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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hovvdy © Pooneh Ghana
Features, Interviews, MusicNovember 9, 2021<February 7, 2022

“An Emotional Guidebook”: Hovvdy Dwell in the Depths of ‘True Love’ on Intimate & Vulnerable 4th Album

The Jaws of Brooklyn © Abraham Rowe
Music, PremieresNovember 9, 2021<November 9, 2021

Premiere: The Jaws of Brooklyn Unleash Their “Fever” with Hot Soul & Heated Passion

Worthitpurchase © Marlon Mara LeNoble
Columns, Music, Today's SongNovember 9, 2021<November 9, 2021

Today’s Song: Worthitpurchase Weave Dreamy, Delicate Wonders on “Inbetween”

Saint Joshua © Alexandre Beer
Columns, Music, Today's SongNovember 8, 2021<November 9, 2021

Today’s Song: Saint Joshua Continues to Burn Bright in Soulful & Searing “Fake Friends”

AHI © Caitlin Cronenberg
Features, Music, Reviews, Track-by-TrackNovember 5, 2021<February 7, 2022

“Reassuring, Honest, & Powerful”: AHI Goes Track-by-Track Through ‘Prospect,’ a Work of Human Depth & Spiritual Wonder

Lucy Park © Lena Noguchi
Columns, Music, Today's SongNovember 5, 2021<November 5, 2021

Today’s Song: Lucy Park Basks in the Good on Warm & Wondrous “Brighter Days”

This Here Feels Good - Kay Young
Artist to Watch, Features, Music, Reviews, Track-by-TrackNovember 4, 2021<November 4, 2021

“This Here Feels Good”: Kay Young Delves into Her Intimate, Vulnerable, & Inspiring Third EP

Birdtalker © Jeremy Cowart
Features, Music, Reviews, Track-by-TrackNovember 4, 2021<November 4, 2021

Track-by-Track: Inside Birdtalker’s Radiant & Irresistible Self-Titled Sophomore Album

Constant Smiles © Julian Master
Columns, Music, Today's SongNovember 4, 2021<November 4, 2021

Today’s Song: Constant Smiles Pick Up the Pieces in Poignant, Heavy “The Things I Miss”

Well Kept © Kyler Vollmar
Music, PremieresNovember 4, 2021<November 4, 2021

Premiere: Well Kept’s Alternative Rom-Com Anthem “Hammerhead Corvette”

ForEver - Joshua Crumbly
Features, Music, Reviews, Track-by-TrackNovember 3, 2021<November 3, 2021

“A Warm Hug”: Joshua Crumbly Embraces Space, Stillness & Solitude in ‘ForEver’

Year of the Locust - Elisa Nicolas
Debut, Music, Premieres, Reviews, Track-by-TrackNovember 3, 2021<November 3, 2021

Track-by-Track: Elisa Nicolas Premieres Her Warm & Wondrous Album ‘Year of the Locust’

Mumble Tide © 2021
Columns, Music, Today's SongNovember 2, 2021<November 2, 2021

Today’s Song: Mumble Tide’s Intimate & Grooving “On My Deathbed There’s a Full Page (You Don’t Get To Read It)”

Manuel the Band [L-R]: Matt Kalin, George Madrid, Brandon Charlesworth, Manuel Grajeda, Kevin Nowacki, Richard Fernandez © Cesar Sanchez
Music, PremieresNovember 2, 2021<November 2, 2021

Premiere: Manuel the Band’s “Love But Don’t Need You” Paints our Drives with a Folk Rock Brush

ToBy © 2021
Debut, Features, Music, Reviews, Track-by-TrackOctober 28, 2021<February 7, 2022

“Vulnerable, Raw, Hopeful”: Inside ToBy’s Impassioned & Stirring Debut Album ‘L’esprit’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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