• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Quinn Lewis © 2019
Interviews, MusicMay 10, 2019<May 10, 2019

Interview: Quinn Lewis Has Found His Voice, and He’s Not Afraid to Use It

Holdan 2019
Debut, Music, PremieresMay 10, 2019<May 10, 2019

Premiere: Holdan Debuts Dreamy “Foggy Lake” with Atmospheric Excellence

Noah Dane © Montana Lee
Debut, Music, PremieresMay 9, 2019<May 9, 2019

Premiere: Cancer, Coping, and Catharsis in Noah Dane’s Stirring Debut “There Goes”

Ladybird by Mappe Of
Columns, Music, Today's SongMay 9, 2019<June 5, 2019

Today’s Song: Mappe Of’s Tender “Ladybird” Shines with Natural Beauty

Iris Lune © Nir Arieli
Music, PremieresMay 8, 2019<May 8, 2019

Premiere: The Violent Delight of Iris Lune’s Soul-Shaking “Headlights”

Foxanne © David Ross Lawn
Music, PremieresMay 8, 2019<May 8, 2019

Premiere: Foxanne Honor a Life with One Last Round of “Applause”

Permission - Lady Lark
Debut, Music, PremieresMay 7, 2019<May 10, 2019

Album Premiere: Lady Lark Lights Up the Night with ‘Permission’

My Love Bye Love
Music, PremieresMay 7, 2019<May 7, 2019

Premiere: Jane Holiday’s Coming-of-Age Love Story “My Love, Bye Love”

Albert Kass
Music, PremieresMay 7, 2019<May 7, 2019

Premiere: Dwelling in Depths of Albert Kass’ “Shallow Sea”

SPINN © Sam Crowston
Debut, Interviews, Music, PremieresMay 7, 2019<May 7, 2019

Interview: Believe It or Not, SPINN Inject Sunshine into Therapeutic Indie Pop

Of Monsters and Men © Meredith Truax
Features, Music, This Just InMay 3, 2019<July 23, 2019

This Just In: Of Monsters and Men’s Fierce Fever Dream “Alligator”

Foxtrails © Erina Uemura
Music, PremieresMay 2, 2019<May 2, 2019

Premiere: Sink Your Soul into Foxtrails’ Entrancing “Gemini”

Features, Interviews, Music, Music Videos, PremieresMay 1, 2019<May 3, 2019

WILSN Ignites with Inspiring Anthem “Fight Like A Girl”

Editor's Picks 04-29-2019
Columns, Editor's Picks, Features, MusicMay 1, 2019<May 9, 2019

Editor’s Picks: April 29, 2019

Young the Giant © Wesley Yen
Features, Interviews, MusicMay 1, 2019<July 3, 2019

Illusion, Reality, and Young the Giant’s ‘Mirror Master’ Philosophy

Posts pagination
1 … 196 197 198 199 200 … 293

Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services