• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Trenton © Ry Cox
Music, PremieresJuly 30, 2019<July 30, 2019

Premiere: Trenton’s Stirring “Answers” Makes Peace with Uncertainty

Stella Emmett © Joseph Charles Viola
Debut, Music, PremieresJuly 30, 2019<July 30, 2019

Premiere: Stella Emmett Basks in Euphoric Breakup Song “Done W U”

FENCES © Christian Sorenson Hansen
Music, Music Videos, PremieresJuly 29, 2019<July 29, 2019

Premiere: FENCES’ Stirring American Western “Same Blues”

Bastille
Features, Interviews, MusicJuly 26, 2019<September 19, 2019

The Glimmering Light of Our ‘Doom Days’: A Conversation with Bastille

Relick 2019 1
Features, Interviews, MusicJuly 26, 2019<July 26, 2019

Premiere: Relick Inject Light & Raw Energy into New Song “Powder Pink”

Lauran Hibberd © Nathan Russell
Features, Interviews, Music, ReviewsJuly 25, 2019<July 26, 2019

Interview: Lauran Hibberd Lets Loose on “Frankie’s Girlfriend” with Raw Indie Rock Zeal

Music, PremieresJuly 25, 2019<July 25, 2019

Premiere: Somebody’s Child Goes the “Distance” in a Euphoric Coming-of-Age Song

Atwood Magazine Editor's Picks 18
Columns, Editor's Picks, Features, MusicJuly 24, 2019<August 22, 2019

Editor’s Picks: July 22, 2019

Chloe Tang © Eunice Beck
Music, PremieresJuly 24, 2019<July 24, 2019

Premiere: Chloe Tang Embraces the Honeymoon Phase in “Take Care“

Ruel © Michelle Grace Hunder (@michelleghunder)
Features, Interviews, MusicJuly 23, 2019<September 19, 2019

Ready to Ruel: A Conversation with Australia’s Soulful Pop Sensation

Keren Ilan © Ariel Pedatzur
Music, Music Videos, PremieresJuly 23, 2019<July 24, 2019

Premiere: Keren Ilan Channels Loss & Detachment in Raw Debut “This Morning, Yesterday”

Lemon Trees - Mary Bryce
Music, PremieresJuly 19, 2019<July 19, 2019

Premiere: The Depth & Discomfort of Mary Bryce’s Elegant “Lemon Trees”

Riah © Daniel Prakopcyk
Debut, Features, Interviews, Music, PremieresJuly 19, 2019<July 19, 2019

Feature: Riah’s Enchanting Dreams of Loss, Love, and ‘Heartbreak Magic’

Free Zuma
Music, PremieresJuly 17, 2019<July 17, 2019

Premiere: “Dance Dance Dance” with Free Zuma’s Smokey Summer Disco Groove

Mother Pearl © Zoe Chait
Debut, Music, PremieresJuly 17, 2019<July 17, 2019

Premiere: Mother Pearl’s Epic, Vulnerable, and Therapeutic Debut “Father Figures”

Posts pagination
1 … 200 201 202 203 204 … 302

Recent Posts

  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
  • Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life May 14, 2026
  • “Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song May 14, 2026
  • “Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light May 14, 2026
  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services