and Sing!”: Danni Nicholls Lets Intuition Lead on the Warm, Soul-Searching Americana of ‘Making Moves’ August 19, 2026
  • “I’m a Loser”: Ax and the Hatchetmen Admit Their Flaws on Rebellious Summer Anthem “Loser” August 19, 2026
  • “It’s as Beautiful as It’s Treacherous”: Afternoon Bike Ride Run Headlong Through Love, Loss, & the Fullness of Life on ‘Running With Scissors’ August 18, 2026
  • Inside Phoebe Bridgers’ Dazzling ‘Lost Weekend’ Planetarium Experience August 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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