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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Spacey Jane © Sam Hendel
Features, Interviews, Music, Track-by-TrackJune 24, 2022<August 14, 2022

‘Here Comes Everybody’: Inside Spacey Jane’s Spirited, Resilient, & Triumphant Sophomore Album

wilter © 2022
Features, Interviews, Music, Track-by-TrackJune 23, 2022<July 2, 2022

“Melancholic, Eerie, & Soothing”: Inside wilter’s Debut ‘all this leaving’, a Record of Haunting Depression & Mellow Wonder

Meyru © Kevin Condon
Features, Interviews, Music, Track-by-TrackJune 23, 2022<August 13, 2022

“Scattered, Smothered, & Covered”: ‘Slow Up’ with Meyru’s Relentless and Charming Sophomore Album

Atwood Magazine's Editor's Picks 68
Columns, Editor's Picks, Features, MusicJune 22, 2022<September 29, 2022

Editor’s Picks 68: Young the Giant, Daulton Hopkins, Cecilia Castleman, Juliana Madrid, FELIVAND, & altopalo!

Fantastic Cat © Shervin Lainez
Music, Music Videos, PremieresJune 22, 2022<August 12, 2022

Premiere: Fantastic Cat Commandeer the Staten Island Ferry for New Single “The Gig,” a Song of Passion, Dreams, & Unrelenting Ambition

mxmtoon 'rising' © Lissyelle Laricchia
Features, Interviews, MusicJune 22, 2022<June 27, 2022

“I wanted ‘rising’ to feel like a project about loving yourself”: mxmtoon Shines Bright on Her “Fun Existential Crisis” of a Sophomore Album

Jaguar Jonze © she is aphrodite
Debut, Features, Interviews, Music, Track-by-TrackJune 22, 2022<June 22, 2022

“Powerful, Vulnerable, & Ferocious”: The Trauma & Triumph of Jaguar Jonze’s Debut Album, ‘BUNNY MODE’

Wy © Lamia Karic
Features, Interviews, Music, Track-by-TrackJune 21, 2022<June 21, 2022

Interview: Wy Deliver ‘Something Amazing,’ a Beautifully Raw EP of Darkness, Light, & Life

Imogen Clark © Jess Gleeson
Music, PremieresJune 21, 2022<June 21, 2022

“You know I love in absolutes”: Imogen Clark Soars on “Nonchalant,” a Spirited Indie Rock Release

Alex Porat © Patrick Ryder
Columns, Music, Today's SongJune 20, 2022<June 20, 2022

“I don’t know why I get so sad”: Alex Porat’s Intimate & Achingly Vulnerable “Sensitive”

The Big Drink © 2022
Debut, Features, Interviews, Music, Track-by-TrackJune 17, 2022<June 18, 2022

“Honest, Live, & Jangly”: Sippin’ From The Big Drink’s Sun-Kissed Self-Titled Debut

Tom Gallo © 2022
Features, Interviews, Music, Track-by-TrackJune 17, 2022<June 17, 2022

“Dark Slow Dancing”: Tom Gallo Unveils His Cathartic, Intense & Uplifting ‘Vanish and Bloom’

The Rare Occasions © Kenneth Bauer
Features, Interviews, Music, Track-by-TrackJune 16, 2022<June 16, 2022

“Rock With Your Socks On”: Celebrating The Rare Occasions’ Cinematic & Seductive Sophomore LP ‘Big Whoop’

KAIRO © Ashley Thompson
Debut, Features, Interviews, Music, Track-by-TrackJune 16, 2022<June 16, 2022

“Love Letters From Houston”: KAIRO Set a Stunning Foundation with Radiant & Sun-Kissed Debut EP

Haroula Rose © Logan Fahey
Debut, Features, Interviews, Music, Premieres, Track-by-TrackJune 16, 2022<June 16, 2022

“Inner life coming out”: Haroula Rose Premieres Her Naked, Solitary, & Joyful Third Album, ‘Catch the Light’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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