• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Lilly Eason

Lilly Eason

Lilly Eason is a Nashville based writer and a graduate of Sewanee with a degree in English and Creative Writing. She has a knack for cultivating playlists and frequenting venues around town to scope out new music obsessions. Her top-tier loves include playing bass, record hunting, and the music and style of the 1960s British Invasion. She has a passion for writing and for sharing the unique stories of those she interviews. Can be reached at lilly.pitches@gmail.com or on Instagram @lu_loveday99.

Zander Schloss © Geoff Moore
Features, MusicFebruary 23, 2022<October 12, 2022

Feature: The Story of Zander Schloss’ Life

Sun Room © 2022
MusicFebruary 3, 2022<August 12, 2025

Chasing the Sun: An Interview with Californian Surf Band Sun Room

Michael J Woodard © Breyona Holt
Features, Interviews, MusicDecember 15, 2021<December 15, 2021

Interview: The Joy of Michael J Woodard

Cody Fry © Samuel Cowden / IV Studio
Features, Interviews, Music, PremieresNovember 23, 2021<December 15, 2021

Interview: Cody Fry’s Accidental TikTok Fame & The Symphony Sessions’ “I Hear a Symphony”

Courtney Barnett © Mia Mala McDonald
Music, ReviewsNovember 18, 2021<November 18, 2021

Review: Courtney Barnett’s ‘Things Take Time, Take Time’ Is a Stunning Display of Lyricism to a Questionable Soundtrack

87 Nights
Interviews, MusicNovember 2, 2021<November 2, 2021

Interview: An Introduction to Charleston Band 87 Nights

Ben Zaidi © Madeleine Holland
Interviews, MusicOctober 13, 2021<October 12, 2021

Interview: Ben Zaidi Plunders Poetry and Pain to Create Vulnerable Songs

Violette © 2021
Features, Interviews, MusicAugust 17, 2021<August 16, 2021

Interview: Violette’s Mix of Escapism and Intimacy

Hank May © 2021
Interviews, MusicJuly 27, 2021<August 19, 2021

Interview: Hank May’s First Sip, His Premier LP, ‘One More Taste of the Good Stuff’

Inhaler © Dan Kenny
Features, Interviews, MusicJuly 9, 2021<August 19, 2021

Interview: Dublin Band Inhaler Speak on How, for Better or Worse, ‘It Won’t Always Be Like This’

The Jungle Giants © 2021
Features, Interviews, MusicJuly 1, 2021<August 19, 2021

Feature: Sam Hales on The Jungle Giants’ New Sound & How to Stay Motivated in the Face of Not Leaving Your House

Easy Honey © 2021
Features, Interviews, MusicJune 3, 2021<August 19, 2021

Interview: Easy Honey’s Journey From Tennessee Frat House to Charleston Pour House

Greta Van Fleet © Matthew Daniel Siskin (L-R: Danny Wagner, Jake Kiszka, Josh Kiszka, Sam Kiszka)
Features, Interviews, MusicMay 3, 2021<October 5, 2021

Interview: Josh Kiszka on Greta Van Fleet, ‘The Battle at Garden’s Gate’, and the Infosonicosm

Twïnn
Interviews, MusicJanuary 27, 2021<August 19, 2021

Interview: Michigan Synth Duo Twïnn Deliver “Accidental Diplomatic Mosaics from Space”

Editorials, MusicDecember 15, 2020<August 19, 2021

Greta Van Fleet’s Second Act: A Hopeful Skeptic’s Anticipation of ‘The Battle at Garden’s Gate’

Posts pagination
1 2

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services