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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

White Lies - White Lies - WarmingWarming
Music, PremieresJanuary 23, 2018<January 23, 2018

Premiere: Warming’s Sunny “White Lies” Dives into Addiction

Lake Jons © 2017
Debut, Features, Music, Our Take, ReviewsJanuary 23, 2018<April 12, 2019

Our Take: Lake Jons Turn Isolation into Connection in Emotive & Timeless Debut

City of Union © 2018
Music, PremieresJanuary 22, 2018<January 22, 2018

EP Premiere: ‘Birds of Paradise,’ City of Union’s 4-Sided Emotional Tapestry

You or Nothing - FERGUS
Debut, Music, Music Videos, PremieresJanuary 22, 2018<January 22, 2018

Video Premiere: A Heartfelt Surrender in FERGUS’ Stunning Debut “You or Nothing”

Kailee Morgue © Catie Laffoon
Debut, Features, Interviews, Music, ReviewsJanuary 19, 2018<January 31, 2018

Dark Spells & Light Dreams: A Conversation with Kailee Morgue

The Minnesota Child © 2018
Music, PremieresJanuary 19, 2018<January 19, 2018

Premiere: The Minnesota Child Lace Hope & Resilience into “Stay with Me”

The 1 Class © 2018
Music, PremieresJanuary 19, 2018<January 19, 2018

Premiere: The 1 Class Dare You to Think in “How Real Men Look”

Grace Basement © Corey Woodruff
Music, PremieresJanuary 18, 2018<January 18, 2018

Premiere: Grace Basement’s “Summertime Is Coming” Shines Warmth Through Sorrow

Kayobe © 2018
Debut, Features, Music, PremieresJanuary 18, 2018<January 18, 2018

EP Premiere: Kayobe Unveils Debut ‘Hidden’ with Nuance & Grace

HARDCASTLE © Caleigh Wells
Music, PremieresJanuary 18, 2018<January 18, 2018

Premiere: The Pulsing, Heavy Warmth of HARDCASTLE’s “What You Want”

Hurt Somebody - Noah Kahan
Debut, Music, ReviewsJanuary 17, 2018<January 17, 2018

EP Review: Noah Kahan’s ‘Hurt Somebody’ Triumphs with Heartache & Doubt

War Stories - Unwoman
Features, Music, PremieresJanuary 17, 2018<January 17, 2018

Album Premiere: Unwoman Wages ‘War Stories’ with Feminine Fury

The Fleeting Ends © 2018
Debut, Music, PremieresJanuary 16, 2018<January 17, 2018

Premiere: The Fleeting Ends Unleash “20 Something” with Youthful Passion & Nostalgic Fury

Damen Easton © 2018
Music, PremieresJanuary 16, 2018<January 16, 2018

Premiere: Damen Easton Debuts “Other Side of the Glass” with Love & Isolation

Blue Madonna - BØRNS art
Music, Our Take, ReviewsJanuary 12, 2018<January 12, 2018

Our Take: BØRNS Soars on Dreamy ‘Blue Madonna’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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