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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

French for Rabbits © Lily Paris West
Music, Reviews, This Just InDecember 14, 2020<December 14, 2020

This Just In: French for Rabbits’ “The Dark Arts” Offers Stirring Reflections on Memory & Meaning

Quiet Lives - Garrett Owen
Music, Reviews, Track-by-TrackDecember 14, 2020<December 14, 2020

Track-by-Track: Singer/Songwriter Garrett Owen on His Stirring Sophomore Album ‘Quiet Lives’

Sunset Rollercoaster © Sofia Lee 9.1
Features, Music, Our Take, Reviews, Track-by-TrackDecember 14, 2020<December 15, 2020

Tenderness in Chaotic Times: Taiwan’s Sunset Rollercoaster on Buoyant 3rd Album ‘SOFT STORM’

Machinery - Twist Helix
Music, Reviews, Track-by-TrackDecember 14, 2020<December 14, 2020

“Mature, Honest, & Self-Reflexive”: Twist Helix’s ‘Machinery’ Is a Bold, Sweeping Alt-Pop Culture Critique

Faith - Falcon Jane
Interviews, Music, Reviews, Track-by-TrackDecember 11, 2020<December 11, 2020

“Darkness, Power, Light”: Ontario’s Falcon Jane Goes Track-by-Track Through Her ‘Faith’

Angelo De Augustine © Jess Collins
Columns, Music, Today's SongDecember 11, 2020<December 11, 2020

Today’s Song: The Beauty & Devastation of Angelo De Augustine’s “Blue” ft. Sufjan Stevens

The Bends - Radiohead x Rosie Carney
Features, Interviews, MusicDecember 10, 2020<February 5, 2021

Interview: Rosie Carney Covers Radiohead’s ‘The Bends’ Album from End to Hauntingly Raw End

Haywire - Duff Thompson
Debut, Music, Premieres, Reviews, Track-by-TrackDecember 10, 2020<December 10, 2020

Album Premiere: Duff Thompson’s ‘Haywire’ Is an Enchanting American Folk Debut

The Rayes © 2020
Music, Premieres, Track-by-TrackDecember 10, 2020<December 10, 2020

EP Premiere: The Rayes’ ‘Two Legs’ Is a Kiss of Sonic Sunshine

Babeheaven © Luca Anzalone
Debut, Features, Interviews, MusicDecember 9, 2020<December 14, 2020

“Emotional Heavenly Bliss”: Babeheaven Unveil the Dreamy, Realized Depths of Debut ‘Home for Now’

Racoon Racoon © 2020
Music, Reviews, Track-by-TrackDecember 9, 2020<December 9, 2020

Track-by-Track: Racoon Racoon Strike Gold in Achingly Beautiful ‘A Birds Story’ EP

Big Bunny EP - Alaska Reid
Debut, Features, Interviews, Music, PremieresDecember 9, 2020<February 5, 2021

Feature: Alaska Reid’s ‘Big Bunny’ EP Is a Stunningly Visceral & Beautifully Breathtaking Reckoning

Ryann © Clyde Munroe
Music, Reviews, Track-by-TrackDecember 8, 2020<December 8, 2020

Track-by-Track: Ryann Soars on Spirited Debut EP ‘Emotions on Rollerskates’

Jake Isaac © Leonie Isaac
Music, Music Videos, PremieresDecember 8, 2020<December 8, 2020

Artist to Watch: Jake Isaac’s Stunningly Raw Love Song, “Eyes for You”

Dekleyn © Cath Connell
Debut, Music, Reviews, Track-by-TrackDecember 7, 2020<December 7, 2020

Track-by-Track: Sydney Indie Pop Duo Dekleyn Dive into Their Dazzling Self-Titled Debut Album

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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