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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Max Helgemo © Alyssa Stark
Music, PremieresJuly 29, 2020<July 29, 2020

Artist to Watch: Max Helgemo’s Dazzling “Uncovered” Is an Indie Folk Daydream

Atwood Magazine Editor's Picks 37
Columns, Editor's Picks, MusicJuly 28, 2020<July 28, 2020

Editor’s Picks 37: Ric Wilson, Loviet, Zaia, Aquilo, Erez Zobary & theMIND

Violence in a Quiet Mind - Haux
Features, Music, Reviews, Track-by-TrackJuly 28, 2020<July 28, 2020

Fracture & Fragility: Inside Haux’s Breathtaking Debut Album ‘Violence in a Quiet Mind’

Dad Bod © 2020
Debut, Music, ReviewsJuly 28, 2020<July 28, 2020

Feature: Dad Bod’s ‘Precursor’ EP Is a Raw, Intimate, & Exciting Prelude

Empty Spaces - Eliot Bronson
Features, Music, Reviews, Track-by-TrackJuly 27, 2020<July 27, 2020

Album Review: Inside the Forlorn Human Depths of Eliot Bronson’s ‘Empty Spaces’

Tommy Ashby © Fraser Taylor
Features, Music, Reviews, Track-by-TrackJuly 27, 2020<July 27, 2020

Review: The Tender Indie Folk Beauty of Tommy Ashby’s ‘Everywhere Is Home’ EP

The Mommyheads © Juliet Rose
Music, Music Videos, PremieresJuly 27, 2020<July 27, 2020

Premiere: The Mommyheads’ Aching Open Letter “Out From Under The Glass”

Leah Capelle © Mackenzie Breeden
Debut, Music, Music Videos, PremieresJuly 24, 2020<July 24, 2020

Premiere: Leah Capelle Concludes Her ‘triptych’ Storyline with Pensive, Evocative “friends” Video

Ryann © Clyde Munroe
Music, PremieresJuly 24, 2020<July 24, 2020

Premiere: Ryann’s Aching “One Minute” Is a Dazzling, Poignant Post-Breakup Hit

Nana Adjoa © Latoya van der Meeren
Features, Interviews, MusicJuly 24, 2020<July 23, 2020

Interview: Amsterdam’s Nana Adjoa Embodies Inner Strength & Resolve in Stirring New Music

Jordan Lehning © Laura Partain
Music, PremieresJuly 23, 2020<July 24, 2020

Interview: Nashville’s Jordan Lehning on Poignant “The Quarry Song” & Concept Album ‘Little Idols’

Girl God - Girl God
Debut, Music, ReviewsJuly 22, 2020<July 22, 2020

Girl God Makes His War Beautiful with Singular & Stunning Debut EP

Tom Speight © Tom Leishman 2a
Music, ReviewsJuly 22, 2020<July 22, 2020

Review: Tom Speight Echoes Love & Tender Beauty in ‘Sunset Sound’ EP

Creature Comfort © Daniel Chaney
Music, PremieresJuly 22, 2020<July 22, 2020

Nashville’s Creature Comfort Dive into Existential Depths in Sun-Drenched “Darkside”

Speaker Face (L-R): Trent Freeman, Ruby Randall, Eric Wright © Jen Squires
Music, PremieresJuly 22, 2020<July 22, 2020

Premiere: Speaker Face’s “Phosphorescence” Is an Ambient & Organic Immersion

Posts pagination
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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