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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

"Deer Song" still - Fauvely © Robin Elise Maaya
Music, Music Videos, PremieresSeptember 7, 2022<September 7, 2022

Closure, Catharsis, & Moving On: Fauvely Premieres Her Dream Folk Farewell, “Deer Song”

Tedo Stone © Sasha Stone
Music, PremieresSeptember 7, 2022<September 7, 2022

Premiere: Atlanta’s Tedo Stone Are Getting It Right & “Keeping It Tight” on Dynamic New Single

Similar Kind © Sam Lockyer
Features, Interviews, Music, Track-by-TrackSeptember 6, 2022<April 21, 2023

“Eclectic, Electric, & Eccentric”: Similar Kind’s ‘Commercial Break’ Proves a Passion-Fueled Time Capsule

Cumulus © 2022
Music, Music Videos, PremieresSeptember 6, 2022<September 6, 2022

“The way you love me, it gets into my bloodstream”: Cumulus Returns with “Sunbeam,” a Radiant Ode to Love

Älskar - Nina Nesbitt
Features, Interviews, MusicSeptember 2, 2022<March 11, 2023

Interview: Nina Nesbitt Finds Her Love Language on Third LP ‘Älskar’

Darcy Lane © Tara Johnson
Debut, Music, PremieresSeptember 1, 2022<September 1, 2022

EP Premiere: Sydney’s Darcy Lane Debuts with ‘Heartquakes,’ a Record of Young Love’s Turmoil

Features, Interviews, Music, Track-by-TrackAugust 31, 2022<August 31, 2022

The Best She Can: Savannah Conley’s New EP is Eleven Minutes of Beautifully Charged Unapologetic Upheaval

Nataly Dawn © 2022
Features, Interviews, Music, Track-by-TrackAugust 30, 2022<August 31, 2022

“Pretty Damn Hopeful”: Pomplamoose’s Nataly Dawn Soars & Stirs on Beautifully Intimate ‘Gardenview’

2030 Revolution - Dylan Fraser © Ho Hai Tran
Features, Interviews, Music, Track-by-TrackAugust 30, 2022<August 30, 2022

“Swirly, Distorted, Ambience”: Basking in the Throes of Dylan Fraser’s Urgent & Unapologetic ‘2030 Revolution’

Juliana Madrid © Benjamin Ruttner
Debut, Features, Interviews, Music, Track-by-TrackAugust 29, 2022<August 29, 2022

“A Giant Diary Entry”: Juliana Madrid’s Personal, Hot, & Exciting Coming-of-Age Debut EP

Darkbird © Dustin Cohen
Music, Music Videos, PremieresAugust 29, 2022<August 29, 2022

Premiere: Self-Love & Reckoning in Darkbird’s Visceral “3-2-Wake Up”

The Happy Fits © Rahil Ashruff
Features, Interviews, Music, Track-by-TrackAugust 26, 2022<September 29, 2022

Feature: Embracing the End Times with The Happy Fits’ Dynamic, Feverish & Charged Third LP ‘Under the Shade of Green’

Spring Summer © Mia Kirby
Debut, Features, Interviews, Music, Track-by-TrackAugust 25, 2022<August 25, 2022

“A Nostalgic Roller Coaster”: Spring Summer Shines on Glistening Debut “Midlife Crisis” Record, ‘T​.​E​.​A​.​R​.​S’

Ok Cowgirl © Max Brown
Music, PremieresAugust 25, 2022<August 25, 2022

Premiere: Ok Cowgirl Channel Romantic Frustration into Feverish & Spirited New Song “Just Friends”

Orpheus - The Beaches © Becca Hamel
Columns, Music, Today's SongAugust 24, 2022<August 24, 2022

Today’s Song: Toronto’s The Beaches Captivate with a Dreamy, Enchanting & Emotional Ode to “Orpheus”

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