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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Erika Tham "Shhh" © Yoshi Uemura
Columns, Music, Today's SongJanuary 14, 2022<January 14, 2022

Today’s Song: Erika Tham Ignites on Empowering & Seductive Second Single, “Shhh”

morgxn © Nolan Knight
Features, Music, Reviews, Track-by-TrackJanuary 13, 2022<January 14, 2022

“Change, Pressure, & Release”: The Achingly Intimate Depths of morgxn’s ‘MERIDIAN: vol 2’

Sammy Rae © 2021
Features, Music, Reviews, Track-by-TrackJanuary 13, 2022<January 13, 2022

“Chaotic, Hopeful, & Defiant”: Inside Sammy Rae & The Friends’ Smile-Inducing ‘Let’s Throw a Party’ EP

Joshy Soul © Danni Ordoñez
Columns, Music, Today's SongJanuary 12, 2022<January 12, 2022

Today’s Song: Long Beach’s Joshy Soul Gets His Funk On in Fresh Single “New Lover”

Atwood Magazine Editor's Picks 52
Columns, Editor's Picks, Features, MusicJanuary 12, 2022<February 7, 2022

Editor’s Picks 52: The Killers, Keir, Indoor Fins, FACESOUL, Oh Wonder, & fanclubwallet

In The Aftermath - Hollis Brown
Music, PremieresJanuary 12, 2022<January 12, 2022

Premiere: Hollis Brown Honor The Rolling Stones’ Raw, Bluesy Jam “Don’tcha Bother Me” Ahead of ‘In the Aftermath’ Covers Album

Cy Dune © 2022
Music, ReviewsJanuary 11, 2022<January 11, 2022

Review: Cy Dune Kicks 2022 Off Right with Raucous, Explosive Release “Against Face”

Pegasus Warning © Mary Rozzi
Music, PremieresJanuary 11, 2022<January 11, 2022

Video Premiere: Wrestling Reality with Pegasus Warning’s Glitchy, Groovy “Alllove”

Victoria Dodson © 2022
Columns, Music, Today's SongJanuary 11, 2022<January 11, 2022

Today’s Song: Victoria Dodson’s “Goodnight” Is Buoyant, Bittersweet Bliss

Milan Ring © James Evans
Features, Music, Reviews, Track-by-TrackJanuary 11, 2022<January 11, 2022

“Love, Forgiveness, & Hope”: Inside Milan Ring’s Smoldering Debut Album ‘I’m Feeling Hopeful’

ella jane © @rlyblonde
Columns, Music, Today's SongJanuary 7, 2022<January 7, 2022

Today’s Song: ella jane Indulges in Suspense & Seduction on Indie Pop Anthem “Calling Card”

Foxtrails
Features, Music, Reviews, Track-by-TrackDecember 22, 2021<December 23, 2021

“Reflective, Meandering & Honest”: Inside Foxtrails’ Sun-Soaked & Cinematic Sophomore LP ‘Kaweah’

The O'My's © René Marban
Columns, Music, Today's SongDecember 17, 2021<December 17, 2021

Today’s Song: The O’My’s & Alex Banin Capture the Heartache of Letting Go in Soulful “Realistic”

elbé © 2021
Features, Music, Reviews, Track-by-TrackDecember 16, 2021<December 16, 2021

“Impassioned, Authentic, & Fresh” Inside elbé’s Stirring & Sweet Sophomore EP ‘Sonder’

Sarah and the Sundays © 2021
Features, Music, Reviews, Track-by-TrackDecember 16, 2021<December 16, 2021

“The Living End”: Inside Sarah and the Sundays’ Radiant & Soaring Sophomore Album

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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