• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Josie Dunne © Bree Marie Fish
Features, Interviews, MusicAugust 9, 2019<September 19, 2019

Pop Storytelling & Quirky Fun: An Interview with Josie Dunne

Ed Carlsen © Marco Camba
Music, PremieresAugust 8, 2019<August 8, 2019

Premiere: The Breathtaking Tranquility of Ed Carlsen’s “Entangled”

Freddie Dickson © Danny Feng
Music, PremieresAugust 8, 2019<August 8, 2019

Premiere: Anxiety & Doubt Submerge Freddie Dickson’s Aching “Slip of the Heart”

Elle Winter © Angelo Kritikos
Features, Interviews, Music, PremieresAugust 8, 2019<August 22, 2019

Premiere: Elle Winter Dives into the Alluring Emotional Release of “Cave In”

Honeyweed - Summer Salt
Music, ReviewsAugust 7, 2019<August 7, 2019

Review: Summer Salt’s ‘Honeyweed’ EP Is a Sweet Summer Kiss

Ariana and the Rose © Louis Browne
Features, Interviews, Music, ReviewsAugust 7, 2019<August 8, 2019

Constellations, Hope, and Dance Music Catharsis: An Interview with Ariana and the Rose

Your Smith © Samantha Marquart
Features, Interviews, MusicAugust 6, 2019<September 19, 2019

Interview: Reveling with Your Smith’s “In Between Plans” Euphoria

Wild Rivers © Justin Broadbent
Music, PremieresAugust 6, 2019<August 6, 2019

Premiere: Wild Rivers Reckon with Heartache in Dynamic “I Do”

FERGUS © Cara Kealy
Features, Music, PremieresAugust 6, 2019<August 6, 2019

EP Premiere: The Intimacy & Immediacy of FERGUS’ Pained ‘Three of Swords’

Field Mouse © Katie Krulock
Music, PremieresAugust 2, 2019<August 2, 2019

Premiere: Field Mouse Get Apocalyptic in Intimate New Song “Black Hole, Son”

Time For T © Anna Becerra
Music, PremieresAugust 2, 2019<August 2, 2019

Premiere: The Dreamy Folk-Rock Flow of Time for T’s “Screenshot”

whywhywhy - MisterWives
Music, Reviews, This Just InAugust 1, 2019<August 1, 2019

MisterWives’ Unapologetic “whywhywhy” Is a Dynamic Post-Breakup Reckoning

Atwood Magazine Editor's Picks 2019 July 29
Columns, Editor's Picks, Features, MusicAugust 1, 2019<November 14, 2023

Editor’s Picks: July 29, 2019

So Sensitive © Ashlyn Hubenak, edited by Cam Perkins
Debut, Music, Premieres, ReviewsJuly 31, 2019<July 31, 2019

Album Premiere: Female Energy Fuels So Sensitive’s Alluring Debut ‘Bedroom Drama’

Carriers © Michael Wilson
Music, PremieresJuly 31, 2019<July 31, 2019

Premiere: Memory, Love, & Hope Permeate Carriers’ Heart-Rending “Heaven’s People”

Posts pagination
1 … 199 200 201 202 203 … 302

Recent Posts

  • “You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time May 14, 2026
  • Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life May 14, 2026
  • “Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song May 14, 2026
  • “Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light May 14, 2026
  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services