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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Curly Hair - Gatlin © Sydney Whitten
Music, Music Videos, PremieresAugust 27, 2019<August 27, 2019

Premiere: The Ragged Intimacy of Gatlin’s Billowing “Curly Hair”

Emilia Martensson © Dave McKean
Music, PremieresAugust 27, 2019<August 27, 2019

Premiere: The Touching, Quiet Beauty of Emilia Mårtensson’s “Weariest River”

Sea Caves © Django Boletus
Music, PremieresAugust 26, 2019<August 26, 2019

Premiere: The Dreamy Kaleidoscope of Sea Caves’ New Single “Dart”

Atwood Magazine Editor's Picks 21
Columns, Editor's Picks, Features, MusicAugust 23, 2019<July 8, 2020

Editor’s Picks: August 23, 2019

ili © 2019
Debut, Music, PremieresAugust 22, 2019<August 23, 2019

Premiere: Emily Middlemas Ascends as ili with Stunning Debut “A Little Bit”

Stolen Jars © Tonje Thilesen
Music, PremieresAugust 22, 2019<August 22, 2019

Premiere: Finding Our Place with Stolen Jars’ Dazzling “Ghost Towns”

Erin Bowman Press Photo 3
Debut, Music, PremieresAugust 22, 2019<August 22, 2019

Premiere: Erin Bowman’s Got “Something to Say” with Passionate New Anthem

Angie McMahon © Paige Clark
Debut, Features, Interviews, MusicAugust 21, 2019<March 2, 2025

Salt, Fire, and Womanhood: An Interview with Angie McMahon

The Lost Hours
Debut, Music, Music Videos, PremieresAugust 21, 2019<August 21, 2019

Premiere: The Lost Hours’ Bittersweet Cocktail of Emotions, “Lonely Love”

Simone White © Simone White
Interviews, Music, ReviewsAugust 20, 2019<August 29, 2019

Interview: Simone White’s Loving Paean to the Heart, “The Beep Beep Song”

Michael Baker
Music, Music Videos, PremieresAugust 20, 2019<April 7, 2020

Premiere: Solitude & Togetherness in Michael Baker’s Intimate Dream “Claire”

As Above, So Below - Corey Kilgannon
Features, Interviews, Music, PremieresAugust 20, 2019<August 20, 2019

Album Premiere: Corey Kilgannon’s ‘As Above, So Below’ Is an Intimate American Protest

Rhythm of My Mind - Tyler Sjöström
Music, PremieresAugust 19, 2019<August 19, 2019

Premiere: Tyler Sjöström’s “Rhythm of My Mind” Is a Groovy Philosophical Indulgence

Sam DeRosa © Matthew Berinato
Debut, Interviews, Music, PremieresAugust 19, 2019<August 19, 2019

Premiere: Sam DeRosa Spreads Her Wings with Intimate “Baby I Know”

Wes Reeve © Leo Deveney
Music, PremieresAugust 16, 2019<April 16, 2020

Premiere: The Tenderness, Turmoil, and Lilting Beauty of Wes Reeve’s Debut “Honey, I”

Posts pagination
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Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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