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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Gemma Laurence © Beatrice Helman
Music, PremieresAugust 2, 2022<August 2, 2022

“I wanted to write a song that captured the joy of coming out”: Gemma Laurence Soars & Stirs on “Lavender”

Josie Dunne © Bree Marie Fish
Debut, Features, Interviews, MusicJuly 14, 2022<July 13, 2022

“TENNIS, But Make It Pop!”: Josie Dunne Serves Up Her Stunning Debut Album

Atwood Magazine's Editor's Picks 71
Columns, Editor's Picks, Features, MusicJuly 13, 2022<September 29, 2022

Editor’s Picks 71: Chad Price, Rat Tally, CMON CMON, November Ultra, Forest Claudette, & James BKS!

From Capelton Hill - Stars
Features, Interviews, MusicJuly 13, 2022<July 13, 2022

“We’re just trying to be a kitchen sink band”: Stars’ Torquil Campbell Discusses Ghosts, Songwriting, & New Album ‘From Capelton Hill’

French for Rabbits © 2022
Features, Interviews, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

“I didn’t expect it to be, but I think it is an album for introverts”: Inside French for Rabbits’ 3rd LP, ‘The Overflow’

Goon © Josh Beavers
Features, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

“A Dream, But Real”: Goon’s Hazy & Hauntingly Beautiful Sophomore Album, ‘Hour of Green Evening’

Riley Pearce © Cedric Tang
Debut, Features, Interviews, Music, Track-by-TrackJuly 12, 2022<July 12, 2022

Coastal, Winter, & Driving: Riley Pearce’s Breathtaking Debut Album ‘The Water & The Rough’

Bleach - Isaac Dunbar
Artist to Watch, Columns, Music, Today's SongJuly 12, 2022<July 12, 2022

Self-Sabotage & Liberation: Isaac Dunbar Soars Bold and True on Triumphant “Bleach”

Leona Naess © Laura Bailey
Features, Interviews, Music, Track-by-TrackJuly 11, 2022<July 11, 2022

“An honest, bittersweet, collage of all the music I ever loved”: Leona Naess Shares Her Radiant New Album, ‘Brood X’

BIG THANK - King Youngblood
Features, Interviews, Music, Track-by-TrackJuly 11, 2022<July 11, 2022

“Unapologetic, Open, & Deliberate”: King Youngblood Revive ’90s Alt-Rock on Hard-Hitting Debut Album, ‘BIG THANK’

Ashton York © Zachary Sun
Music, PremieresJuly 11, 2022<July 11, 2022

“In that broken place, the universe gave me songs”: Ashton York Premieres His Raw, Vulnerable, & Beautiful New Song, “Awful Time”

ELIS NOA © Dominik Friess
Features, Interviews, Music, Track-by-TrackJuly 8, 2022<July 8, 2022

‘I Was Just About to Leave’: The Unfiltered Intimacy & Vibey Electro-Soul of ELIS NOA’s Sophomore Album

Stay Proud of Me - NoSo
Debut, Features, Interviews, Music, Track-by-TrackJuly 8, 2022<April 24, 2023

‘Stay Proud of Me’: NoSo’s Wondrous, Wistful & Reflective Coming-of-Age Debut Album

James Bay © 2022
Features, Interviews, MusicJuly 8, 2022<March 11, 2023

Lessons of Love: James Bay Shares Why ‘Leap’ Is His Most Vulnerable Album Yet

Abbie Ozard © Charlotte Rudd
Features, Interviews, Music, Reviews, Track-by-TrackJuly 7, 2022<July 7, 2022

Artist-to-Watch: Abbie Ozard Dives into Her ‘Water Based Lullabies’ EP, a Captivating & Charismatic Fever Dream

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