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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Nathan Vincent
Music, PremieresApril 23, 2020<April 22, 2020

EP Premiere: Indie Folk Singer/Songwriter Nathan Vincent Captures the Journey Between ‘Cedar & Pine’

lotusbliss
Music, Music Videos, PremieresApril 23, 2020<April 23, 2020

Premiere: Kent’s lotusbliss Delve into Visceral Dark Depths in “Carpet” Video

Richard String
Music, PremieresApril 22, 2020<April 22, 2020

Premiere: Richard String’s Soaring, Feelgood Psych-Pop Single “In My Garden (Sad Boy Beck)”

Incubus © 2020
Features, Interviews, MusicApril 22, 2020<May 15, 2020

Flying by the Seat of Their Pants: An Interview with Incubus

RORRE
Music, Premieres, Track-by-TrackApril 21, 2020<April 21, 2020

EP Premiere: Fallbrook’s RORRE Are Stripped & Raw on ‘Songs in Transit (Midnight Sessions)’ EP

Atwood Magazine Editor's Picks 33
Columns, Editor's Picks, Features, MusicApril 21, 2020<May 15, 2020

Editor’s Picks: April 21, 2020

Smallpools x morgxn © Chloe Delainey
Interviews, Music, Reviews, This Just InApril 20, 2020<April 20, 2020

Interview: Relax, Take a Deep Breath, and “Slowdown” with Smallpools & Morgxn

Great News © Jonathan Vivaas Kise
Features, Music, Reviews, Track-by-TrackApril 20, 2020<April 20, 2020

Track-by-Track: Great News Returns with Buoyant & Balanced Sophomore Album ‘Now and Them’

Shade is on the other side - GIRL SKIN
Debut, Music, Reviews, Track-by-TrackApril 17, 2020<April 17, 2020

Track-by-Track: Inside GIRL SKIN’s Timeless & Beautiful Debut Album ‘Shade is on the other side’

Ellis © Ebru Yildiz
Debut, Features, Reviews, Track-by-TrackApril 16, 2020<May 15, 2020

Feature: Intimacy & Emotion Drive Ellis’ Visceral Debut Album ‘Born Again’

Victoria Reed © Andres Navarro
Music, PremieresApril 16, 2020<April 17, 2020

Premiere: Victoria Reed’s Empathic “Heal Your Pain” Inspires Inner Strength & Vulnerability

Soda Blonde
Features, Interviews, MusicApril 16, 2020<May 15, 2020

Interview: Artist-to-Watch Soda Blonde Soar in Stunning Debut EP ‘Terrible Hands’

Slow Down - GRAE
Music, Reviews, This Just InApril 15, 2020<April 15, 2020

Review: “Slow Down” with GRAE in the Heat of the Moment on Her Seductive, Sultry Song

Flora Cash © Daniel C. Shippey
Features, Interviews, MusicApril 15, 2020<April 14, 2020

Baby, It’s Okay: An Interview with Indie Pop Couple Flora Cash

Firewoodisland - Firewoodisland
Interviews, Music, Reviews, Track-by-TrackApril 15, 2020<May 3, 2023

Feature: Inside Firewoodisland’s Hopeful & Hauntingly Beautiful Self-Titled Album

Posts pagination
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Recent Posts

  • “Catch Me on the Comedown”: The Maine Struggle to Slow Down on “Die to Fall,” a Restless Alt-Rock Fever Dream March 19, 2026
  • Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! March 18, 2026
  • Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions March 18, 2026
  • “Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You” March 18, 2026
  • “We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality March 18, 2026
  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
  • “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month March 17, 2026
  • “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth March 17, 2026
  • Atwood Magazine’s Weekly Roundup: March 17, 2026 March 17, 2026
  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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