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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

almost sex © Trevor Brenden
Debut, Features, Music, Reviews, Track-by-TrackApril 6, 2022<April 14, 2022

“Warts and All”: Brooklyn’s almost sex Shine an Intimate & Raw Indie Folk Light on Debut EP ‘We’re Okay’

Maddox Jones © 2022
Debut, Features, Music, Premieres, Track-by-TrackApril 6, 2022<April 7, 2022

Album Premiere: Maddox Jones Soars on His Epic, Emotive, & Joyful Debut Album ‘Believe It’

Dekker © Emily & Katy
Music, PremieresApril 6, 2022<April 6, 2022

Premiere: Dancing the Days Away with Dekker’s Grooving “Let’s Pretend”

Foxes © 2022
Features, Interviews, MusicApril 5, 2022<September 29, 2022

“Alchemy in Dance”: Inside Foxes’ Bold, Impassioned, & Irresistible 3rd Album ‘The Kick’

Velvet © 2022
Columns, Music, Today's SongApril 5, 2022<April 5, 2022

Today’s Song: Glasgow’s Velvet Shake, Rattle, Rock N’ Roll on Electrifying 3rd Single “I Prefer You (In My Head)”

Jelly Oshen © Bridie J Egan
Music, PremieresApril 5, 2022<April 5, 2022

Premiere: Dance Along to Jelly Oshen’s Soulful Quarantine Groove “Bordalonely”

Jessie Reid © Emilie Cotterill
Artist to Watch, Features, Music, Reviews, Track-by-TrackApril 4, 2022<April 4, 2022

“Heartfelt, Vulnerable, & Optimistic”: Jessie Reid Stirs & Stuns on Intimate Mini-Album ‘Other Hand’

Ben Abraham © Danielle Levitt
Features, Interviews, Music, Reviews, Track-by-TrackApril 4, 2022<April 4, 2022

“The Colliding Worlds of Sexuality & Spirituality”: Ben Abraham Dives Inside His Stunning Sophomore LP, ‘Friendly Fire’

Miki Ratsula © Ashley Osborn
Debut, Features, Music, Track-by-TrackApril 1, 2022<April 1, 2022

“Vulnerable, Intimate, & Nostalgic”: Miki Ratsula Dives into the Beautiful Depths of Debut Album ‘i owe it to myself’

Lose You - Lydia Clowes
Columns, Debut, Music, Today's SongApril 1, 2022<April 1, 2022

Today’s Song: Lydia Clowes’ Dazzling Debut Single “Lose You” Dwells in the Vulnerability of True Intimacy

Kindsight © Line Hvid
Debut, Reviews, Track-by-TrackMarch 31, 2022<March 31, 2022

Feature: Kindsight Shine on Nostalgic, Honest, & Charming Debut Album ‘Swedish Punk’

Barrie © Alexa Viscius
Features, Music, Reviews, Track-by-TrackMarch 31, 2022<April 4, 2022

“Lush, Raw, & Cheeky”: Processing Life’s Little Moments with Barrie’s Stunning Sophomore Album, ‘Barbara’

Walter Martin © Melissa Martin
Columns, Music, Today's SongMarch 31, 2022<March 31, 2022

Walter Martin’s Heartfelt “The Bear” Is an Autobiographical Song of Myth, Mystery, and Hope

Bestfriend © Mackenzie Walker
Music, PremieresMarch 29, 2022<March 30, 2022

Premiere: Bestfriend’s Beautifully Warm & Wistful Summer Song, “Someplace Else”

Jack Van Cleaf © Jacob Ruth
Debut, Features, Music, Premieres, Track-by-TrackMarch 29, 2022<March 30, 2022

“Colorful, Nostalgic, & Spacious”: Jack Van Cleaf Premieres His Radiantly Raw Debut Album, ‘Fruit from the Trees’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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