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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Jake Benjamin © Rachel Rodgers
Music, PremieresJanuary 25, 2022<January 25, 2022

Premiere: Accepting Our Anxiety with Jake Benjamin’s Tender New Single, “It Comes As a Friend” (ft. Carey Clayton)

Glass Echoes © 2022
Debut, Features, Music, Reviews, Track-by-TrackJanuary 25, 2022<January 24, 2022

“Nebulous, Haven, Healing”: Glass Echoes Stun with Fragile & Cinematic Debut Album ‘Breathe’

Water Your Garden – Magic City Hippies
Features, Music, Reviews, Track-by-TrackJanuary 21, 2022<February 7, 2022

“Water Your Garden”: Magic City Hippies Go Track-by-Track Through Buoyant, Seductive New Album

TRISHES © Alejandra Ocampo
Debut, Features, Interviews, MusicJanuary 21, 2022<August 12, 2022

Exploring Our Primal Selves: TRISHES Dives into Her “Raw, Vivid, & Emotional” Debut Album ‘The Id’

Atwood Magazine Editor's Picks 53
Columns, Editor's Picks, Features, MusicJanuary 20, 2022<January 20, 2022

Editor’s Picks 53: Metronomy, Daisy the Great, Hembree, Yumi Zouma, Michelles, & Empath

Stephanie Poetri © Casper Yen
Columns, Music, Today's SongJanuary 20, 2022<January 20, 2022

Today’s Song: Stephanie Poetri’s “Picture Myself” Dwells in the Longing of Long Distance

Frances Luke Accord © Podsongs
Music, PremieresJanuary 20, 2022<January 20, 2022

Premiere: Frances Luke Accord’s “Afterlife” Is a Soothing Ode to Everlasting Connection

Under the Rug © 2022
Music, PremieresJanuary 19, 2022<January 19, 2022

Premiere: Austin’s Under the Rug Reckon with Grief in Soothing “Go to Sleep” Off 2nd Album ‘Dear Adeline’

Sgt Culpepper - Joel Culpepper
Debut, Features, Interviews, MusicJanuary 19, 2022<August 15, 2022

“Funk, Feeling, Future”: Joel Culpepper on His Soulful & Triumphant Debut ‘Sgt Culpepper’

Katie Tupper © Julian Lomaga
Columns, Music, Today's SongJanuary 19, 2022<January 19, 2022

Today’s Song: Seeking Closure on Katie Tupper’s Graceful & Gutting New Single “Danny”

Evelyn Frances © 2022
Music, PremieresJanuary 18, 2022<January 18, 2022

Premiere: Evelyn Frances Awakens in Hushed & Raw New Single “Tired”

The Flops © Hannah Dekle
Music, PremieresJanuary 18, 2022<January 18, 2022

Premiere: The Flops Channel ’90s Grunge & Alternative in Smoldering “Girl I Need to Know”

Daisy the Great © Shervin Lainez
Columns, Music, Today's SongJanuary 15, 2022<January 14, 2022

Today’s Song: Daisy the Great’s Dreamy “Glitter” Sees the Beauty in Our Mess

Linying © Ronan Park
Debut, Features, Music, Reviews, Track-by-TrackJanuary 14, 2022<January 14, 2022

“Scared of Love”: Inside Linying’s Beautifully Intimate & Therapeutic Debut ‘There Could Be Wreckage Here’

Emily Blue © Kirsten Barnett
Features, Interviews, Music, Track-by-TrackJanuary 14, 2022<January 18, 2022

“Love, Loss, & Rebirth”: Inside Emily Blue’s Enchanting ‘The Afterlove,’ an Album of Self-Love, Dance, and Reckoning

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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