• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Lilly Eason

Lilly Eason

Lilly Eason is a Nashville based writer and a graduate of Sewanee with a degree in English and Creative Writing. She has a knack for cultivating playlists and frequenting venues around town to scope out new music obsessions. Her top-tier loves include playing bass, record hunting, and the music and style of the 1960s British Invasion. She has a passion for writing and for sharing the unique stories of those she interviews. Can be reached at lilly.pitches@gmail.com or on Instagram @lu_loveday99.

Ithys © Francesca Sostar
Features, Interviews, MusicMay 17, 2023<May 17, 2023

Interview: Korean Rapper Ithys’ Artistic Identity Journey

Lilly Eason © Maria Mattingly
Columns, Meet Our WritersApril 22, 2023<April 30, 2023

Meet Our Writers: Nashville’s Lilly Eason!

Sun Room © Kelly Hammond
Features, Interviews, MusicFebruary 24, 2023<February 24, 2023

It Takes a Village: Sun Room Are ‘Outta Their Minds’ on New EP

Sun Room © Kelly Hammond
Columns, Music, Today's SongJanuary 11, 2023<January 11, 2023

Today’s Song: Sun Room’s Fast & Loud “Cadillac” Is a Euphonious Time Machine

La Femme © JD Fanello
Features, Interviews, MusicJanuary 5, 2023<January 10, 2023

Feature: The Escapist Fantasy of La Femme’s ‘Teatro Lúcido’

Pony Girl © Curtis Perry
Music, PremieresOctober 13, 2022<October 13, 2022

Premiere: Pony Girl’s “King of The Country Club” Pairs Criticisms on Privilege with a Wacky Sound

Tamino © Jeton Bakalli
Features, Interviews, MusicSeptember 23, 2022<March 11, 2023

Feature: Tamino’s Sophomore Album ‘Sahar’ Mediates the Intersection Between Light & Dark, Love & Pain

Arctic Monkeys © Zackery Michael
Columns, Music, Today's SongSeptember 7, 2022<September 7, 2022

Today’s Song: Arctic Monkeys’ “There’d Better Be a Mirrorball” Is a Gentle Step in a New Direction

Easy Honey © 2022
Columns, Music, Today's SongJuly 15, 2022<August 1, 2022

Today’s Song: Easy Honey’s “Steady in Vertigo” Is a Unique Vibe That Showed Up Just in Time

Tamino "Fascination" © Herman Selleslags
Music, Music Videos, PremieresJune 22, 2022<June 21, 2022

Premiere: The Quiet Nuance of Tamino’s “Fascination” Music Video

Wet Leg © Hollie Fernando
Essays, Features, Music, ReviewsJune 14, 2022<February 6, 2025

Subverting Expectations: Wet Leg, TikTok, and the Refreshing Originality of a Band Just Having a Bit of Fun

Tamino © Jan Philipzen
Columns, Music, Today's SongMay 20, 2022<May 20, 2022

Today’s Song: Tamino’s “The First Disciple” Tells the Story of a Fallen Idol with Powerful Simplicity

Sunflower Bean © DrielyS
Features, Interviews, MusicMay 10, 2022<September 29, 2022

“The right kind of crazy”: Sunflower Bean’s Third Album ‘Headful of Sugar’ Is a Wellspring of Impassioned, Eclectic Individuality

Blossoms © Madeleine Penfold
Features, Interviews, MusicApril 29, 2022<April 29, 2022

Feature: Blossoms’ ‘Ribbon Around the Bomb’, a Characterization of the Personal

COIN © XYZ
Features, Interviews, MusicMarch 25, 2022<April 3, 2022

“Emotional Surgery”: COIN Breakdown the Human Experience in Their New Album, ‘Uncanny Valley’

Posts pagination
1 2

Recent Posts

  • “Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions July 31, 2026
  • Mad Cool Festival 2026: Ten Years of Music and World Community July 31, 2026
  • Atwood Magazine’s Weekly Roundup: July 31, 2026 July 31, 2026
  • Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ July 31, 2026
  • The Man Behind the Music: How Jason Crisp Became One of Rock’s Most Trusted Guitar Techs July 31, 2026
  • “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” July 31, 2026
  • “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ July 30, 2026
  • “Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot” July 30, 2026
  • “It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World July 30, 2026
  • “I No Longer Have the Privilege to Be Ambiguous”: Genesis Owusu Is Rallying Against a World in Disarray with ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ July 30, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services