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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Simone White © Simone White
Interviews, Music, ReviewsAugust 20, 2019<August 29, 2019

Interview: Simone White’s Loving Paean to the Heart, “The Beep Beep Song”

Michael Baker
Music, Music Videos, PremieresAugust 20, 2019<April 7, 2020

Premiere: Solitude & Togetherness in Michael Baker’s Intimate Dream “Claire”

As Above, So Below - Corey Kilgannon
Features, Interviews, Music, PremieresAugust 20, 2019<August 20, 2019

Album Premiere: Corey Kilgannon’s ‘As Above, So Below’ Is an Intimate American Protest

Rhythm of My Mind - Tyler Sjöström
Music, PremieresAugust 19, 2019<August 19, 2019

Premiere: Tyler Sjöström’s “Rhythm of My Mind” Is a Groovy Philosophical Indulgence

Sam DeRosa © Matthew Berinato
Debut, Interviews, Music, PremieresAugust 19, 2019<August 19, 2019

Premiere: Sam DeRosa Spreads Her Wings with Intimate “Baby I Know”

Wes Reeve © Leo Deveney
Music, PremieresAugust 16, 2019<April 16, 2020

Premiere: The Tenderness, Turmoil, and Lilting Beauty of Wes Reeve’s Debut “Honey, I”

Black Match © Richard Fusillo
Columns, Music, Today's SongAugust 16, 2019<August 15, 2019

Today’s Song: The Guiding Light of Black Match’s Intimate “Cover Your Eyes”

9
Debut, Music, Our Take, PremieresAugust 15, 2019<December 15, 2020

Album Premiere: The Hazy Warm Wash of Shikoswe’s Debut ‘Back in the Tall Grass’

Fields&. © Matthew Boyd
Music, PremieresAugust 14, 2019<August 14, 2019

Premiere: Stepping Out of the Shadows with Fields&.’s “White Holes in the Blue”

Gutter Sparrow 2019 1
Music, PremieresAugust 14, 2019<August 14, 2019

Premiere: Gutter Sparrow’s “Sheridan” Aches with the Tender Warmth of Connection

Belle Mt. © 2019
Music, Music Videos, PremieresAugust 14, 2019<August 14, 2019

Premiere: Contemplating Life & Legacy with Belle Mt.’s “Origins” Video

Atwood Editor's Picks August 12 2019
Columns, Editor's Picks, Features, MusicAugust 14, 2019<August 14, 2019

Editor’s Picks: August 12, 2019

Sonny Santos
Debut, Features, Music, PremieresAugust 13, 2019<August 13, 2019

Sonny Santos’ Beautiful Debut Album ‘Hotel de Londres’ Aches of a Tortured Soul

Stevan 'LNT' Cover Art
Music, PremieresAugust 13, 2019<August 13, 2019

Premiere: Aussie Up-and-Comer Stevan Soaks up the Sun in “LNT”

Jack Klatt 2019 1
Music, PremieresAugust 9, 2019<August 9, 2019

Premiere: Jack Klatt’s “Ramblin’ Kind” is an Americana Poem of Redemption

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Recent Posts

  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
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  • “Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song May 14, 2026
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  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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