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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Music, PremieresJuly 25, 2019<July 25, 2019

Premiere: Somebody’s Child Goes the “Distance” in a Euphoric Coming-of-Age Song

Atwood Magazine Editor's Picks 18
Columns, Editor's Picks, Features, MusicJuly 24, 2019<August 22, 2019

Editor’s Picks: July 22, 2019

Chloe Tang © Eunice Beck
Music, PremieresJuly 24, 2019<July 24, 2019

Premiere: Chloe Tang Embraces the Honeymoon Phase in “Take Care“

Ruel © Michelle Grace Hunder (@michelleghunder)
Features, Interviews, MusicJuly 23, 2019<September 19, 2019

Ready to Ruel: A Conversation with Australia’s Soulful Pop Sensation

Keren Ilan © Ariel Pedatzur
Music, Music Videos, PremieresJuly 23, 2019<July 24, 2019

Premiere: Keren Ilan Channels Loss & Detachment in Raw Debut “This Morning, Yesterday”

Lemon Trees - Mary Bryce
Music, PremieresJuly 19, 2019<July 19, 2019

Premiere: The Depth & Discomfort of Mary Bryce’s Elegant “Lemon Trees”

Riah © Daniel Prakopcyk
Debut, Features, Interviews, Music, PremieresJuly 19, 2019<July 19, 2019

Feature: Riah’s Enchanting Dreams of Loss, Love, and ‘Heartbreak Magic’

Free Zuma
Music, PremieresJuly 17, 2019<July 17, 2019

Premiere: “Dance Dance Dance” with Free Zuma’s Smokey Summer Disco Groove

Mother Pearl © Zoe Chait
Debut, Music, PremieresJuly 17, 2019<July 17, 2019

Premiere: Mother Pearl’s Epic, Vulnerable, and Therapeutic Debut “Father Figures”

Zola Courtney
Debut, Music, ReviewsJuly 17, 2019<September 9, 2019

Review: London’s Zola Courtney Debuts with Breathtaking, Heartbroken “Untitled”

if i'm a bird - a. harlana
Music, Music Videos, PremieresJuly 16, 2019<July 16, 2019

Premiere: Love Twinkles in the Dream-Folk Glow of A. harlana’s “If I’m a Bird”

Anie Delgado © Erik Junke
Interviews, Music, PremieresJuly 11, 2019<July 11, 2019

Premiere: Feeling Infinite with Anie Delgado’s Radiant “Galaxy”

Cold War Kids © 2019
Features, Interviews, MusicJuly 11, 2019<August 22, 2019

Interview: Cold War Kids Ignite with a Critical Passion in “Complainer” & “4th of July”

Saint Slumber
Music, PremieresJuly 11, 2019<July 10, 2019

Premiere: Saint Slumber Ignite with Radiant “Sleeptalk”

Camp 8 © Jack Stafford
Debut, Music, Music Videos, PremieresJuly 11, 2019<July 11, 2019

Premiere: The Dark & Stormy Heart of Camp 8’s Debut “Everything”

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Recent Posts

  • Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! March 18, 2026
  • Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions March 18, 2026
  • “Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You” March 18, 2026
  • “We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality March 18, 2026
  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
  • “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month March 17, 2026
  • “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth March 17, 2026
  • Atwood Magazine’s Weekly Roundup: March 17, 2026 March 17, 2026
  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
  • “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem March 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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