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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Talk Show © Stewart Baxter
Features, Interviews, Music, Track-by-TrackSeptember 23, 2022<March 14, 2024

Touch the Ground: London’s Talk Show Kiss the Sky with Feverish Industrial Post-Punk EP

Slaney Bay © Henry Ager
Artist to Watch, Debut, Features, Interviews, MusicSeptember 22, 2022<November 11, 2022

“Where the Horror Meets the Healing”: A Conversation with London Indie Rock Trio Slaney Bay

Neev © 2022
Music, PremieresSeptember 22, 2022<September 22, 2022

Premiere: The Soft Swell of Neev’s Captivating “Seawall,” a Beautiful Song of Burnout & Fatigue

Roses & Revolutions © Jacalyn Meyvis
Music, PremieresSeptember 22, 2022<September 22, 2022

Premiere: Roses & Revolutions’ Quietly Stunning “Moon Song” Dwells in a Beautiful Moment of Stillness & Stasis

Blond in Car
Features, Interviews, Music, Track-by-TrackSeptember 20, 2022<September 20, 2022

A Portrait of Devastation: Blond in Car’s Bittersweet, Dreamy, & Honest ‘Different Dream’ EP

Jackson Mico Milas © Max Fairclough
Music, Music Videos, PremieresSeptember 20, 2022<September 20, 2022

Premiere: The Warmth, Beauty, & Tranquility of Jackson Mico Milas’ Gently Stirring “The Bay Fire”

Atwood Magazine's Editor's Picks 73
Columns, Editor's Picks, Features, MusicSeptember 16, 2022<September 29, 2022

Editor’s Picks 73: Kramies, Maude Latour, The 1975, Jessie Reid, The Backseat Lovers, & milk.!

Gordi © Jess Gleeson
Features, Interviews, Music, Track-by-TrackSeptember 15, 2022<December 11, 2022

“Escape Outwards Inwards”: Gordi Discusses Her Beautifully Raw & Innately Human ‘Inhuman’ EP

Walker Landgraf © 2022
Music, PremieresSeptember 15, 2022<September 15, 2022

“Comfort, Community, and Making a Home”: Walker Premieres Soulful & Soothing New Single, “I’ll Be Right Here”

Mellor © Alex Wickenden
Artist to Watch, Music, PremieresSeptember 13, 2022<September 14, 2022

Artist to Watch: UK Indie Rockers Mellor Roar on Stunning, Sardonic “Battle Hardened” Off Forthcoming Debut

Calum Scott © Tom Cockram
Features, Interviews, MusicSeptember 12, 2022<September 29, 2022

“Honest, Brave & Liberating”: Building ‘Bridges’ with Calum Scott

Atwood Magazine's Editor's Picks 72
Columns, Editor's Picks, Features, MusicSeptember 9, 2022<September 29, 2022

Editor’s Picks 72: easy life & BENEE, PRONOUN, Darling Farm, Bleach Lab, Abby Holliday, & Jake Wesley Rogers!

Loviet © Leo Montero
Artist to Watch, Columns, Music, Today's SongSeptember 9, 2022<September 9, 2022

Artist to Watch: Toronto’s Loviet Returns with Bold, Breathtaking “Broken Lips”

Maya Elise & The Good Dream
Music, PremieresSeptember 8, 2022<September 8, 2022

Premiere: Maya Elise & The Good Dream Soar on “Mailman,” a Rich, Radiant Love Song of Connection & Trust

Kramies LP - Kramies
Features, Interviews, Music, Premieres, Track-by-TrackSeptember 8, 2022<September 29, 2022

Ghosts, Dreams, & Folklore: Kramies Stuns & Stirs on His Hauntingly Beautiful Self-Titled LP, ‘Kramies’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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