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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Inspired & the Sleep
Music, PremieresMarch 9, 2020<March 9, 2020

Premiere: Inspired & the Sleep Persevere with Touching “Carry On” off New Debut Album

Thrillhouse
Debut, Interviews, Music, Music Videos, PremieresMarch 6, 2020<March 6, 2020

Interview: For Brighton Indie Rock Band Thrillhouse, “Lesser” Is More

Still Alive - Alexz Johnson
Interviews, Music, PremieresMarch 6, 2020<March 13, 2020

Premiere: Alexz Johnson’s Stirring Anthem of Hope “Still Alive” Previews an Intimate 4th Studio Album

Atwood Magazine Editor's Picks 30
Columns, Editor's Picks, Features, MusicMarch 6, 2020<May 15, 2020

Editor’s Picks: March 6, 2020

The Flavians 2020
Debut, Features, Interviews, MusicMarch 5, 2020<March 5, 2020

Artist-to-Watch: Berlin’s The Flavians Turn the ‘Ordinary’ Extraordinary with Soul-Stirring Sound

Tia Gostelow © Jeff Andersen Jr
Music, PremieresMarch 4, 2020<March 4, 2020

Premiere: Queensland’s Tia Gostelow Returns with a “RUSH” of Fun & Frisky Indie Pop

Miro Shot "Half of Us" music video screenshot
Music, Music Videos, PremieresMarch 4, 2020<March 4, 2020

Premiere: Miro Shot’s Critical “Half of Us” Is a Dark Immersion of Technology

Music, Reviews, This Just InMarch 3, 2020<April 1, 2020

This Just In: The Airborne Toxic Event “Come on Out” with a Visceral Energy on First Song in 5 Years

KOYO
Music, PremieresMarch 3, 2020<March 3, 2020

Premiere: Leeds’ KOYO Inject Tension & Turbulence into Feverish Title Track “You Said It”

Love Thy Neighbour - Approachable Members Of Your Local Community
Music, ReviewsMarch 2, 2020<March 2, 2020

Approachable Members of Your Local Community Celebrate, Connect, & Grow with ‘Love Thy Neighbor’ EP

Overcoats © Shervin Lainez
Features, Interviews, MusicFebruary 28, 2020<March 6, 2020

Interview: Brooklyn Duo Overcoats Ignite with an Urgent and Irresistible “Fire & Fury”

Cameo - Swan Levitt
Music, Reviews, This Just InFebruary 28, 2020<February 28, 2020

Singer/Songwriter Swan Levitt Returns with Stunningly Visceral Song “Cameo”

Heartracer - Main Press shot (credit Chapin Mathews) - hi res
Music, Music Videos, PremieresFebruary 27, 2020<February 27, 2020

Premiere: Heartracer’s Pulsing Power-Ballad “Darling” Conveys a Universal Truth

Color Theory © Kremer Johnson
Music, PremieresFebruary 27, 2020<February 27, 2020

Premiere: Color Theory’s “This Whole Nothing” Dwells in Radiant Synthwave Dreams

Atwood Magazine Editor's Picks 29
Columns, Editor's Picks, Features, MusicFebruary 26, 2020<March 6, 2020

Editor’s Picks: February 26, 2020

Posts pagination
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Recent Posts

  • “You have to trust your taste”: Why Don’t We’s Corbyn Besson Turns Hesitation into Liberation on Debut Solo EP ‘HEAD FIRST’ January 16, 2026
  • “No Band Is an Island!”: Manchester’s Westside Cowboy Are Bringing ‘Britainicana’ to the Masses Through Shared Instinct and Loud, Joyful Noise January 16, 2026
  • “I Like the Way You Memorized My Number”: Yam Haus & Sydney Quiseng Find the Beauty of “Always Falling in Love” on Their Breathtaking Duet January 16, 2026
  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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